- Joined
- Oct 29, 2006
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As requested in the other thread about the carved sheaths here's the process pics.
I am pretty much a noob to the carving thing so forgive some inconsistencies and maybe some mistakes in the process but for what it's worth here's my method. (ever changing as I try more and more)
Any tips or pointers would be appreciated.
This is for a Scrapyard Dogfather. The plan was to make a collar with rings for a Baldric style carry sheath.
Here's the sketch.
Next is laying out the template for the leather. Because of the flare in the sheath and the curves I've added, it's not just a rectangle. I start by only cutting the main center shape and trim the wings that wrap around slowly as I refine how it will fit. Also one has to take into account the difference in the thickness of the paper vs. the leather.
The final shape and the transfer to the leather. I marked out the corners of the actual sheath (red arrows) so I can line up the drawing to be centered.
Punch the hole and line things up again and adjust.
At this point I cut the leather to the final shape and "cased" it. You wet the leather and let is come back to the original colour but it's still damp inside. This allows it to take and hold the shape of the carving and stamping.
There are products for this but so far water seems to work for me.
Transfer the drawing to the tracing film
I am pretty much a noob to the carving thing so forgive some inconsistencies and maybe some mistakes in the process but for what it's worth here's my method. (ever changing as I try more and more)
Any tips or pointers would be appreciated.
This is for a Scrapyard Dogfather. The plan was to make a collar with rings for a Baldric style carry sheath.
Here's the sketch.
Next is laying out the template for the leather. Because of the flare in the sheath and the curves I've added, it's not just a rectangle. I start by only cutting the main center shape and trim the wings that wrap around slowly as I refine how it will fit. Also one has to take into account the difference in the thickness of the paper vs. the leather.
The final shape and the transfer to the leather. I marked out the corners of the actual sheath (red arrows) so I can line up the drawing to be centered.
Punch the hole and line things up again and adjust.
At this point I cut the leather to the final shape and "cased" it. You wet the leather and let is come back to the original colour but it's still damp inside. This allows it to take and hold the shape of the carving and stamping.
There are products for this but so far water seems to work for me.
Transfer the drawing to the tracing film