Overeynder- Hochstrat A Completed Project

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Feb 28, 2006
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About a year ago my name came up on Tom Overeynder's list for a knife. As my plan for the new knife was to send it to Brian Hochstrat to be engraved I asked Brian to assist me in choosing a knife from Tom that would be a suitable canvas for the engraving project that Brian and I had been discussing. We ended up choosing Tom's Model 15 split tail dagger . I chose black lip pearl for the inlay and asked Tom to add a blade fuller to the knife as an additional design element .

About the same time my knife was ordered Tom contacted Brian and asked Brian to engrave a "spec" knife for himself. Tom wanted the engraving on the knife to be something special and he also asked Brian which of his ( Tom's) knives Brian would prefer to engrave . Brian shared the conversation he had with me with Tom and as luck would have it Tom also chose his Model 15 for Brian to engrave.
Now that two of the same model of Tom's knives were to be engraved by Brian at approximately the same time I asked Tom to change the way the handle was designed on the dagger I was to receive

Tom gave Brian "carte blanche" in the design- engraving of the knife .After some research and a lot of reading Brian chose to engrave Tom's knife with a scene from the Italian poem Orlando Furioso.
I was lucky in being able to see some of the early progress- design of Tom's knife and called Tom and asked him if I could purchase the engraved knife from him when it was completed.

As work was progressing on the "spec" knife that Tom had now agreed to sell me I spoke with Brian about the engraving design that I had chosen for my knife..
Brian suggested to me that perhaps we should choose to go in a different direction with the engraving on my knife by continuing the theme from the "spec" knife.
It didn't take long for me to decide that Brian's was right.

I will let Brian explain the story behind the engraving of "Angelica's Rescue, and "Rodamonte's Doom. "



Paul Kessler

1. full spread 4 panel image: *Click thumbnails to open the image. Click the image again ( if necessary) so it opens to it's full resolution and size.

2. partial 2 panel image blades closed:

3. partial 2 panel image blades open:

4. display case open:

5. display case closed:
 
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Paul glad to see you post this up. Here's the official story about the scenes written by Buddy Thomason.

Brian Hochstrat’s artistic rendering of famous scenes from Ludovico Arrosto’s Orlando Furioso (1516) on Tom Overeynder’s paired folding daggers captures the passion and drama of Italian Renaissance story telling.

Set against the historical backdrop of Charlemagne defending Paris against Saracen invaders from the east, this hilarious tale has more to do with the misadventures of Charlemagne’s paladins and the equally confused Saracen warriors.

Knife I The Rescue of Angelica

Scene 1 features Angelica, Saracen beauty and unobtainable love object in her darkest moment. While fleeing the pursuit of love-stricken Orlando, foremost of Charlemagne’s paladins and enemy of her people, Angelica is captured by locals who need a sacrificial maiden to appease the vicious beast lately tormenting their village.

Scene 2 introduces Orlando’s friend and fellow paladin Ruggiero as he, assisted by a winged hippogriff, severs the beast’s vitals with his blade, thus securing Angelica’s freedom. This would be a good thing but for ensuing femme fatale chaos whereby Orlando’s obsession with Angelica drives him insane and spawns many other calamities.

Knife II Rodomonte’s Doom

Scenes 3 & 4 portray the humiliation and destruction of Rodomonte, a Saracen king ready to die fighting if necessary. His courage and big talk are no match for Bradamante, maiden warrior with a magic lance in pursuit of her own love interest, Ruggiero. The braggart Rodomonte challenges Bradamante to a joust and promptly suffers a humiliating defeat.

Resolved to regain his honor, Rodomonte subsequently interrupts Bradamante’s marriage to Ruggiero with his challenge. A well-fought battle ensues but Rodomonte will not yield, forcing Ruggiero to take his life.
 
Bravo!
:thumbup::thumbup::thumbup:
 
This was a super cool project for me as the collaborating photographer. I got to live with these beautiful creations for a couple of weeks!!! Now I'm attached and don't want to send them back to Paul. ;)

Can't say enough about Brian's engraving, especially the bulino. Everything looks great under the loupe - no slop, tool slips, crooked lines or any of that stuff. It's all very tight and crisp but most of all it's right! He did not shy away from difficult artistic challenges, in fact it looks like he sought those challenges out just so he could totally nail them! I'm talking about things like coming up with the right compositions for the available space, distilling his extensive knowledge of the subject matter into images that are truly dynamic, the nude of course (nemesis of many engravers and scrimshanders), foreshortening and shadowing - Brian's shadowing is superb! :thumbup:

Tom's knives are wonderful and a great vehicle for serious embellishment. Les also made a beautiful display case. It was a terrific collaboration experience for me and a fine opportunity to work with some very talented people. Kudos to Paul for pulling it all together and making it happen!

It's not much different but just for fun, here's an alternative version of the 4 panel group:
 
I've been privileged to follow the story of the creation of these beautiful objects from almost the beginning. Now that they're complete, I'm both amazed and delighted at the results. Knife-maker, engraver,case-maker, and photographer, working with a knowledgeable patron, have created art objects that will please and last for ages.

John
 
It's been a joy to follow the creation of this fine project.
Tom, Brian, Les, Buddy and Paul all contributing to the success.

Buddy's beautiful images are so fitting for recording these masterpieces for posterity.
 
Beautiful knives and an interesting story to the engraving. All involved deserve a round of applause, not the least of whom is the dedicated and impassioned collector who saw the project through. Buddy - great job with the photos - your shots give us all the chance to enjoy the work of these exceptional artists.

Roger
 
Paul,

Congratulations on getting two spectacular folders. I know that you put alot into this project along with Tom, Brian and Buddy.

Jim
 
My humble thanks to Paul, Brian, and Buddy for making all this happen. It is an honor to work with passionate dedicated guys with the idea of doing something special that will be enjoyed by future generations. These knives are museum quality and I know Paul is proud to own them.
 
Beautiful set, congratulations to you all. The theme and engraving are elegant.

Congratulations, Jon
 
Paul,

You should be extremely proud of these, wow! This is one of the best sets I've ever seen, perfect in every way. Congrats to you, I cannot even imagine how pleased you must be to own such wondrous knives.
 
Four of my talented friends working together, and a completely masterful execution by all.

Tour de Force!

Coop
 
Great looking pieces and happy to have been able to chat with you all along about these knives. they are top drawer. Looking forward to seeing them at Blade and having a good visit.
 
Happy to report from Atlanta that this project has indeed won the Best Collaboration award, BLADE Show, 2010.
 
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