Kevin had this piece for show-and-tell in October at Ashokan Sword 2005. Thought that it was gorgeous, but didn't HAVE to have it at that point.
There is a small sword in the permanent collection of the Metropolitan Museum of Art in NYC, USA, formerly owned by one Col. Marinus Willett, presented by the US Congress in 1785, ordered from France in 1777. It is heavily gold gilt, and engraved, and much more of a ceremonial piece, than a user, but it is impressive, and it is historical, and it is very much an American sword.
Then Kevin went to the Collector's Show in Napa in February, and Coop took the pictures, and Kevin won another award on the thing, and I thought that it would be cool to have a specific heirloom to hand down to my family. Kevin had it for quite a while, and no one seemed to be giving it any love, and here it is burning a hole in my mind.
My japanese swords will hopefully stay in my family, but with the exception of 1 of them, they all get USED. Might even poke some wara with the Cashen sword just to do it, but there is no danger of physical damage coming to the piece.
It took me a while to pay off, too, is the singularly most expensive piece of cutlery that I have ever owned, making the idea of an heirloom that much cooler.
It is a twist pattern, the eyes of the twist run almost perfectly down the center of the sword. The chatoyancy(shimmer) is absolutely breathtaking.
5/32" thickness at the guard.
1" wide at the guard
The weight is exactly 32 oz.
The blade is a little over 28" long
The handle is about 7" long inclusive, with the wire inlaid nelsonite stabilized Kingwood portion of the handle about 3".
The ferrules are some sort of gold filled jeweler's wire.
The guard is a hand shaped, french greyed steel, the work of a master, and a patient one at that!
The scabbard is wood, with a hand stitched leather cover, and a red felt interior.
Have asked Kevin for documentation on the piece, but wanted to share the information and pictures(thanks, Coop!) with you all now.
Kevin did this slightly ghey fringe at the end of the scabbard, which I Garssonized by threading through a damascus bead that Phillip Baldwin had given me a few years ago, and looks perfect now! There will be no more messing with this piece, promise!
Best Regards,
STeven Garsson