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https://www.bladeforums.com/threads/bladeforums-2024-traditional-knife.2003187/
Price is $300 $250 ea (shipped within CONUS). If you live outside the US, I will contact you after your order for extra shipping charges.
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"All of the ceramics use the same micron size (15-25). the different grits are created by different carriers, different firing techniques and diamond surface grinding."
Never tried that one. I don't recall seeing any posts here on the forum either, about issues with that one. All of the issues I'm aware of were related to the grey ceramic from Fallkniven. I don't know how long the white has been around either. It may be I haven't heard of any issues with it, if it's a relatively new offering from them.Obsessed with Edges do you know if the white "super fine ceramic" (in CC4) is similarly inconsistent?
Yes, you can refinish them coarser using coarse lapidary diamond grit. The method I was referring to was not using diamond plates, and I do not recommend that method for lapping/conditioning. The loose grit method is faster and produces better results.For me that has always been a one way. Finer, yes. But coarser? Need to try loose abrasive grit. Diamond stones didn't work, they just made the surface finish finer.
When the stone was new, I wanted the DC4 to be much finer. Now I want it rougher. You always want to have, what you don't have....
I think I have read a post in the Spyderco forum, where more or less the same topic was discussed. It was the same thing Fallkniven states: The stone gets finer when you use it. Will it be too fine / smooth at some point? Can you resurface an ultra fine stone coarser? Sal Glesser said no, as far as I remember.
But: The UF is a fine stone with a finer surface finish. If you can make it finer, you can make it coarser?
When I started sharpening I thought I just would need a stone, or two.Yes, you can refinish them coarser using coarse lapidary diamond grit. The method I was referring to was not using diamond plates, and I do not recommend that method for lapping/conditioning. The loose grit method is faster and produces better results.
Fallkniven and Spyderco stones are always described as low maintenance ("stay flat virtually forever"). Hardly no one is ever talking about this dressing thing.You do need to eventually dress sintered ceramics, since they don't shed grit on their own. When the surface grains blunt and start burnishing instead of cutting you need to recondition it to remove the surface layer of grit and expose fresh-cutting grains with a retextured surface at the desired level of aggression.
Basically all stones require some degree of maintenance. It's true that the sintered ceramics stay FLAT forever. But that's because they don't shed grit, so depending on how heavily they're used and on what steels the surface grains will blunt over time, and eventually do little more than rub/burnish instead of actually sharpening. Japanese water stones are the polar opposite, and tend to be very soft, which makes final apexing annoying at times, but they cut very quickly because they are continuously exposing fresh grit. They do often require frequent flattening as a result.When I started sharpening I thought I just would need a stone, or two.
Fallkniven and Spyderco stones are always described as low maintenance ("stay flat virtually forever"). Hardly no one is ever talking about this dressing thing.
Next time I buy Japanese waterstones...
ive heard this for a long time about the sintered ceramics, ive lapped a few surfaces with 60 grit sic on the medium to get it a little more aggresive and that works but it doesnt last long. i know you have your own line of stones and am curious, have you ever purchased the kme ceramic versions of their benchstones? the texture is far more porous by comparison to spyderco, and you dont need to lap them for a temp. solution. i do believe these kme ceramics must have a bunch of way larger sapphires they press together, you can per say see the grit and it looks way more defined then the spy med. of course they cut way faster im guessing to the media size, but whats your thoughts? can they use small grain in a fashion or a process where its still a bit more porous or is it safe to assume you need bigger media to create said voids?They all use synthetic sapphires (aluminum oxide) and they all have a mix of grain sizes averaging 15µ but those are not the important part here. Abrasives in general rely on more than just the grit size to affect the finish produced and relative cut speed, and sintered ceramics even more so.
Sintered ceramics are binderless and are basically like synthetic sedimentary rock, with the enormous heat and pressure used in their creation causing the grains to fuse with one another. This not only makes for a very hard bond, but the grains are in a range of sizes to make them easier to fuse--if they were all one size they wouldn't want to stick together so readily. However the final product's cutting method is less the individual grains cutting the steel, but rather the surface texture that does it. That is to say, they function more analogously to a file. You can lap these stones on loose abrasive grit (lapidary diamond recommended) to condition the surface to different degrees of roughness that will cut more or less aggressively, much like coarse and fine file cuts, despite the files themselves being made of the same steel in either case. The grit size of the stone essentially doesn't matter in this scenario, and should not be focused on.
If you don't like how one is cutting compared to the other...just resurface it.![]()
while thinking aloud, the reason im less convinced that resurfacing is the way to go is because of the medias stock surface. when you score up a piece of plate glass with low grit sic you change the surface texture, we all know that, but when you get through that roughing you produced theres nothing but super fine smooth glass below, so its a temporary solution not in a sense how the stone is supposed to be used. (not saying you cant of course multi purpose a stone) i think you said below, the original surface, or the surface you create after using the stone for awhile is the true composition of the stone and should be used in the sequence it fits. hense why resurfacing a med. spyderco isnt its true calling to cut material fast, sure i can spread jam on toast with a samurai odachi, or use a butter knife. just seems weird i know we all like multi functional items but after trial of making a stone coarser, that stone slowly goes back to its original sintered formatThey all use synthetic sapphires (aluminum oxide) and they all have a mix of grain sizes averaging 15µ but those are not the important part here. Abrasives in general rely on more than just the grit size to affect the finish produced and relative cut speed, and sintered ceramics even more so.
Sintered ceramics are binderless and are basically like synthetic sedimentary rock, with the enormous heat and pressure used in their creation causing the grains to fuse with one another. This not only makes for a very hard bond, but the grains are in a range of sizes to make them easier to fuse--if they were all one size they wouldn't want to stick together so readily. However the final product's cutting method is less the individual grains cutting the steel, but rather the surface texture that does it. That is to say, they function more analogously to a file. You can lap these stones on loose abrasive grit (lapidary diamond recommended) to condition the surface to different degrees of roughness that will cut more or less aggressively, much like coarse and fine file cuts, despite the files themselves being made of the same steel in either case. The grit size of the stone essentially doesn't matter in this scenario, and should not be focused on.
If you don't like how one is cutting compared to the other...just resurface it.![]()
how do they work then? i know for a fact i have lapped a ton of spyderco UF stones with sic powder on glass and my sic turns pure white like alum ox. i do understand that under normal blade use the sintered ceramics dont shed to the eye. i just think the medium one that i lapped one side to 60 grit has shed some of the valleys i made with the sic. just like any polished ceramic, its cutting less and polishing more now. you can feel the aggression is no longer there as it was at first. so are you saying the aggresive texture i started with wasnt planed off? earlier i had asked if you used the kme 6 inch ceramic bench stones just to reference they were the most aggresive sized multi-grained brown alum. oxide stones ive seen. i dont believe i was ever saying they were made with identical sized particles. i was saying i believe kme used larger grit when producing their bench stones, and asking you, can you create a very porous stone from using varying smaller grit, or is it safe to assume the larger the grit, the more porous it will be?
My point was that they inherently use a range of grit size, and any larger grains will be surrounded by finer ones, meaning your grit protrusion will always be pretty low regardless of the maximum size in the mix.i do believe these kme ceramics must have a bunch of way larger sapphires they press together, you can per say see the grit and it looks way more defined then the spy med. of course they cut way faster im guessing to the media size, but whats your thoughts? can they use small grain in a fashion or a process where its still a bit more porous or is it safe to assume you need bigger media to create said voids?