Differential Polishing for 'Hamon'

Dons a great guy but does not specialize in the Japanese craft.


Using higher grade stones on a kukri is a waste of time. There is no grain to open up, no features to highlight, no hamon details worth spending the time on. These are NOT works of art in steel-there is nothing there to SEE-no grain, no color, no details , not even a hamon with body and shape. These are simple temper lines since they are tools. Also the lines on the Hi kukris I have seen are a rough and will require work to bring in line with low grit artificial stones. The flats first for uniform thickness to start with- then the back angles to align them with the nice,new,FLAT side profile.... and last the edges. If there are fullers, you will need to flatten the sides then re-cut the fullers, then attack the back profile to realign the lines. The finish will be much more pleasing to the hand and eye.

His advice on NON-traditional polishes will work for most people here who want to work on Kukri. His advice echoes the same method I referred to in my earlier post on using ferric chloride 2 to 1 (water to acid) (Archer etch from radio shack). As I stated it is superior to the vinegar method-which I would never use.
Just a side note -pour the acid into water _NOT_ water into acid. I'll say it again put water in a container and then pour in the acid. In some cases with a stronger acid you will get a violent reaction if you put the acid in a bowl and then pour in water. Always wear eye protection and use it outside. You may not see them -but acid makes fumes that can hurt your eyes.

Try preping the blade up through a 600 grit sandpaper finish. Stones are not needed if you do not have them. A dremel tool with a wheel will fix and straighten the fuller lines. Use a hardbacked paper for the smaller cut-ins on a dui chira to clean them up as well.

Anyway.....
The rubbing
Wiping the blade down before hand is VERY important to the best clean etch . I use acetone to remove all oil residues. Then as don states using a paper towel to apply the etch at first will help with an even etching BUT from there I continue to swab with a cheap white china bristle brush. This helps to get a more even and deeper cut to the steel. Tip.....hold the blade point down over the container and reclaim the acid- it is re-usable.
Wash the brush-it is reusable too.

Wash the blade with a neutralizer-then rub it with water till you get the balck residue off of it, then sand with 600 grit sandpaper. You will get a black reflective body and whitish diffuse edge that shows whatever hamon you got. Really its just a temper line. A hamon has charactor and form that was planned and created with dozenes of features.
Forget the stones on a kukri-they aren’t worth it-they’re work horses not wall-hangers.

My Dui chira
I am applying a hamon (Choji Midare with ashi) to the edge and the back (in a prolonged return). I will draw the back to a spring temper (weaker hamon but stronger blade-and leave the edge at a 58-59RC I will then flatten the blade to a thinner profile, (the wheight is not needed on a properly treatd blade) recut the fullers and then reform a convex edge. I will post pictures when done.



Happy new Year

Dan
 
Thanks.

Is there a Japanese term for the hardening zones
(temper line/hamon)
that are not a ha-mon?

ha-????
 
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