- Joined
- Oct 8, 2001
- Messages
- 12,336
I'm a lucky guy. First, because I love this knifeworld and second because I have friends, like you folks, who look out for me. 
Joss Delage knows that I collect and enjoy Hill Pearce's work. (Hill Pearce is a man whom I talk with regularly, but who stopped making knives about ten years ago. It's a damn shame...
) Well, Joss had his eyes open at the Blade show last June, and spotted a number of Hill's knives on a dealer's table (Dan Piergallini). After the show, Joss sent me a note with some contact info, in case I was interested. Sure thing. I took my time, but I finally called Dan....
He's a pleasant fellow to deal with, and he sent me some scans. I saw what I wanted. Two of the three had my name all over them. Dan knows good knives and understood what these next two knives were worth. He wasn't giving them away...
But, as a dealer, he is eye's wide open for new pieces to trade. I asked him to look around my website for some ideas, and, like I said, he knows quality. He chose a couple of folders of mine that would be worth a trade, plus some cash. I had to relinquish my Dake lockback and Don Morrow's trapper. Damn him! Ugghhh. But, both of these two guys are still bangin' 'em out, so I knew what I needed to do... "Say bye...!"
We agree, I send him my knives, and they met with his satisfaction. As they should. They were both top-shelf!
A week later arrives my package. Whoooo-boy! Once again, I was quite pleased and impressed with the work that Hill Pearce had done. Let's check them both out and I'll come back for a chat...
And this amazing folder:
These are both VERY characteristic of the period knives he always strived for. I talked to Hill about the fixed blade: "I didn't like that knife. I made it for an art gallery show in Texas that a number of makers were asked to present some of their best work, in a theme of hunting. I tried to emulate what a German 'jagermeister' (hunting master) might use. Once I saw what Jim Schmidt and Kemal (Murad Sayen/Don Fogg) had brought, my work paled in comparison. I guess I would have liked it fine if I hadn't seen those other guys work..."
I tell you he is one of the most critical artists/knifemakers I have ever talked with. He simply wouldn't stand for less than the best. I'd have to agree that the knives of the former are ALWAYS fine, but that doesn't diminish this piece.
Both of these pieces have ebony or African blackwood handles, and they are in perfect condition. The fixed blade is one piece of his own damascus from the tip right down to the handle. even what appears to be a round wire around the bolster, is simply carved. I didn't get a history on that maple-leaf artifact, but it sure took some work to carve it.
I have no question that his work was Mastersmith quality. especially for it's time. But, that's a moot point. Today, Hill enjoys writing, guitar-playing, and shooting in his cabin in Alabama. But not metal-working anymore. He's got no interest in it.
So to complete my tale, I offer you a look at my entire Hill Pearce collection to date: Five fixed blades and three folders.
My Pearce collection
Pearce knives backsides
If you know of any other leads, you know where I am, and where I stand...
Joss, thanks once again!
Coop

Joss Delage knows that I collect and enjoy Hill Pearce's work. (Hill Pearce is a man whom I talk with regularly, but who stopped making knives about ten years ago. It's a damn shame...

He's a pleasant fellow to deal with, and he sent me some scans. I saw what I wanted. Two of the three had my name all over them. Dan knows good knives and understood what these next two knives were worth. He wasn't giving them away...

But, as a dealer, he is eye's wide open for new pieces to trade. I asked him to look around my website for some ideas, and, like I said, he knows quality. He chose a couple of folders of mine that would be worth a trade, plus some cash. I had to relinquish my Dake lockback and Don Morrow's trapper. Damn him! Ugghhh. But, both of these two guys are still bangin' 'em out, so I knew what I needed to do... "Say bye...!"
We agree, I send him my knives, and they met with his satisfaction. As they should. They were both top-shelf!
A week later arrives my package. Whoooo-boy! Once again, I was quite pleased and impressed with the work that Hill Pearce had done. Let's check them both out and I'll come back for a chat...

And this amazing folder:

These are both VERY characteristic of the period knives he always strived for. I talked to Hill about the fixed blade: "I didn't like that knife. I made it for an art gallery show in Texas that a number of makers were asked to present some of their best work, in a theme of hunting. I tried to emulate what a German 'jagermeister' (hunting master) might use. Once I saw what Jim Schmidt and Kemal (Murad Sayen/Don Fogg) had brought, my work paled in comparison. I guess I would have liked it fine if I hadn't seen those other guys work..."
I tell you he is one of the most critical artists/knifemakers I have ever talked with. He simply wouldn't stand for less than the best. I'd have to agree that the knives of the former are ALWAYS fine, but that doesn't diminish this piece.
Both of these pieces have ebony or African blackwood handles, and they are in perfect condition. The fixed blade is one piece of his own damascus from the tip right down to the handle. even what appears to be a round wire around the bolster, is simply carved. I didn't get a history on that maple-leaf artifact, but it sure took some work to carve it.
I have no question that his work was Mastersmith quality. especially for it's time. But, that's a moot point. Today, Hill enjoys writing, guitar-playing, and shooting in his cabin in Alabama. But not metal-working anymore. He's got no interest in it.
So to complete my tale, I offer you a look at my entire Hill Pearce collection to date: Five fixed blades and three folders.
My Pearce collection
Pearce knives backsides
If you know of any other leads, you know where I am, and where I stand...

Coop