Truthfully this is one of my proudest shots. Somehow it all works. I did some subtle things that make it stand out. But that's MY secret...
Most of you know my fascination and focus on collecting the knives crafted by Hill Pearce (For those new, he hasn't been involved in knifemaking in about 13 years). Every so often something pops up on the radar screen. In this case I have Les Robertson and Bob Neal to thank. They are aware of my interests and in conversation with Paul Basch and Julie Hyman on knives brought to Vegas, this one showed up from a deceased collector's estate sale. (You have to pry them out of their cold dead hands, it appears! <grin>) At the time I was unprepared for purchase, so I let it stay on Paul's table, which he was doing as a favor to Julie.
I talked about this on my Vegas thread, and after the show I ended up calling Julie Hyman (
www.arizonacustomknives.com) to see if we could strike a deal. Julie was plenty willing to work with me and we made each other happy. We came away much better acquainted and had a few laughs. I'll be back.
I own three of his folders already, but two of them have cracked scales. (The two walnut ones....

) This one is as if he made it yesterday. Absolutely minty fresh!
Here is the full monty:
Great action and characteristic styling. I like how in the closed view the mark and the end of the filework align with the bolster's fluting. Random? I'd bet not.
This compliments my other folder that is pristine as well:
http://www.fototime.com/97E70E16E0F6713/orig.jpg
So overall, I am VERY pleased with my Vegas endeavor. Things have a way of working out nicely with perseverence! I can't wait to call Hill and talk about my good fortune. He'll be pleased
A BIG thanks goes to Les, Bob, and Julie for the score.
Thanks for asking.
Coop