Sarge's thread about pulling up stakes got me thinking. I don't own a lot of blades, but a surprising number can trace some lineage to him - and we haven't ever met outside of cyberspace. My KPH/Sarge, the ones I've ground out of old files, and soon I'll welcome another blade with a Sarge history attached.
But take that KPH/Sarge knife, for instance. Named for Sarge and prompted by Sarge's own projects, it was designed by Kismet. I bought an unsaleable knife from Yangdu ... made by Bura ... dressed it in Kismet's antler and sheath ... and with my son's help I cast a pewter bolster. Then because I talked about it here, another forumite sent me some casting crucibles to use for the next project ...
That knife isn't just a knife; it's a community in itself. As I carry and use it, I think of each of the people who are part of it. It has a social meaning, that's every bit as important as its use value. Maybe more.
The Bird and Trout knife I ground a while back reflects Sarge, whose projects made me itchy to try it out for myself. But also reflect the comments from folks here on what makes a good B&T knife, and the makers of the old French trade knives whose design is echoed in the handle. Reflects my sick and failing Dad ... the steel is from a used up file of his, that I remember watching him use 30 years ago. Reflects my sons, who stood watching the sparks as I ground it at dusk standing in the carport. Reflects my daughter, who chose the maple for its handle.
I'm realizing that all meaning, really, is social meaning. When we hear Kevin talk about fletching arrows, or Howard talk about the original Malla blade, or Munk describe chopping and hauling pine logs with his boys in Montana, or Andy show us his Nessmuk and patch knives ... the meaning isn't primarily in the object or the activity itself. The meaning is in the context - the social bonds, the history, the tradition. And in understanding ourselves to be participants within that web, not simply consumers of its products.
But take that KPH/Sarge knife, for instance. Named for Sarge and prompted by Sarge's own projects, it was designed by Kismet. I bought an unsaleable knife from Yangdu ... made by Bura ... dressed it in Kismet's antler and sheath ... and with my son's help I cast a pewter bolster. Then because I talked about it here, another forumite sent me some casting crucibles to use for the next project ...
That knife isn't just a knife; it's a community in itself. As I carry and use it, I think of each of the people who are part of it. It has a social meaning, that's every bit as important as its use value. Maybe more.
The Bird and Trout knife I ground a while back reflects Sarge, whose projects made me itchy to try it out for myself. But also reflect the comments from folks here on what makes a good B&T knife, and the makers of the old French trade knives whose design is echoed in the handle. Reflects my sick and failing Dad ... the steel is from a used up file of his, that I remember watching him use 30 years ago. Reflects my sons, who stood watching the sparks as I ground it at dusk standing in the carport. Reflects my daughter, who chose the maple for its handle.
I'm realizing that all meaning, really, is social meaning. When we hear Kevin talk about fletching arrows, or Howard talk about the original Malla blade, or Munk describe chopping and hauling pine logs with his boys in Montana, or Andy show us his Nessmuk and patch knives ... the meaning isn't primarily in the object or the activity itself. The meaning is in the context - the social bonds, the history, the tradition. And in understanding ourselves to be participants within that web, not simply consumers of its products.