Neat forum y'all! I was checking out the photos of Nara and his son working in their shop and am most impressed. This is exactly what I try to emulate with my work. My shop is very simular to Nara's and I wish I knew of a way to pick his brain on techniques and tools. I'm sure I could learn a lot from him. There are just precious few knifemakers who can work without electricity and gas and epoxy. Especially is the West. In fact as far as I know I am the only Professional Knifemaker who works full time without electricity in the US. I don't have a son to use as an apprentice like Nara, and students here in the US don't last long at working this way. Most students that come to my shop take a look around and start saying stuff like You know what You need is a grinder and a ... I use to have all of that stuff and got rid of it so that I could become more intimate with my work. Handmade all the way. Most smiths don't understand that kind of thinking. And precious few collectors do either.
I would really like to know more about their techniques. Is there anyway to exchange infomation on knifemaking with these master smiths? For example: What kind of mixture is he using for a glue or epoxy? I am using a mix of deer dung, pinion pine pitch and a little charcoal dust for a blacker color.
Tim http://www.livelyknives.com
[This message has been edited by lively (edited 05-23-2000).]
I would really like to know more about their techniques. Is there anyway to exchange infomation on knifemaking with these master smiths? For example: What kind of mixture is he using for a glue or epoxy? I am using a mix of deer dung, pinion pine pitch and a little charcoal dust for a blacker color.
Tim http://www.livelyknives.com
[This message has been edited by lively (edited 05-23-2000).]