Kohai999
Second Degree Cutter
- Joined
- Jul 15, 2003
- Messages
- 12,554
Talon,
Here is my post on the AKI last year, thanks for your interest. FWIW, Phil Lobred really liked it, and thought it was unique, he has become a good friend:
http://www.bladeforums.com/forums/showthread.php?t=370814
There was some talk in another thread about R.W. Loveless, and how he does not make his own knives.
I had the pleasure of talking with Bob for a total of 3 hours at the AKI, and got to ask him some questions, the answers of which seem relevant at this point.
On making his own knives: Bob said that his "gift" is in design. He has partnered with excellent makers in his own right, Loveless-Johnson being a notable highlight. As far as memory serves there are 60-75 knives marked in this manner. Bob worked on his own knives solely for over 20 years. He feels that partnering with someone else allows him the ability to focus on his gifts. He will work on some handles, sheaths, and all logoing of blades. He has a hand in each knife that is produced. Some will be alarmed by this, but I don't think it makes a lot of difference.
All great artists have had apprentices and helpers at some point in their careers. Warhol did little on some pieces but sign them, and that has not seemed to affect the value of his work. Dale Chihuly is one of the most famous glass artists alive, but has no depth perception due to the loss of an eye in an accident, so he oversees his "teams" that actually make his works. It is in the design, that Loveless, as well as Chihuly excell.
On the "value" or "worth" of his knives: Bob flatly states that the knives are "worth" about $200.00. That is his feeling, as expressed. OF course, the cost starts at around $4,000, and goes up from there rather rapidly, but "fighting the market" does not make sense to him. He wishes that his knives would be used, designs them to be used, but accepts that generally does not happen. My personal opinion is that it is hard to lose money on a Loveless knife, but I won't spend the $4,000+ on one at this time. By the time that I can "afford" a Loveless knife, they will probably cost double what they do now, so there are probably no Loveless knives for me.
Talon said that there are people that specifically go to the AKI in order to "win" Loveless knives. I called them fools, that is an opinion that I have, but I can see the other side. There are probably people that go to Paris for absinthe and caviar, only, and maybe a shopping trip at the house of Chanel, but I would go to Paris for Paris, and I go to the AKI for the AKI. There is no other show on the planet like the AKI, and being there, for a knife knut is its' own reward.
Best Regards,
STeven Garsson
Here is my post on the AKI last year, thanks for your interest. FWIW, Phil Lobred really liked it, and thought it was unique, he has become a good friend:
http://www.bladeforums.com/forums/showthread.php?t=370814
There was some talk in another thread about R.W. Loveless, and how he does not make his own knives.
I had the pleasure of talking with Bob for a total of 3 hours at the AKI, and got to ask him some questions, the answers of which seem relevant at this point.
On making his own knives: Bob said that his "gift" is in design. He has partnered with excellent makers in his own right, Loveless-Johnson being a notable highlight. As far as memory serves there are 60-75 knives marked in this manner. Bob worked on his own knives solely for over 20 years. He feels that partnering with someone else allows him the ability to focus on his gifts. He will work on some handles, sheaths, and all logoing of blades. He has a hand in each knife that is produced. Some will be alarmed by this, but I don't think it makes a lot of difference.
All great artists have had apprentices and helpers at some point in their careers. Warhol did little on some pieces but sign them, and that has not seemed to affect the value of his work. Dale Chihuly is one of the most famous glass artists alive, but has no depth perception due to the loss of an eye in an accident, so he oversees his "teams" that actually make his works. It is in the design, that Loveless, as well as Chihuly excell.
On the "value" or "worth" of his knives: Bob flatly states that the knives are "worth" about $200.00. That is his feeling, as expressed. OF course, the cost starts at around $4,000, and goes up from there rather rapidly, but "fighting the market" does not make sense to him. He wishes that his knives would be used, designs them to be used, but accepts that generally does not happen. My personal opinion is that it is hard to lose money on a Loveless knife, but I won't spend the $4,000+ on one at this time. By the time that I can "afford" a Loveless knife, they will probably cost double what they do now, so there are probably no Loveless knives for me.
Talon said that there are people that specifically go to the AKI in order to "win" Loveless knives. I called them fools, that is an opinion that I have, but I can see the other side. There are probably people that go to Paris for absinthe and caviar, only, and maybe a shopping trip at the house of Chanel, but I would go to Paris for Paris, and I go to the AKI for the AKI. There is no other show on the planet like the AKI, and being there, for a knife knut is its' own reward.
Best Regards,
STeven Garsson