Here are a some pics of a DOTD Kumar Karda.
The finish is superglue, and I haven't gotten the technique quite right. But it still looks pretty good. Funny, since it looks REALLY bad in it's unfinished state.
Aardvark you're getting there.:thumbup:

All you need is several more coats of superglue to build the finish way above the grain and surface of the wood proper.
When I put the superglue finish on my HighSpirit Bass Condor Flute in "D" it looked like it was ruined until I got the present layer of glue smoothed up.
I didn't sand it perfectly smooth between sandings but knocked off the high points and then spread a coat in the low spots with my finger, encased in a vinyl glove...

The next sanding would generally pretty well level things up and I kept repeating really heavy and thick coats until I had about 0.025" of an inch of superglue all over and pretty level getting close to the final sanding. I built it up until I had about a 1/32" thickness all over with lighter coats and then I started the final sanding going finer and finer with the wet or dry sandpaper that I used wet when it started really leveling out.
When it started looking pretty good with I think the 600 grit I then used a maroon Scotch-Brite pad with mineral oil and used a really light hand getting closer to the final finish.
When you are at a near glass smooth finish you'll need to get some rottenstone to put the glass like finish on.
Wet down a very soft cloth with a bit of mineral oil and then sprinkle a good amount of the rottenstone on the pad making sort of a paste and then rub like hell in a straight line with the grain.
Suddenly the wood will look like it's been encased in glass and polished.
My big Bass Flute is about 26 inches long and I used about seven or eight bottles of the Bondini II that WalMart once sold.
They were a pretty generous sized bottle but not quite as generous I don't believe as the bottles of LocTite Superglue our WalMart's now have.
But maybe they were, I just checked to see how much was in a bottle and it's .14 ounce and the bottle has a lot of superfluous excess fluff on it.
Of course if you just built it up until the coat is thicker and do what you've been doing and then use the rottenstone and oil on it you'll be home free.:thumbup:

When you hold my Bass Flute up so the light glances off of it all you can see is a glass like surface. All of the grain is completely filled and covered and probably to an excess since that's the way I generally do things but it sure is pretty and the Red Cedar hasn't cracked since like it did in the extreme heat and dampness in the Lodge before the superglue finish.
