Best description that I've seen on how those cool, basic patterns (ladder, twist, circles/pool & eye, X's, O's, multi bar composites) are done is in Jim Hrisoulas' 1994 book called "The Pattern Welded Blade ... Artistry in Iron". He shows you basic sketches of how he assembles the billets. Jim's stuff is all good basic reading on how stuff is forged and what various properties the forged steels have to offer.
For more general forging info, see also his 1991 book "The Master Bladesmith" rather than his earlier, less thorough 1987 "Complete Bladesmith". All are published by Paladin Press:
http://www.paladinpress.com/
There was an article in one of the recent knife mags also (past couple of months? Blade Mag?) that I thought was a good intro... covered how the Montana Mafia, and guys like Knickmeyer, Schwarzer, etc... are using powdered metals and hydraulic presses to do the fancy figures and letters in mosaic damascus. I'd have to go dig to find the issue. Anybody?
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If you just gotta have more, find the 10th Annual "Knives '90" book from a used book seller, the series published by Ken Warner until this year.
The book contains a fascinating, to me anyway, article by Warner on a very talented bladesmith named Scott Lankton. Scott was able to design and fabricate what is likely a very good replica of the legendary "Sutton Hoo" sword, found in an 80 foot long Saxon ship that was buried at a site at Sutton Hoo dated to be several hundred years prior to the Vikings. Sutton Hoo is in "Suffolk, near Woodbridge" in the UK.
http://www.wuffings.co.uk/MySHPages/SHTreasure/SHSword.htm
http://www.capital.net/~mooneye/medieval/lankton.html
http://www.csis.pace.edu/grendel/projs4a/sutton.htm
As you can see from the pics, Scott did a really cool, very complex 4 bar composite blade that has alternating sections of heavily twisted and then straight patterns... one side sort of mirrored from the other side of the sword. Can't explain. Pics show exactly how he built up the composite bars, with "in process" shots of the various stages of the project.
Exceedingly difficult project, it ended up in the British Museum.
[This message has been edited by rdangerer (edited 05-16-2001).]
[This message has been edited by rdangerer (edited 05-16-2001).]