OK now to really mess with your mind... Fully hardened steel doesn't etch as dark as hardened-tempered steel

. Some time ago metallographers found that extremely fine tempering carbides etched darker than untempered martensite, I assume that this accounts for the macroscopic effect that I have observed.
Annealed steel always etches a very grainy gray color and often needs to be etched quite deep to get a nice contrast. I do a low temp normalize/stress relieve on all my damscus fittings before etching. You may have encountered this headache- heavily grind your fittings with a course belt (like a 36X) and then polish all those scratches entirely away, heck mirror finish if you want, and then when you etch, to your horror those @#$! 36X scratches will reappear!

Coarse grits will deform annealed steel enough to induce strain in the material. The stored energy within the metal will increase its susceptibility to corrosion- the ghosts of those scratches will stick around and haunt the fittings

Heating things to 1000F or more, will result in what is called "recovery" wich is the anhilation of that residual strain. It will also allow things to etch a little better than if it were fully annealed- thats my tip for the day
As quenched steel (65hrc) tends to etch quick, as far as topography goes (lots of strain energy there) but it etches lighter. The more you temper those needles, the darker the etch seems to become. I have found hundreds of variables in etching, only a few of them will do what you want

. A fresh etch mixed with body temp. water will bite the fastest and the darkest, and the treatments you apply to keep the etch colors there are equally important.