Question About Old Shields

Joined
Jan 18, 2011
Messages
704
I know that these days most, if not all, shields are inlayed using a mill and a template. My question is, how was the pocket for the shield cut into the scale back in glory days of Sheffield through the Remington mass production era?

Thanks

ff99c87f0a878441a3f75691d5e2a0de_zps13588704.jpg


I stole this image from google. If this is your picture, I hope you don't mind that I'm using it.
 
Last edited:
I'm guessing small chisels. If you look through the Bose thread there are pictures of this being done as that is how they do it still on uneven material such as stag.

Edited to add: okay, now that I think about it, probably not that way for production stuff...can't imagine that being efficient enough, but I'm guessing if you go back far enough that was how it was done.
 
That Sir was exactly was I was after. Thank you. At first I thought that must be some of the most tedious work known to man but it looks like a pretty neat way to do it. I wonder how long that took compared to the more modern method of today's custom makers.

P.s. That sure is an obscure link you posted but I'm glad you found it.
 
Last edited:
Jack Black had a wonderful thread about his meeting with Stan Shaw at his workshop in Sheffield. If I remember correctly, Stan uses one of these still to this day and Jack had photos of it being used. I'm sure someone with better skills than I will be able to look it up, something about a marmalade sandwich I believe...

Paul
 

There's a description of the process, or at least one very similar, in Great Eastern Cutlery: An American Tradition in an article on Henry Gill by Niel J. Bulger originally printed in 1943 (there's a picture, too, but it's not nearly as clear as the one above):

Selected pieces [of mahogany] are trimmed down, rubbed to a high finish with fine-grain sandpaper and subjected to a rather mysterious operation known to the trade as "shielding." This is the process of grooving out a small design to which is fitted the little metal shield on the flat surfaces of either side of the handle that is the sign of perfection of every hand craftsman.

Shields cannot be pressed into place. A strange tool resembling a violin bow and appropriately named a fiddlestick is fitted with a stout cord. This binder is looped once around a large spool which holds the end of two slender rods which have the appearance of knitting needles. At the opposite ends are two tiny blades. The knife handle is covered with a metal mask containing the design of the shield. The blades of the rods are then inserted into the opening.

Mr. Gill or his assistant places a board supporting the spool beneath his chin and takes bow in hand quite like a fiddler at a country dance and "starts sawing wood." When the mechanical tune is finished and the needle-like rods have revolved in and out of the mask's opening the required number of times the shield slot has been cut.

A piece of gleaming, German steel with two pins is then countersunk into the wood and the handle is ready to be fitted to the blade....

~ P.
 
JAlexander - One of the most interesting articles I've seen. I'm saving that one. Thanks.
 
Back
Top