Never too much...

Lorien

Nose to the Grindstone
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Knifemaker / Craftsman / Service Provider
Joined
Dec 5, 2005
Messages
28,373
...of a good thing. The AKI is a very good thing!

Huge
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to San Diego for being such an awesome and friendly city, and to the masterminds behind the AKI!





more amateurish pics and mindless drivel to follow...
 
This Canadian was very pleased to arrive to such spectacular, warm weather. And, there were arrows pointing exactly where I needed to go!

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Of course, it wasn't so easy, but I got my bearings finally and enjoyed a nice walk in the sun, after which I eventually ended up here;

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I miss cali. Since you are there... I need you to run some errands. First.. head over to Fisherman's landing and find out if the albacore are still running (probably winding down) and then punch Tim O. in the stomach if you see him. Then head over to Sunset Cliffs and check the surf.. see if there is any wind on it. Find out if the seabass are in the kelps and then head to TJ and get me a chicken burrito at the exit point. Wait don't do that.. things have changed since I was there.
 
Once I arrived at the Sheraton, I met David Darom who I'd be rooming with for the weekend.
Fortunately for me, the knife show started early, as he had with him some spectacular pieces. Among them were the knives featured in his thread here;

http://www.bladeforums.com/forums/s...THE-MAKING-25th-Anniversary-Full-Integral-Set











Imagine how amazing it would have been to have made the comment that I made in his thread, while unbeknownst to me, the following would happen;

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I am now officially in love with Edmund Davidson's work! I've always liked the way his integrals looked, but when I was able to actually hold one, (three actually, not all at the same time mind you) in my hand, the sparks started flying! So solid and substantial feeling, and nicely balanced. Jere Davidson's engraving is very textural and extremely appealing.
 
Well, after some shenanigans- walking all around San Diego to find a micky of Jagermeister, gorgonzola olives and some prosciutto, I arrived back to hotel tired and lightly blasted. But who can sleep when the next day holds the promise of such an incredible experience?

I wandered around the show on Saturday, trying to stay out of the buyers' way, while also trying to introduce myself to so many of my knife making heroes. All were polite, and answered my amateurish questions happily. I asked each and every one if it was ok to handle their knives, and take a few pictures. All of them were very obliging and most encouraged me to handle their knives, take pictures and ask more questions.

The pictures I took were almost all close up shots of most of the knives. The are a fair number I didn't get photos of, which is unfortunate- it was not because they weren't interesting- but I just got exhausted talking, looking, photographing...There came a point where I just hung around and tried to absorb the ambiance and digest all that I had already seen. It was actually an overwhelming experience.

The knives I did get photos of will go up in alphabetical order by maker, as that is how the show is configured.

First up are some knives by Ron Appleton. I think Ron and I hit it off pretty good. I understood his description of how his locking mechanisms worked, (I think). He's really tall, so it hurt my neck a little to talk with him, (LOL) but seriously, he seemed like a really genuine person who has a huge passion for what he does. No doubt it was a bittersweet show for him though.

I can't remember if it was Jon or Mike who got the Infi-Lock knife pictured below, but in either event I got to study it again at dinner time after the show. This is an incredible knife with an amazing feel. So smooth and locks in an infinite number of positions. Its apparent simplicity on the surface masks an intricate mechanism that defies the understanding of many. The actual construction of the handle is crazy, I've never seen anything like it. The way Ron was able to mate the bronze fittings to the one piece ebony handle using such organic lines was totally mind blowing. I was as impressed with that as I was with his mechanism. I believe that this knife was dedicated to his father.

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This meteorite and titanium handled Multa-Lock folder was just beautiful! Svelte, smooth, precise...an amazing lock mechanism that again mystifies many. This knife felt awesome in hand, and I really still cannot get over his mechanical approach to locking mechanisms. Ron Appleton is definitely outside the box!

Edited to add; another impressive feature of this knife is an entire lack of visible fasteners. He explained how to get the knife apart and I was absolutely blown away by the lengths he went to to make this knife look like it does. Ron Appleton embodies the miracle of human ingeniuty!

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Sadly, I didn't have a chance to meet Van Barnett, and neither did I get any pictures of his knives. This is one of my few regrets from the show.

Dr. Fred Carter had some BEAUTIFUL knives and I especially admired his blued steel dagger. No pictures of his knives, I'm afraid. Not sure why, but I dig his work. I think we just ended up talking too much and maybe I forgot to take pictures. Too bad.

The next fellow is Harvey Dean. He and his wife are super nice, he asked me many times during the show how I was liking it and he helped me feel comfortable and welcome. We ran into each other quite a bit, especially during breakfast, and he always had some kind words. This is a knife maker who I can't wait to meet again. I spent a fair amount of time in 'Cowboy Corner', and that's half the reason why I have so many pictures of Mr. Dean's knives. The other half of the reason is because they were among my very favorite knives of the show.

Here is part of the sheath from his push dagger;
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and here is a shot of the handle. All his work is sole authorship and I was surprised by how nice his engraving is considering he seems to do all other aspects of building a knife so well. Harvey Dean is so well rounded as a knife maker, I think he can do about anything.

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I finally met Steven Garsson at the show and we got on just fine. However, our taste in knives doesn't necessarily overlap entirely and the reason I say this is because this elephant toenail design was just about my favorite knife of the whole show.

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This knife is HUGE! The handle has got to be around 5 1/2". It differs from other knives which follow this pattern, in that it has four blades. This was a really substantial piece, and one of the few knives that I wanted to be able to take home.
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Now, this bowie surprised the hell out of me. It's not in a 'style' that I'm generally drawn to, but as soon as I picked it up, I fell in love with it. I think it's the best feeling knife I've ever held, balance wise. The handle isn't of the ergonomically designed genre that I usually go for, so this knife made me really question where I'm at, when it comes to being a collector.

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I'd love for this knife to be my feathered friend. Maybe one day.
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around the corner from Harvey Dean was Rick Eaton. I haven't seen a whole lot of his work before, other than that which is pictured in David Darom's books, and I was really taken aback by what I saw. I love the combination of the scrolly look with greyed mosaic damascus steel and polished floral highlights, with a peephole to a scene of (brown lip?) pearl. Again, I got to see this knife after the show, over dinner. Felt awesome in hand, so substantial and lots of texture.

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I really really enjoyed this knife! The little meteorite balls trailing pearl and damascus through an abalone sky...ahhh. Just so cool!

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There was gonna be one of those surprise pictures where the viewer is fooled into thinking that a miniature knife is full sized. But, it didn't happen. This 1/4 scale bowie was trick! And what's cooler, is that Steven Rapp had a full sized version of a very similar knife with the same emblem. Sorry about my gross looking fingernail.

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VERY good stuff Lorien. I too am partial to Mr. Dean's work, and Elephant Toenails. He has made some of the nicest i've seen. Great feather damascus as well.

Rick Eaton is one of the finest engravers on the planet and makes some incredible knives.

The knives you like from AKI are more along the lines of my favorites too!

Thanks,
Peter
 
Virgil England creates some of the most enigmatic and intriguing steel art using the knife as his canvas. I don't know if I said that quite right, but his work his different in a different way.

The little guy whose face you can see behind his cage is double edged with a fat belly. The top of this container is hinged and its captive is inserted when he gets out of hand.

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this thing is the 100 million year old tooth of a spinosaurus. It fits in your hand pretty good, but it's kind of scary. The ring guard pictured above is just in front of this tooth handle.
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Larry Fuegen...
I'm not sure what to say. Another regret was not having a chance to talk with him.
His work is truly amazing.
That is all.


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Thanks for posting all the pic's....Great looking work.....
 
Serge, I wish I had more. In fact, I really $%*# the bed on the picture taking. I think I only got one photo of Loerchner's knives even. Too chatty, not enough clicky.
 
Henry Frank's knives are small and HEAVY! Man, this solid 18K gold knife was substantial.
True heirloom quality stuff here. No worry about decay or delapidation, these solid gold art pieces will stand the test of time.
The thing I liked the most about them is the theme. The acorns and oak leaves are very appealing. Mr. Frank said they were a sign of masculinity and from now on whenever I see his knives I'm thinking of 'The Green Man', (not to be confused with little green men) of the British Isles traditions.

If there is anyone who makes a more 'everlasting' Art knife, I don't know who that is. I can't see it ever happening, but I would LOVE to own one of this man's knives one day. That was a big surprise for me at the show. Going into it, I have to say, I didn't think much of this Henry Frank's work. But seeing it in person and holding it in my hand, completely changed my attitude. These will never 'go out of style'. They're gold! And gold is ALWAYS in style! And, they're beautiful. They have soul, or something.

One thing I'm learning is that not all which one owns need be needful. It's a hard lesson for me to learn, but meeting Henry Frank and actually beholding his work for real, has helped drive it home. A few guys helped me learn that lesson at the show. Not all of them knife makers.

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This is a SUPER review so far Lorien and can't imagine it will be anything but the same as it continues. Great pics, too, thanks!

Bob
 
Thank you Bob, I appreciate that very much.

I admire Tim Hancock as a knife maker more than just about any other. Ever since I've gotten David Darom's book, I've been fascinated with his work, and I've worn that book ragged. It's Mr. Hancock's unique approach- his obvious fascination with his region's natural environment, his interest in the history of his area, and how all that can play off his great interest in Asian blade design.

Although Tim Hancock was yet another maker who I missed out on an opportunity to talk with much although we did have a short chat. I had a very nice conversation with his lovely and engaging wife, (whose name I cannot for the life of me remember) who gratiously showed me Tim's knives while he spent his time talking with real collectors, as well he should.

His protege, Travis Wuertz was in attendence, and we hung out a fair bit over the weekend. I realized that I am not 29 any more when I turned down his offer for a night on the town because I was just too tired. Getting old sucks. Travis makes what some claim to be the best grinders in the business. I also found out he makes a pretty nice straight razor as well.

This here sums up that whole East meets West thing that I dig about Tim Hancock's work. I got a chance to handle this knife and if the room wasn't full of people, I would have greatly enjoyed swinging it around. I don't know much about this style of blade, but it felt pretty awesome in the hand;

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Here's a shot of the pattern welded steel that his fancy hunter was made from;

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and here's the tight pattern in his bowie blade;

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This little folder was definitely a favorite of mine from the show. I fell in love with this knife. It has a great feel, and during the very short time that I did get to talk with Tim, he outlined the significance of the heart piercing to blacksmiths since time immemorial. I got the sense that this was his favorite knife as well

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I'm enjoying this too, Lorien. Thanks for taking the time and the photos.

Coop
 
thanks Coop! Now...on to page 2
 
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