More stuff...

Joined
Apr 8, 2000
Messages
16
When I go thru clay's site I see all those techniques. But the thing that scares me is that it ends.... I mean after I furnish up my machinguns... what else can I learn, I naturally want to keep learning knew things, has clay done it all, shown it all, given all there is to know? I seriously hope not.
What new techniques are you guys finding.

Quick number 2 question: What openings did you use for the showdown/contest in oregon clay/chuck?

Thanks,
SiliconJester
orbital@utm.net
 
dear sir.. what do you mean it ends? it doesn't end untl you can juggle them bladed beauties, and when you can do that then the fabled 3 handed balisong maneuver. If you can do that then you have no business in front of your computer.. you have to meet up with clay, down 6 guinesses and do the showdown
smile.gif


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<A HREF="http://www.contrib.andrew.cmu.edu/~soo/balisong/balisong.html" TARGET=_blank>http://www.contrib.andrew.cmu.edu/~soo/balisong/balisong.html
</A> If you play with love you will be heartbroken; if you play with knives you will [bleed]


 
These are interesting questions.

First, don't worry about running out of things to learn. There are infinite unexplored balisong opportunities. If you learn everything in every book, every video and every site, then you can make up your own stuff, put up your own site. In fact, if you start just playing around free-style, you'll start to come up with new stuff well before you exhaust the books, tapes, and sites that are out there.

Hangin' with Clay for a few days was a really interesting experience. Clay's style if fundamentally different than mine. This is not to say or imply that either is better than the other at all. No. They are just different. Clay is very percussive and very rhythmic. There's a ways a beat. Sometimes, it's a complex beat, but it's very musical. I'm much more flowing and smooth. Clay does a lot of flips and drop-and-catches. I to a lot more spins and twirls. Again, this is not to say that one is better than the other in any way. These differences are stylistic and a reflection of different people. The best way I can say it is: I'm a little bit country and Clay's a little bit rock-n-roll. Clay is a lot more energetic, which is probably why he breaks a lot more pins than I do. It's certainly more exciting.

Anyway, the point of all of this is that as you go along, you'll develope your own style that will be a reflection of your personality and your individual interests. That's when you'll start to really explore new ground and find all sorts of new manipulations. Better yet, that's when you'll break loose from a laundry list of established moves and start just making it up as you go, moving with the knife.



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Chuck
Balisongs -- because it don't mean a thing if it ain't got that swing!
http://www.balisongcollector.com
 
The beauty of it all, is that it's one big circle.

You start with basic windmill openings. You progress to more and more complicated things. Finger twirls, throw and catch, Doubles..........etc.

As you continue on, you get to a point where you realize you never really knew the basic Windmill at all. Sure you know what it's supposed to look like, but all of a sudden these little nuances appear in your technique that make a world of difference.

These days, I can snap a Windmill opening REAL quick. The sound the handles make when they slam together is like nothing you've ever heard.

It's still amazing to me to think back and remember how "bad" I thought I was years ago. And then to realize that, as far as I've come since then........... I'm still not even close to being THERE yet.

..........and BTW Snipe, I do have that juggling thing down pretty good too
smile.gif


There is more to learn out there than you could ever, in your wildest dreams, imagine.




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Clay
www.balisongxtreme.com
Because......
getting 'em open
is half the fun!
 
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