Hello, I'm Bayani and new to this forum, which is one of the most thoughtful Martial communities I've ever run into...just figured I'd float this thought out to you all and see what you all might say...
As a Filipino-American practicioner of Kali (Bakbakan Kali Illustrisimo, to be precise--hi, Wileen!), this art means infinitely more to me than merely it being one of the most brutally effective fighting arts on the planet. It's kind of a (not to get gooey and New Age-y on you all)spiritual transmission of sorts...a physical manifestation of the spirit of my ancestors, as they faced terrible conflict and deep human darkness. Regardless of the systems floating around out there, FMAs are fierce and unrelenting, beautiful to look at, terminal in their application.
Now, to me, that's fantastic and truly wonderful--but, to tell you all the truth, there's a part of me that is somewhat saddened by the notion that the Filipino art of Kali (in other words, the way we did in our enemies)is one of the only indigenous things that survived all the years of colonial rule (Spain, America, Japan,etc.).
To put this in some kind of context for non-Filipinos, suppose the only things that were extant of European culture were George Silver's sword techniques and the Applegate-Fairbairn systems of point shooting and CQC...no Shakespeare, no Hemingway, maybe Mozart, but definitely no Picasso, and only vague fragments of Plato and Aristotle--or imagine, if you will, Chinese Kung Fu without Shaolin and Taoism, Aikijujutsu and Kenjutsu without the Samurai and the code of Bushido. Pragmatic fighting skills are great, but, geez! Sometimes, that's how I feel about all of this...
While I'm totally proud of my art, my system, and my training brothers and sisters, and I'm excited about the spread of my people's fighting art within the community of true martial practicioners--I truly wish that more of my parents' ancient culture was recorded or survived. The civilizations of Southeast Asia are ancient--encompassing the people of Indonesia, Malaysia, and the Philippines. But, while the Indo-Malays were able to preserve all of Silat's legends and philosphical/moral teachings against the occupying foe, Filipinos didn't...or couldn't. When I have kids someday, I would have liked to tell them stories of heroes and kingdoms...I don't know how much of that I can realistically do. Heck, I'd have liked to hear those stories myself when I was a child...
I'll be interested to read all of your comments...Stay safe and sharp everybody, and take care.
As a Filipino-American practicioner of Kali (Bakbakan Kali Illustrisimo, to be precise--hi, Wileen!), this art means infinitely more to me than merely it being one of the most brutally effective fighting arts on the planet. It's kind of a (not to get gooey and New Age-y on you all)spiritual transmission of sorts...a physical manifestation of the spirit of my ancestors, as they faced terrible conflict and deep human darkness. Regardless of the systems floating around out there, FMAs are fierce and unrelenting, beautiful to look at, terminal in their application.
Now, to me, that's fantastic and truly wonderful--but, to tell you all the truth, there's a part of me that is somewhat saddened by the notion that the Filipino art of Kali (in other words, the way we did in our enemies)is one of the only indigenous things that survived all the years of colonial rule (Spain, America, Japan,etc.).
To put this in some kind of context for non-Filipinos, suppose the only things that were extant of European culture were George Silver's sword techniques and the Applegate-Fairbairn systems of point shooting and CQC...no Shakespeare, no Hemingway, maybe Mozart, but definitely no Picasso, and only vague fragments of Plato and Aristotle--or imagine, if you will, Chinese Kung Fu without Shaolin and Taoism, Aikijujutsu and Kenjutsu without the Samurai and the code of Bushido. Pragmatic fighting skills are great, but, geez! Sometimes, that's how I feel about all of this...
While I'm totally proud of my art, my system, and my training brothers and sisters, and I'm excited about the spread of my people's fighting art within the community of true martial practicioners--I truly wish that more of my parents' ancient culture was recorded or survived. The civilizations of Southeast Asia are ancient--encompassing the people of Indonesia, Malaysia, and the Philippines. But, while the Indo-Malays were able to preserve all of Silat's legends and philosphical/moral teachings against the occupying foe, Filipinos didn't...or couldn't. When I have kids someday, I would have liked to tell them stories of heroes and kingdoms...I don't know how much of that I can realistically do. Heck, I'd have liked to hear those stories myself when I was a child...
I'll be interested to read all of your comments...Stay safe and sharp everybody, and take care.