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Thread: Building a classical guitar

  1. #1
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    Building a classical guitar


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    Howdy folks,
    Well, I'm thrilled that they finally created a subforum for this sort of thing, though I guess it's old news now. Some pretty interesting stuff you guys have posted here. I thought I'd share some pictures (and text, if I have the time) of my current non-knife related project.

    For those of you who haven't read any of my past guitar builds, I got into luthiery a couple years ago as a distraction from knife making. Boy is it working. I've finished 10 guitars, and almost done with my 11th, which is this one. It's a nylon string classical, to replace my best one which I sold a couple weeks ago.

    I'm using osage orange (which grew in my backyard) for the back and sides, and the soundboard is Sitka spruce. The neck is mahogany, and the binding is curly maple. The bridge, fretboard, and rosette are desert ironwood.

    This isn't going to be a real in depth thread, because I don't have the time right now, but hopefully some will find it interesting or helpful.

    One of the first things I do is the rosette. This one is what’s called a radial rosette. It’s made by cutting a bunch of wedges of wood (desert ironwood burl, in this case), and gluing them to a sacrificial board with some black strips in between:



    Then a router with a circle cutting jig is used to make it round on the inside and out:






    Now the ring is cut free of the board:




    Now the channel is routed out on the soundboard:


    And the ring is glued in:
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  2. #2
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    Next, the main ring is sanded flat:




    Now there are two rings (called purflings) that go around the inside and outside of the main one. These are white and black laminated veneers:



    As you can see, it’s straight. So, I have to bend it. I used my bending iron, which is heated with a propane torch:





    I didn’t get pictures of routing out the channels, or bending, but here’s the purflings in their channels:





    Now the purflings are flooded with Crazy glue:





    After the glue is hard, the extra is carefully trimmed off with a chisel:





    Then it’s all sanded flat:





    Now it’s ready for bracing. The figure of this will really pop when finish is applied.
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  3. #3
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    Phil - I really enjoy your WIPs - both knives and the guitars. The craftsmanship shown in the guitar threads is way up there. I can hardly wait to see what the osage orange looks like - you must have a heck of a big piece to book match the back!

  4. #4
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    Beautiful ! Now I'd like to hear the final sound of my favorite classical guitar music.

  5. #5
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    Amazing work! Your attention to detail is second to none. I wish I could play guitar, been on a waiting list for private lessons for almost a year now.

    Looking forward to seeing this progress.


    -Xander

  6. #6
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    Quote Originally Posted by stevewest View Post
    Phil - I really enjoy your WIPs - both knives and the guitars. The craftsmanship shown in the guitar threads is way up there. I can hardly wait to see what the osage orange looks like - you must have a heck of a big piece to book match the back!
    Thanks!
    Yep, I have some big logs. I put an ad in the paper asking for large osage logs, and got some good ones that way. This classical is a pretty small guitar, but I have pieces big enough for a dreadnought.

    Quote Originally Posted by fast14riot
    Amazing work! Your attention to detail is second to none. I wish I could play guitar, been on a waiting list for private lessons for almost a year now.

    Looking forward to seeing this progress.


    -Xander
    Who are you going to get lessons from? Anyone famous?

    This guitar is most of the way done, I'm just behind on posting. Right now it's hanging in my closet.
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  7. #7
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    So, here's some more pics.

    The bracing:






    Gluing the top to the sides in my new go bar deck:




    My label:




    Putting on the binding and purfling:





    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  8. #8
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    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  9. #9
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    The bridge:









    Spraying:







    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  10. #10
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    The neck/fretboard:













    And that's all the pictures I have for now. In a week or two, if the lacquer is hard enough, then I'll finish it.
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  11. #11
    Beautiful work so far. I'll be following this thread to see you finish the project!

  12. #12
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    Incredible craftsmanship my friend.

  13. #13
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    Thanks fellas!

    Here's some more pics. Yesterday I "finished the finish". I used an orbital sander with 400 grit to level the lacquer, then 1000 grit to remove those scratches. I usually go higher, but decided to quit there and see how it looks. It's not too bad. If this were for a customer, I'd put more time into it, but this is for me, so I'm stopping there.

    Then it gets buffed to a mirror shine.

    Then the bridge is glued on. The bridge I showed earlier was desert ironwood, but I decided to make one out of rosewood for a couple reasons. One, DI is too heavy for a classical bridge, and two, I made the saddle slot too close to the edge, and I'm afraid it might split there.

    I used to use deep c-clamps to glue the bridge one, but now I use a vacuum clamp, which is soooo nice:



    The way it works is, you apply glue to the bridge, put it in place (a masking tape border is used to make sure it doesn't shift around) put the clamp on for 10 minutes, clean up the glue squeeze-out, then put the clamp back on for 20 minutes.



    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  14. #14
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    Now I've got the neck bolted on:




    the (bone) saddle made:




    and the nut (also bone) made:




    That's all I can do until the tuners arrive Friday.
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  15. #15
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    I want to see the rest of this. Looking great.

  16. #16
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    How do you use the fig bars for finishing ??

  17. #17
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    Quote Originally Posted by mete View Post
    How do you use the fig bars for finishing ??
    They're the fuel that keeps the builder running.
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  18. #18
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    Fantastic work so far You have some skills, sir.

    Beware the fury of a patient man. . .

  19. #19
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    Quote Originally Posted by proud2deviate View Post
    Fantastic work so far You have some skills, sir.
    Thanks! I do have a stupid streak though, which you'll see in the next round of photos...
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

  20. #20
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    It's alive!


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    OK, here's the semi-final batch of pictures. I need to find some good lighting to take some glamor shots, but here's some of installing the tuners and stringing it up.

    First tuner:



    Both tuners:



    Now, I put the tuners on the wrong sides. In my defence, I looked, and one was marked "L", which I took to mean "left", and one was marked "R", which I took to mean "right". Sounds logical, right? Well, I installed the one marked "L" on the left, and the one marked "R" on the right, and it was obviously wrong. So I took them off and put them on correctly. Now there's a couple screw holes to fill.




    The strings:





    Putting them on:








    Then action is too high, so I'll have to adjust the neck angle, but that was expected. I'll let it settle in for a couple weeks before I do that.

    They say you shouldn't judge the sound of a guitar right away, because things will change over time, but it does seem better than my previous classicals. It's louder, and the trebles and bass are more balanced.
    The bitterness of poor quality lingers long after the sweetness of low price has gone.

    www.pattonblades.com

    https://hoosierbladesmith.wordpress.com

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