Khukri Progress Photos

Erin Burke

KnifeMaker...ish
Joined
May 19, 2003
Messages
1,330
I wasn't planning on making a WIP for this knife... but here I am, almost finished, and I have a hand-full of photos to share. I've previously posted some of these over in the "What's going on in your shop" thread, but figured I'd gather them all together here along with the remaining unposted stuff.

BUT FIRST OFF... I'd like to pose a question to y'all, to make sure I have my lingo correct as I move this thread forward... and that question is...

What is the correct technical term for the type of fitting between the blade and handle in this design? I can't call it a guard, because it doesn't have any protrusions or "guard" anything. I don't think the term ferrule would work, because the fitting doesn't band the end of the handle wood. So what should this type of fitting be called? :confused:

Photo 1: Sketch

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More photos to follow... once I have this terminology issue resolved. ;)

Erin
 
It would be a bolster.

I always assumed that bolsters were installed in pairs; attached to either side of a full-tang or folding knife... but, sure enough, that's not always the case.
A little Google-fu totally backs up your answer. Thanks for the education brother. :thumbup:

More photos as promised.



Photo 2: Wood test

Sometimes, when laying out a knife, this little trick is handy for pre-visualizing the handle. It also helps ensure that the block size and figure orientation will work with the design.

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By this point, I’d been able to narrow block choice down to three possibilities… but after looking at them like this, the walnut became the obvious front-runner. The figure works fantastically with the curve of the handle, and I’ll try to emulate the curl spacing (to the best of my ability) with my clay placement for the hamon.



Photo 3: Heat treated

Here is the blade fresh out of heat treat. The two little blades were part of a 4-blade batch that I started a few months back… but these two had some issues after their previous HT, so I re-ran them with the khukri. The khuk is W2 and the little guys are 1095… but the heat treat is quite similar. I did run the temper cycles slightly cooler for the littles, as I wanted them to retain a bit more hardness.

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Note: The little ones are finished, and I’ll post some final photos once I get some sheaths done. These will get my first kydex.



Photo 4: Post HT grinding

Just an action shot as I clean up the grinds post-HT.

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Interesting note: This photo was taken with my iPhone on a timer, held by the GorillaPod (partially shown in the upper-right corner of Photo 6) balancing on some paint cans (shown in Photo 14).
Did I say “interesting”? :yawn:



Photo 5: Dat Post Grind

This is what the blade looked like after some quick clean-up on the belt grinder, followed by the start of “touch-ups” on the disc.

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The disc will really be valuable for cleaning up the symmetry at the tip.



Photo 6: P120

I almost always start hand sanding with P120-Grit paper. I always use Rhynowet Redline paper :thumbup:… at least up to P2000.

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This is part-way through P120. The hamon is already very visible. The real pain is removing all of the perpendicular scratches left over from the grinder… especially along the edge. In my experience, the first pass of hand-sanding is always the worst. :o



Photo 7: P280

Here we are at P280 grit.

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I do almost all of my hand sanding using motor oil as a lubricant, especially with the coarser grits. Years ago, somebody recommended Mobil 1 synthetic… and that’s what I’ve used ever since. Once I get up to P2000 or finer, I may resort to something a bit thinner (like windex), as the motor oil can make it difficult for fine papers to get a consistent bite. I’m thinking that WD40 might work good for this, but have yet to try it.



Photo 8: Fire Hole

In this photo you can see the colors where I have drawn back the temper of the tang. I’ll keep the blade submerged in water (with my fingers holding it just below the surface) while I heat the tang with a propane torch.

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More photos to follow.
 
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Photo 9: Ugly bar for bolster

The bolster started out life looking like this. :eek:
I found this bar in my grandpa’s pasture, and it has served me well for several knife projects so far. In fact, I’m using a BIG chunk of it for my next endeavor as well.

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Photo 10: Squaring

Before milling the bolster slot, I spend some time squaring the block up. This helps ensure that faces are flat and scribe marks are precise. I often will only square up five sides of the block… usually leaving the front face rough to help me remember the correct orientation.

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For some reason, I have an irrational preference for 5/32” carbide endmills. They last me forever, and – more often than not – I’d rather take dozens of passes with a 5/32” than swap out with a larger cutter. ;)




Photo 11: I can’t explain

There’s something appealing about a freshly squared block.

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Here I’m starting to scribe guide-lines with my height gauge.




Photo 12: MillGuard

In a surprising turn of events, my wife hung out with me while I milled the bolster slot. She doesn’t usually spend much time in the shop… so this was unusual, and kind of fun. She was not expecting all of the math involved. :D

Made for a few good action shots though.

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Photo 13: File & fit

One of the down-sides to making knives without plunges is that I have to spend a lot more time fitting the bolster (or guard) to the blade. The tang/ricasso is not square, but is more of a trapezoid shape. A tight fit takes a ton of measurements, detailed milling and careful follow-up with hand files.

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I will frequently mark up the tang with Sharpie during this stage of construction, in order to determine where the “sticking points” are. It helps me see where I need to do more filing.
When I’m close enough, I’ll start driving the bolster onto the blade shoulders (not shown).




Photo 14: House Paint

Here’s the bolster block driven into place. I attached a small section of the sketch to aid grinding the profile.

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Blue painter’s tape, wrapped in black electrical tape, protects the blade while I’m doing fittings and handle.




Photo 15: Kickin’ It

Everybody has their own tricks and methods for guard/fitting symmetry. CAD software and paper templates work well for me. :thumbup:

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All of the extra lines are to help me center the templates and make sure that the blade spine and front line up correctly. I usually only need one or two of the templates, but print a whole sheet anyway… better to have them on-hand and not need them…




Photo 16: Jazzercise

The bolster is getting in shape.

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Photo 17: True Path

And here’s what we’re left with after the first pass at shaping. Now we get to move onto some finer details.

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More photos to follow.
 
Photo 18: Groove is in the Heart

This is how I start grooving a fitting. First, I clearly scribe the boundaries of the proposed groove using a height gauge. Next, I’ll grind in a “starter groove” with a diamond wheel in the mini-mill.

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Photo 19: David Banner

Isn’t this always the way it goes? I cut my starter groove as a filing aid yet STILL MANAGE to scuff up the adjacent surface within about three strokes of starting. Lame. :grumpy:

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Photo 20: Work that Groove Thang

Once the main groove is started, it’s fairly easy to work it around the perimeter. Just make sure that you have a cool magnifying visor… it helps with seeing the fine details, and chicks dig it. ;):thumbup:

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After the groove is established, I go back around with progressively finer sandpapers pinched around a transfer punch (see bottom right).




Photo 21: Bad Juju

The most stressful part of the build by far was grinding in the “dips” transitioning the bolster from handle width to blade width. In my mind, I originally planned on grinding these with an 8” wheel, and giving them a bit of convex radius. In practice, this turned out to be incredibly difficult to control, to the point where I thought I’d ruined the fitting. Fortunately, I was able to change the design to a flat grind using the disc, and {in my best Harry Dunn voice} “totally redeemed myself!”

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Photo 22: Block

About this time, I started working on the handle. The first step is to glue a template in place.

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Next, using a disc sander with table at 90-degrees, I’ll grind the front of the block to align with the front of the handle template (not shown).




Photo 23: Age

The mental picture in my brain tells me that dark, “aged” fittings will go better with walnut than bare shiny steel. These are the tools that I use to make this a reality.

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The procedure was quick and painless for this one:
First clean thoroughly in soap and water. I want a fairly uniform finish on the bolster, and any oils or muck will screw it up. Next, soak in a warm mixture of vinegar and bleach for a few minutes. Do this outside, as the fumes are way nasty. My mix was about 50/50… I think. I used a bamboo skewer to keep the fitting moving in the solution, which also seemed to help with producing a uniform finish. A quick surface rub with steel wool, followed by a thorough rinse in water comes next. This left me with a matte gray finish. After gloving up (blue nitrile), I rubbed on some gun blue, rinsed & washed with soap, then quickly air-dried with the compressor.




Photo 24: Epoxy

I’m anal about my epoxy mixture. This is my process:
  • Set electronic scale to measure in grains.
  • Put plastic cup on scale.With the cups I use, the scale will read 24gn.
  • Tare the scale… will now read 0gn
  • Add hardener to cup. I find that it’s easier to get a dead-nuts mix by adding resin to hardener rather than the other way around. Weight of hardener = X.
  • Perform simple math. Weight of resin = Y = X/0.263 (Acraglas measurements are given by volume rather than weight… so this factor was calculated taking into account the density of the two components). Total desired weight will be X + Y.
  • Add resin until scale reads total desired weight (X + Y)
  • Add dye as desired and mix thoroughly. Easy-peasy

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You’ll notice that I did some rough profiling on the block already.




Photo 25: Slopes
The handle block is all glued up.

In this photo you can see a semi-circular pencil mark centered around the pin hole. Using the disc grinder, I have set a flat slope transition from the back of that circle to the rear of the bolster -- leaving the handle material slightly proud there.

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I use several wraps of black tape to protect my precious bolster… and take things very slowly.




Photo 26: Fire pit
We’ve had this fire pit thingy for almost ten years, and this is the first time that we’ve put fire in it. :eek:

Here I’ve done a bit more handle shaping. I added some guide lines to the handle using my height gauge and a sharpie. Next, using a coarse file, I began draw-filing the rounded surfaces into the front half of the handle. I follow up the file with paper and sanding sticks to dial things in {carefully} at the rear of the bolster.

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On the back half of the handle, I’ve ground grooves in place with an 8” wheel. These grooves terminate right at the back of that semi-circle (the one centered around the pin hole).

More images to come.
 
I love your inter-picture comments. Especially the one about the fire hole. Nice work on the knife too.
 
Cool. Staying tuned. Your kooky presentation is most entertaining!
The knife looks as though it will amaze.
 
Thanks guys.

I love your inter-picture comments. Especially the one about the fire hole.

Mexican food... it does it to me every time. :D

The knife looks as though it will amaze.

I don't know how much it will amaze... considering all of the other knives that we get to see on these forums every day (yours included)... but I think it's a fairly solid offering. I kind of want to strap it to my belt and carry it around the office... but that would probably get me escorted off the premises. ;)



Photo 27: Butt Shape

Here's a glimpse at one of my CAD files. In the upper-left, there's some secret-spy insight into my first frame lock design. I drafted this up a few years ago, but have yet to pull together the intestinal fortitude to give it a shot.
Mainly, I use this cad file for temporary layout of handle and fitting templates. At lower-right (highlighted in green) is a draft layout for the handle butt. It was tweaked slightly subsequent to this picture, but is very similar. The final layout was printed to scale and glued to the walnut for shaping.

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Photo 28: Wizardry

This was my first time finishing with Tru-Oil. I noticed it on the shelf at the local farm store while I was home visiting my parents. Seemed like it would straight-up perfect for this walnut handle. :thumbup:

But... my first few coats were a mess. :eek: I followed the directions on the bottle, but didn’t wait NEARLY long enough between coats before trying a light sanding. Ended up with rubbery goop smeared all over the wood, and had to do some significant recovery sanding.

THEN, I found some really good posts on Al Gore’s Interwebs about using ArmorAll in conjunction with Tru-Oil. It took some experimentation, but I’d soon streamlined a method for laying down coats clean and smooth… and the drying time between coats was significantly reduced. I’m no expert at this, but the addition of ArmorAll into the process appears to have a lot of benefit, and does not SEEM to negatively impact the final finish in any way.

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Photo 29: Pin

In the photo below, you can see some of the tools I use for peened pins. While I’ve done several knives with this type of pin, I still have a lot to learn… and some challenges to overcome. One thing to notice, though, is that all surfaces should be domed and polished prior to starting (stake, hammer and pin).
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Thisbad-boy gave me some problems though.

Normally, I do not epoxy my peened handle pins… I find that a solid peen job ends up being enough. This time, however, I mixed a little batch of Acraglas, with the thought that it would provide added security and a more water-tight seal. The change wasn’t really an issue until…

…I decided that the pin was just a bit too long.
By this time, I'd already started peening, and the pin was snug enough that it could not be removed… so I took the knife over to the disc and carefully ground some of the pin away on one side. Unfortunately, grinding caused the pin to heat up more than expected, which in turn, made Acraglas bubble out of the edges of the hole and begin hardening. :eek:
At this point, I’m still trying to clean this up to my satisfaction. :grumpy: Needless to say, I will not make that mistake again… hopefully.

That’s the end of my progress photos. The next time you see this knife she’ll be finished… and in better lighting.
 
I enjoy your posts/threads also.
The door stop and house paint notes tickled me.
Continued success and I'm glad you got to start a fire in your pot.
Dozier
Accuricy beats speed
 
Erin that looks great so far. Have you said or have I asked before what your heat treat set up is? And what temps do you cycle your W2 at? Chris
 
Erin that looks great so far. Have you said or have I asked before what your heat treat set up is? And what temps do you cycle your W2 at? Chris

Chris... I'm still trying to nail my W2 HT. My normalizing cycles ran from 1560F down to 1260F in increments of 100F. Quench, this time, was done at 1455F... I think. I can't remember my final temper temp on this one, but I think it was somewhere around 410F.

All heats are done in a Sugar Creek BKK with digital controls… except tempers, which were done in convection oven. Parks 50 quenchant.

Erin
 
Erin just starting my W2 adventures now so I'm asking everyone I can about heat treat. I just got a older as new paragon furnace and parks so I'm hoping to start playing with the W2 asap. Chris
 
Made my first attempt at photographing this one today. I'll probably shoot a few more images this weekend before posting anywhere else... but y'all get to check it out first, since you've been following along. :D

And I just noticed -- just now, as I post this :eek: -- that I forgot to re-darken the pin after fixing the finish. Definitely have to take care of that before shooting any more photos.

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Erin
 
Looking good in the end, but the best part is the WIP and your comments. Definitely things to
learn from in there.

Thanks for doing this!
 
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