This post is a continuation of a discussion in the "It followed me home thread".
Went to the library today and found a bunch of information on the Blasdells and my broad axe. It was in a book called "Axe Making in Ontario in the Settlement Period" by Gary E. French, 2010.
At least three of the four Blasdell brothers (and maybe all) were blacksmiths as was their father Ezra Blasdell (blacksmith and scythe maker) who emigrated from Vermont around the time of the war of 1812 (maybe he was a loyalist?). N.S. and T.M. were important members of the community, and there is a Blasdell street in the Rockcliffe area of Ottawa. 300Six will be interested to know that Sylene, their sister, married Lyman Perkins who was Philemon Wright's blacksmith until he left Hull for Bytown (some sort of litigation occurred between the two). It seems that Wright and then Washburn were the Blasdell's main competitors in the area.
Blasdell is an alternate spelling of Blaisdell, and there were at least two Blaisdell axe forgers in the U.S, both in New York state.
Nathaniel S. Blasdell was the first son, the one who opened the Victoria Foundry and Machine Shop at Chaudiere Falls. and who was briefly in the milling business before returning to smithy work. His shop on Wellington Street had a trip hammer. His brother Thomas M. Blasdell, the shop responsible for my broad axe, was the third son. Both he and his brother N.S. were producing hundreds of axes a day by the 1850s (N.S. produced 10,000 in 1951). They were both selling their broad axes for $5, which was about a weeks wage for a lumberjack at the time. (It seems there was plenty of business for both of them, plus another smithy across the river in Hull named Washburn who was producing axes too). As 300Six said, Bytown was "a huge commercial hub for logging all along the Ottawa Valley," where large white and red pine were being heavily harvested. By 1861 T.M. was operating the City Foundry on Wellington St.
This also means that my axe does not have any direct connection to the Victoria Foundry other than that T.M. was N.S.'s brother.
Here is a N.S. Blasdell broad axe:
And here, one like mine, manufactured by T.M. Blasdell:
The second name on the cheek of my axe which, at first glance looks like "FRANCIS", I took to be the name of the actual blacksmith who made the axe (thinking of some of those new gransfors bruks axes). French's book corrected this for me. He has a section on second names stamped on old broad axes, which is interesting enough to transcribe for you all here:
"A number of broad axes have two names' or business names' markings. This has not yet been seen on a chopping axe, but has been seen on an adze. The following is the probable explanation: One name is the name of the manufacturer and the second the name of an axe maker who repaired the axe by "jumping" or re-steeling the bit. This is supported by a number of observations:
a) The second name is sometimes struck over the first name, suggesting a sort of cancellation of the original name or warranty.
b) THe second name is often on the bit of the axe, rather than the poll. This geographical signal suggests that the second axe maker was marking the bit as his work, rather than marking the axe itself.
c) The second name is never the name of a large manufacturer, but usually the name of an axe maker working in a lumbering area and usually in a small community rather than a city. Very often, it is an Ottawa Valley axe maker. This is consistent with the second name being that of an axe maker involved with repair as well as manufacture, and being near the scene of lumbering where repair and renewal of axes would be required, rather than a large factory which probably did not undertake such repairs.
d) When a second-name marking appears on the bit, the place-name marking almost never accompanies it.
e) Archibald LInsday of Aylmer and Samuel Francis of Renfrew, two of the axe makers whose marks are found as "second name" markings, refer in their 1871 census reports to repairing or jumping axes. Thomas Summersett of Barrie advertised in 1868: "Axes Jumped and warranted for 30 days at $1.00 Jumped axes constantly kept on hand for sale."...
The practice was most common in the Ottawa Valley area.
French specifically mentions S. Francis (Samuel Francis) a blacksmith in Renfrew (North and West of Ottawa in the Ottawa Valley where logging was extensive contemporaneous with Blasdells' axe who "jumped" axes, who had set up shop in Renfrew by 1849. In fact, French has in his book a broad axe stamped TMBLASDELL/BYTOWN and SFRANCIS on the cheek just where mine is. You can tell from the picture that the corner of the bit had been repaired (lower right). This all made sense because my broad axe struck me as looking as though the corner of the bit had a patch. When I got home and looked again at my axe and sure enough there's a barely visible "S" before Francis.
Example of TMBlasdell broad axe jumped by SFrancis (notice the discoloured patch on the bottom right corner of the bit):
My axe. Notice the discoloured patches on both corners of the bit where it has been "jumped":
TMBLASDELL/BYTOWN stamp:
SFRANCIS stamp on cheek:
This shows that the axe was made in Bytown, and used somewhere in the Ottawa Valley, hewing giant white and red pine. That the broad axe was valued by its owner enough that he was not eager to spend the $5 to get a new one, but was willing to spend the approximately $1 to have it repaired in the lumber town of Renfrew by Samuel Francis.
Well, I hope some of you have enjoyed this journey as I have enjoyed learning.
thanks for reading,
wdmn
Went to the library today and found a bunch of information on the Blasdells and my broad axe. It was in a book called "Axe Making in Ontario in the Settlement Period" by Gary E. French, 2010.
At least three of the four Blasdell brothers (and maybe all) were blacksmiths as was their father Ezra Blasdell (blacksmith and scythe maker) who emigrated from Vermont around the time of the war of 1812 (maybe he was a loyalist?). N.S. and T.M. were important members of the community, and there is a Blasdell street in the Rockcliffe area of Ottawa. 300Six will be interested to know that Sylene, their sister, married Lyman Perkins who was Philemon Wright's blacksmith until he left Hull for Bytown (some sort of litigation occurred between the two). It seems that Wright and then Washburn were the Blasdell's main competitors in the area.
Blasdell is an alternate spelling of Blaisdell, and there were at least two Blaisdell axe forgers in the U.S, both in New York state.
Nathaniel S. Blasdell was the first son, the one who opened the Victoria Foundry and Machine Shop at Chaudiere Falls. and who was briefly in the milling business before returning to smithy work. His shop on Wellington Street had a trip hammer. His brother Thomas M. Blasdell, the shop responsible for my broad axe, was the third son. Both he and his brother N.S. were producing hundreds of axes a day by the 1850s (N.S. produced 10,000 in 1951). They were both selling their broad axes for $5, which was about a weeks wage for a lumberjack at the time. (It seems there was plenty of business for both of them, plus another smithy across the river in Hull named Washburn who was producing axes too). As 300Six said, Bytown was "a huge commercial hub for logging all along the Ottawa Valley," where large white and red pine were being heavily harvested. By 1861 T.M. was operating the City Foundry on Wellington St.
This also means that my axe does not have any direct connection to the Victoria Foundry other than that T.M. was N.S.'s brother.
Here is a N.S. Blasdell broad axe:

And here, one like mine, manufactured by T.M. Blasdell:

The second name on the cheek of my axe which, at first glance looks like "FRANCIS", I took to be the name of the actual blacksmith who made the axe (thinking of some of those new gransfors bruks axes). French's book corrected this for me. He has a section on second names stamped on old broad axes, which is interesting enough to transcribe for you all here:
"A number of broad axes have two names' or business names' markings. This has not yet been seen on a chopping axe, but has been seen on an adze. The following is the probable explanation: One name is the name of the manufacturer and the second the name of an axe maker who repaired the axe by "jumping" or re-steeling the bit. This is supported by a number of observations:
a) The second name is sometimes struck over the first name, suggesting a sort of cancellation of the original name or warranty.
b) THe second name is often on the bit of the axe, rather than the poll. This geographical signal suggests that the second axe maker was marking the bit as his work, rather than marking the axe itself.
c) The second name is never the name of a large manufacturer, but usually the name of an axe maker working in a lumbering area and usually in a small community rather than a city. Very often, it is an Ottawa Valley axe maker. This is consistent with the second name being that of an axe maker involved with repair as well as manufacture, and being near the scene of lumbering where repair and renewal of axes would be required, rather than a large factory which probably did not undertake such repairs.
d) When a second-name marking appears on the bit, the place-name marking almost never accompanies it.
e) Archibald LInsday of Aylmer and Samuel Francis of Renfrew, two of the axe makers whose marks are found as "second name" markings, refer in their 1871 census reports to repairing or jumping axes. Thomas Summersett of Barrie advertised in 1868: "Axes Jumped and warranted for 30 days at $1.00 Jumped axes constantly kept on hand for sale."...
The practice was most common in the Ottawa Valley area.

French specifically mentions S. Francis (Samuel Francis) a blacksmith in Renfrew (North and West of Ottawa in the Ottawa Valley where logging was extensive contemporaneous with Blasdells' axe who "jumped" axes, who had set up shop in Renfrew by 1849. In fact, French has in his book a broad axe stamped TMBLASDELL/BYTOWN and SFRANCIS on the cheek just where mine is. You can tell from the picture that the corner of the bit had been repaired (lower right). This all made sense because my broad axe struck me as looking as though the corner of the bit had a patch. When I got home and looked again at my axe and sure enough there's a barely visible "S" before Francis.
Example of TMBlasdell broad axe jumped by SFrancis (notice the discoloured patch on the bottom right corner of the bit):

My axe. Notice the discoloured patches on both corners of the bit where it has been "jumped":

TMBLASDELL/BYTOWN stamp:

SFRANCIS stamp on cheek:

This shows that the axe was made in Bytown, and used somewhere in the Ottawa Valley, hewing giant white and red pine. That the broad axe was valued by its owner enough that he was not eager to spend the $5 to get a new one, but was willing to spend the approximately $1 to have it repaired in the lumber town of Renfrew by Samuel Francis.
Well, I hope some of you have enjoyed this journey as I have enjoyed learning.
thanks for reading,
wdmn