Another "Cheap" Knife Photo Setup

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Jan 4, 2008
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While I was in Vegas shooting some stuff for the Tactical Invitational, I noticed Hiro and Tomo shooting knife photos with a single speedlight (the kind that mounts on your hotshoe) and a basic disc diffuser. I decided to give this a shot at home instead of my usual setup, which is bulky and a bit expensive.

Of course, you have to have a way to get the light off of the camera, but some of you with DSLR cameras may already have a speedlight or two and maybe even radio triggers. Its also come to my attention that the backdrop outlet and other stores like it are offering close range radio triggers for as little as $50. I use Pocket Wizards to trigger my small flashes, but one could use a cheaper radio trigger, another hotshoe flash, or a TTL cord like the OC-E3 from Canon to trigger the off-camera flash.

The disc diffuser I had was not the greatest so I switched to a white trash bag (that's something cheaper that you already have anyway right?). I also added some tin foil reflectors to bounce some more light back into the handle.

Surprisingly, I was able to shoot at f9 at ISO 200. I could have stopped the aperture down even more by bringing the flash closer or cranking up the power a bit (I was only at 1/2 power). I did it hand held at 1/30 just to show how the flash freezes the knife (no need for a tripod IF flash is your only light source, since the flash pops at about 1/1000). Thats the main thing I like about using a strobe- you can shoot hand held and not worry about blur.

Anyway here are some pics. I pulled out the built-in diffuser card on the flash head and hung it to my chandelier with a Justin Clamp. But you could always use a light stand or some duct tape or gaffer's tape. I also intentionally used my cheaper speedlight (a 430EX II). These are about $200 on the used market.

So if you have a DSLR, a speedlight, something to trigger it with, all you need is trash bags and tape, maybe a few A clamps, and some patience :-)


knife.jpg

crop.jpg

setup-full.jpg

speedlight.jpg
 
I've been using just a 430EX II and a diffuser for a while now, works surprisingly well. I started with a cord but now I use a Cactus V2 wireless trigger.

A few examples:

TobyHunterDI08-09.jpg


Flintlock.jpg


Hossom.jpg


 
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Rob: Man, you just stepped up to the plate and blew it over the center field wall with a little ingenuity and a LOT of experience. The ol' garbage bag diffuser making the headlines..... :p

A great tutorial and all the better with such a conclusive example shot. :thumbup:

I'm loving your re-explanation of the strobe's ability to capture sharp images at even relatively slow shutter speeds. As you guys know, for these reasons, I've been shooting handheld for years and won't look back. ;) (I chuckle every time a newbie is asked about taking quality photos, and the well-meaning respondents nearly ALWAYS point towards a good tripod. Ummm, not so fast...)

Kam: I don't think it gets any clearer than those. Fine examples, all!

Let's see some more. :)

Coop
 
This is timely.

I purchased a pocket digicam before Christmas, just to have a portable camera around often. (I NEVER leave the studio with my 21mp Canon EOS-5DmkII. Too much at stake.)

I got a good one, but there are many. It's a Canon S90.

For an example I decided to try something. I ran this camera in Manual mode and used the on-camera flash to trigger my (2) monolight strobes. (I deflected the camera flash upwards to the diffuser so it wasn't so dominant.)

After a few trials I came up with this shot:

orig.jpg


Yes, I processed it through Photoshop. Same as my 5D shots. I'm hard pressed myself to tell the difference from my DSLR.

95% of good shots is LIGHTING!

Coop
 
I also use the 430EX II on the camera, I position the head so that when I look down at what I'm shooting the light from the flash will bounce off the ceiling. I mostly use it to shoot things other than knives as the light can be too strong to equally expose the blade and handle but this can be overcome by shooting at a low angle.

Some examples:

beretta92.jpg


bmlum2.jpg


starmate2.jpg
 
Coop- great example with the point and shoot camera. Shows that the lighting is such a key, and the camera doesn't matter so much. Kills me when people look at my port and say "great shots, you must have a really nice camera!" :-)

Kam great examples of bounced flash. Its another reason I love hotshoe flashes. You can have "studio lights to go" and also more options on camera due to the fact that you can swivel the head around to aim it at different things.

Are either of you guys into reading strobist? Its a lighting blog by David Hobby that I've been into for quite a while now. strobist.blogspot.com

Cheers,
rob
 
I've visited that blog a few times Rob but I don't follow it regularly.

Forgot to mention, when I use the flash off the camera I put a Stofen on it to diffuse the light more.
 
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