not2sharp
Platinum Member
- Joined
- Jun 29, 1999
- Messages
- 20,575
Congruity theory proposes that the greater the brand / self image congruence, the more a brand will be preferred.
Most of us have a very clear idea of what the products we use should be. We can buy televisions by the inch, hammers by the ounce, shoes by size and clothing off the rack. We know what a shirt should look like, there may be greater or fewer buttons, different colors and materials, but from a functional perspective we know what we want. When we look at more complex items, like computers, cell phones and their kin, we look for a very narrow range of features like storage and memory capacity, speed and compatibility. Even our entertainment system comes in fitted blocks, with 30 and 60 minute serial programs and 90 to 150 minute features.
However, when it comes to knives, there seems to be no parameters, the variety is near endless and the features are all over the place. This is almost certainly a recent development. If we look at the ethnographic distribution of historical knives, we can usually assign specific types of knives to certain regions, periods and people. Perhaps the recent explosion in global communications, combined with shifting patterns of practical application, has brought all of these various global knife solutions together; creating a massive mishmash which is still evolving as it works itself out. Which begs the question: will the variety of knives eventually diminish as the designs ultimately settle on a few winning types?
n2s
Most of us have a very clear idea of what the products we use should be. We can buy televisions by the inch, hammers by the ounce, shoes by size and clothing off the rack. We know what a shirt should look like, there may be greater or fewer buttons, different colors and materials, but from a functional perspective we know what we want. When we look at more complex items, like computers, cell phones and their kin, we look for a very narrow range of features like storage and memory capacity, speed and compatibility. Even our entertainment system comes in fitted blocks, with 30 and 60 minute serial programs and 90 to 150 minute features.
However, when it comes to knives, there seems to be no parameters, the variety is near endless and the features are all over the place. This is almost certainly a recent development. If we look at the ethnographic distribution of historical knives, we can usually assign specific types of knives to certain regions, periods and people. Perhaps the recent explosion in global communications, combined with shifting patterns of practical application, has brought all of these various global knife solutions together; creating a massive mishmash which is still evolving as it works itself out. Which begs the question: will the variety of knives eventually diminish as the designs ultimately settle on a few winning types?
n2s