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Thread: Chris Reeves Knives History Timeline To Date !!!

  1. #41
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    Just noticed this, I see there is a Large P Sebenza on an online auction site that has a card dated 2-28-95.

    I recently sold a Large sebbie that was dated Dec, 1 1995 and it had no P marking.

    Just putting it out there, no such thing as to much info about these knives

  2. #42
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    History of Chris Reeve Knives
    by Anne Reeves


    When the sole proprietorship “Chris Reeve Knives” began trading in January 1984, it was from the single garage attached to the house in which Chris was living. He worked by himself, making and selling various designs of knives, including the early models of the one-piece design, in the local South African market. Early in 1985, he received his first inquiry from the United States. Shortly thereafter, a shipment of one-piece knives was exported to Moteng International in Los Angeles.

    Because of the promise of regular and substantial orders from Moteng, he moved into a home with a larger garage in July 1985 and hired a young assistant. All the time, Chris was working at improving production methods and increasing production capacity. In November of 1985, he received an inquiry from American Manor House in Baltimore, MD who, during the next 12 months, made significant purchases.

    The business had the potential for growth and because the South African market was limited, the growth had to come from export. Chris decided the best way to approach the export market actively was to exhibit at a Custom Knife Show in the United States. He applied for, and received, a table at the New York Custom Knife Show in November 1986. This show presented an opportunity for which Chris had been waiting a long time - to see how his work compared with the best in the world. It was very gratifying to see that his work was well on par; he made fairly good sales and met a vast number of new contacts.

    Among the people he met was Mike Stewart who, together with a young South African, Steven Lewis, formed a company called Blackjack Knives early in 1987. Blackjack Knives took premises in Los Angeles and their plan was to import and sell the Chris Reeve range of one-piece knives as well as develop their own range. Between April and November, Blackjack purchased a large quantity of one-piece knives and they did an excellent job of promoting the product. However, the company was poorly managed and almost went bankrupt at the end of 1987.

    During a 1987 visit to the USA, Chris exhibited at the California Custom Knife Show in October and the New York Custom Knife Show in November. He was well received by the buying public and knifemakers alike. He applied for membership of the (USA) Knifemakers Guild, was granted probationary status in July 1988 and became a voting member in 1990.

    The period between January 1988 and February 1989 was one of tremendous activity. Even though there had been an initial setback because of the collapse of Blackjack Knives, three USA companies began importing directly. Markets were opened in England, France, Italy, Australia and Hong Kong. A staff of five - Chris, Anne (his wife who had been working full-time in the company since January 1987) and three full-time employees - produced approximately 1,600 units during this period.

    While there were several advantages in exporting from South Africa (the exchange rate and the excellent Export Incentive Program offered by South African Government) these were outweighed by the disadvantages. The continuing political strife resulted in a spiraling cost of living (and production), the worldwide threat of sanctions and trade embargoes and the general anti-South African feeling, made regular export very tenuous for a small business.

    It seemed that the most sensible thing to do would be to move to the United States. Lengthy and careful consideration was given to the move and to the choice of location. Boise, Idaho was chosen for a number of reasons, the most important of which was that the city is large enough to provide the services required for the business yet small enough to allow newcomers to find their feet. The beautiful countryside of Idaho offers the space for recreation activities like hiking, camping and appreciation of the wilderness.

    Chris and Anne arrived in Boise in early March 1989 and within six weeks had occupied workshop space and were producing finished knives. The first year or two in the USA were difficult. There was so much to learn - how to, where to and who to - were questions asked daily. Chris and Anne attended 12 knife shows all over the USA between July 1989 and April 1990 - an exhausting but beneficial way to make the presence of Chris Reeve Knives known. The companies previously importing the knives had frequently misrepresented the product and now many misconceptions were cleared.

    But the overall pattern was growth. By 1991, Chris was able to cut down the number of shows to six large and/or prestigious shows a year; he employed an assistant; the range of one piece knives grew to 21 different models; Chris was making selected high-dollar, purely custom knives as time permitted. Advertising in dedicated knife magazines produced a constant source of retail sales and slow but steady building of a dealer base. Exports, particularly during 1992, were exceptional.

    Every cent earned was reinvested in machinery. Continual attention was placed on refining the product, the methods of making the product and ensuring that the product was what the customer actually wanted. Because quality control and customer service are such important facets of the company, additional staff was employed.

    In 1991, Chris introduced his folding knife, the Sebenza. The success of this design has been phenomenal. As a result of an article in the Fall 1990 issue of Fighting Knives, 75 orders were received from retail customers - none of whom had ever actually held the knife. An initial 86 purely hand-made large Sebenzas were made and supplied during the course of 1991. During this time, Chris was researching methods of making the knife more efficiently and in September 1991, purchased a $40,000 computer controlled machining center. This was a major step forward and a steep learning curve lay ahead but it was now possible to increase the quality and the consistency of the components for the folder. A smaller size Sebenza was introduced in October 1992. Continual development goes into variations on the integral lock theme, including embellishment of the handle, inlays, and different blade materials.

    In July 1993, Chris Reeve Knives, sole proprietorship, became Reeve Incorporated, trading as Chris Reeve Knives. The company brochure produced in April 1994 showed a refined line of one-piece knives. The reduced range better represented current market trends and allowed Chris Reeve Knives to continue to produce quality, affordable cutlery.

    The period 1994 through mid-1996 was a time of consolidation, and then followed a time of great activity. A front cover article in Tactical Knives magazine in July 1996 of a new profile Sebenza virtually doubled backorders for the folding knives and greatly increased interest in the fixed blade knives. In November 1996, we moved into a new 4,000 sq. ft. facility and purchased two new machines to assist in the production of Sebenzas. In July 1997, the Umfaan, a smaller version of the Sebenza, was introduced and sales have been beyond expectation.

    January 2000 saw the launch of the Classic Sebenza. In the time since Chris had introduced the new profile Sebenza in July 1996, many customers had requested the original profile knife, which was no longer available. As an acknowledgement of the turn of the millennium, we introduced the Classic MM (2000) in both large and small sizes. There were some minor differences from the original knife but the more angular profile was the same.

    At the Blade Show and International Cutlery Fair in Atlanta, GA during June 2000, Chris Reeve Knives exhibited for the first time as a fully-fledged manufacturer. This allowed the company to enter product in some of the different categories voted upon by other exhibiting manufacturers. The resulting industry awards are highly prized and so it was with great pride that we received the “Manufacturing Quality Award” for 2000. Building on this prestigious achievement, Chris Reeve Knives proudly received the award for the second time in 2001.

    It had been several years since any brand new knife concept came from Chris Reeve Knives and so by the Shot Show 2001, the time was right for the introduction of the Mnandi. This elegant, discreet pocketknife is perfect for a businessperson because it is very functional but looks entirely non-threatening. Orders prior to the actual availability of the Mnandi were exceptional and demand continues to be very high.

    June 2002 saw a new phase in the history of Chris Reeve Knives. Working in collaboration with custom knife maker Bill Harsey and Tactical & Survival Specialties, Inc., a company that provides logistical support for special operations teams, we submitted a fixed blade knife to U.S. Army Special Operations Command with the anticipation that it might be selected as the knife to be presented to all graduating Special Forces soldiers. The submission was successful and we are very privileged to make “The Yarborough”, a knife that is presented to every graduate of Special Forces Q Course. The Yarborough is also available to current and retired SF, and a civilian version, known as “The Green Beret” is available to the public at large. Response to this knife has been exceptional!

    At the Blade Show in Atlanta, GA in June 2003, the Yarborough/Green Beret knife was judged “Knife Collaboration of the Year”. Chris Reeve Knives was also the proud recipient of the Manufacturing Quality Award – the only three time winner of this award.

    While we anticipate that world events will impact both our business and the knife industry in general, we look confidently to the future – where Chris Reeve Knives will show that exceptional design and quality craftsmanship are always desired.
    Gibbs Rule #9 " Never Go Anywhere Without A Knife "


    !!!......Its Not Just Any Knife, Its A Chris Reeve Knife......!!!

  3. #43
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    ** MAMMOTH IVORY INFORMATION **

    With all the talk about mammoth bark lately.......wether its stabilized, how its treated, how to care for it, etc. For my own personal knowkedge and of course to share with my fellow CRK friends, I emailed CRK and asked about durability, how its treated, cracks, etc.

    Here is my email to them and their response. Definitely to get a mammoth ivory...when that right one comes alone ( and when I sell more....lol ).

    CRK,

    I have been looking into getting a CRK with Mammoth Ivory. The beauty on
    some of these is unspeakable. I am considering the sebenza and the mnandi.

    I would like to know how you stabilize them and how durable they are
    overall. I see several that have cracks in them, is this a normal and it is
    something I should be worried about...?

    Are different colors more durable, or is it all equal with your stabilizing
    process.

    Looking forward to hearing from you and what you have to say about the
    mammoth ivory.

    Thanks,
    Thomas
    ( nyefmaker )


    I am sure this info will be more than helpful to my fellow CRK buds as it was to me. Many Thanks to Jessie from CRK for her quick reply.

    Hello Thomas,

    The mammoth that we use is not stabilized (like some wood inlays are)...the
    main finish we use is a wax to polish/protect the inlay. The mammoth bark
    does have cracks and crevices at times but if the inlay has deep crevices we
    do try to make sure that they are resistant to getting anything stuck in
    them that may cause them to erode or "crack".

    The color variations you see are due to what that mammoth might have been
    exposed to (or buried in) before it was found and that also varies greatly.
    But the color doesn't have any significance to the strength.

    To care for mammoth is easy, just use a damp cloth to clean it and it is
    best if the knife is not exposed to extreme conditions over a long period of
    time...i.e. heat, humidity, bleach, harsh soap etc. For example we say that
    if you keep the knife in a pocket and it tends to be a sweaty, moist
    environment then it should be kept in the pouch. That is why we provide one
    with all our inlays and decorated knives...it just adds that extra
    protection. But the way we make the inlay should keep it stable if cared for
    well. Our inlays are a natural resource and are not sold as indestructible
    but with proper care they will be fine. And of course if for some reason
    something unusual happens like a crack we will look at it and determine if
    it is a warranty issue.

    The mammoth inlays are meant to be our top of the line, unique and beautiful
    inlay and with anything of that sort you wouldn't want to subject it to hard
    use like you would say with a regular Sebenza. It certainly will be
    something to show off and be proud of.

    Hope that helps you make your decision.

    Jessie
    Customer Service - Chris Reeve Knives


    Here is some more information on Mammoth
    Fossil ivory comes from three sources—it is either walrus ivory that has been buried for hundreds to thousands of years or it is 10,000-plus-year-old ivory from the long extinct woolly mammoth or mastodon. All of these ivories have been buried for centuries and have absorbed minerals from the soil that have turned them varying colors from tan, orange, golden brown, and chocolate brown to even black; occasionally a blue or green color is also seen. This ivory is not truly fossilized in the sense that the ivory has been replaced with minerals/stone; it is really just beginning to become mineralized. It is in the earliest stages of fossilization and is just slightly harder than fresh ivory. "Fossil" ivory can be cut or worked with the same tools that regular ivory is worked with as listed below, the only difference you may notice is that due to the minerals it generally has a rather unpleasant smell when it is being sawn or sanded and it takes an even better shine than fresh ivory. Most "fossil" walrus ivory is found in the form of Eskimo artifacts, usually sled runners, large chopping tools (adzes or mauls) or net weights; this is because the Eskimo had lots of ivory and very little good wood. The Eskimo dig for these artifacts during the warm summer months at ancient village sites.
    Last edited by nyefmaker; 02-28-2012 at 08:11 PM. Reason: Additional Information Added
    Gibbs Rule #9 " Never Go Anywhere Without A Knife "


    !!!......Its Not Just Any Knife, Its A Chris Reeve Knife......!!!

  4. #44
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    nyefmaker, thank you for all the information here. I have referenced this sticky many times.

  5. #45
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    Quote Originally Posted by lisantica View Post
    nyefmaker, thank you for all the information here. I have referenced this sticky many times.
    Your more than welcome Lisa. Glad its able to help you out. I update it when I get new info. I always confirm the info with CRK so its accurate. I can never thank the CRK team enough for providing all this info for me. Once I obtained so much, I thought it was best to share it so all could enjoy it and learn from it. I am so glad the mods allowed it to be a sticky for all to reference and enjoy.
    Gibbs Rule #9 " Never Go Anywhere Without A Knife "


    !!!......Its Not Just Any Knife, Its A Chris Reeve Knife......!!!

  6. #46
    awEomE COLLECTIONS nyefmaker!! I am just starting!

  7. #47
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    There has been some discussion about Chris' involvement in the development of the CPM S30V alloy. In an effort to keep this information readily accessible, I think it is appropriate to post the information inside this thread.

    from Dick Barber - formerly with Crucible Materials, regarding the development of CPMS30V. Posted 12/04/12:

    "By way of introduction my name is Dick Barber and worked as a metallurgist for 25 years with Crucible prior to leaving for my current position.
    While at Crucible I was involved with directing our alloy development as chairmen of the technical review committee. During that time I attended the Oregon knife collectors meeting in Eugene where I met Chris Reeve who at that time was using BG 42. I asked Chris why he was not using our materials and he told me that if we made something better he would buy it. This conversation was the beginning of a project that I sheparded through our alloy development process to make a better knife steel. During that time Ed Severson and myself conducted inverviews with many other knife makers but Chris was the only one who had access to the early alloys which were made. In fact material for the first heat of S30V we made in the research lab was given to Chris to work with. From that material he made 4 knives, one was given to me, one to Ed Severson, Chris kept one and Scott Cook who ground the blades kept the fourth. Those knives were tested and compared to other materials and several suggestions were made for improvement in the alloy. From that point a second set of materials were melted and tested in the lab. From that came the origional CPM S30V as well as the later CPM S35VN. As a reward for his interest and feedback on the product Chris was the first maker who had access to commercial quantities of the alloy. Some have said in many posts that Chris had no involvement in the development process. I can say that if you were not there then you should not comment on what did or did not happen. I can say as one who was there that were it not for Chris and his persistance in pushing me there would not have been a CPM S30V or the alloys that followed."


    Original Thread:

    The-true-history-of-S30V-development
    Last edited by DallasSTB; 12-05-2012 at 12:00 PM.
    "The edge is a wondrous thing" - Sal
    RAT Pack #94
    Reevaholic #94

  8. #48
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    nyfemaker I hope the following is ok with you? It relates to a couple of butt caps from the One Piece Knife range that I just got an answer on from Anne Reeves......... The round black/gray one is a very early South African made cap from an Aviator. (see below)





    "Hello Nick...............
    Both the orange and the yellow/green are both original! We did orange both in SA and in USA but had the yellow/green done here. We both had to do quite a bit of brain scratching to remember but as far as our memories serve, the yellow/green was a type of epoxy and not the GunKote of the orange and black. As we remember, the epoxy was quite thick and we had to tap the threads to remove the coating to make sure the cap would fit into the handles.

    I hope this is helpful – be sure to let me know if you have any further questions.
    Best wishes

    Anne"


    I also have a letter from Anne Reeves relating to this Aviator knife. It is a very early version, made in D2. In her words " The reason the cap and sheath are unusual is that they pre date the well known versions. The cap was the first iteration in the development of the butt cap - from this style it went to a hexagonal and then to the round knurled style"...........




    Nick
    Last edited by nickpp; 02-12-2013 at 02:05 PM.

  9. #49
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    Hello To All My CRK Friends, I have not been on a lot lately due to a lot of personal things I am dealing with in my life the past 6 months or so. But I do check in from time to time and read some posts, just haven't been posting a lot myself is all. But I am always here in spirit and I still get emails asking about CRK, which means a lot to me........As for posts here, The CRK Timeline is for All Of You, My CRK Friends. Feel free to add anything you like about the history of CRK. Any info and pics are always greatly appreciated and encouraged. You never have to ask, just do.
    Gibbs Rule #9 " Never Go Anywhere Without A Knife "


    !!!......Its Not Just Any Knife, Its A Chris Reeve Knife......!!!

  10. #50
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