Sharpening the "opposite way", from spine to edge
I'll get right to it and if you want my blah-blah xtra stuff it’s at the end.
About 8-10 years ago I saw a show featuring a Samurai master creating and finishing a katana. I observed that as he sharpened the blade progressively with his many stones (in a traditional position using his arms, torso, legs and feet to hold it) he was moving along, but also away from, the sword's edge. To reiterate, the direction the master used was NOT from sharp edge toward spine. He finished the edge with directional movement from spine (thick part) towards the edge.
This reminded me of how I sharpen a field blade, like a mower. (Fig. 1) With the blade in a vise I move my directional file as shown, opposite from the way I was taught to sharpen on a stone.
So the next image I borrowed from the internet (Fig’s 2 and 3, crude arrows) show the same counter-intuitive directional approach applied to a chef's blade. Using, for example, a XX-Fine DMT Dia-Sharp 11.5” stone with maybe a bit of soap and water or just dry, I do this as shown, except I don’t use both hands. If you take a second to really understand the motion – Fig. 3 in particular took me quite awhile to be able to do consistently. I’m starting at the tip of the blade and moving as indicated, “reverse cutting” while sliding backward, pushing the length of the blade away from me. And of course a bit of rotation to follow the contour of the blade. This is further complicated by the fact that I have found the need to start (or finish if Fig.2) with an increased angle at the very tip for a sharp point, then normalize the angle almost immediately. I have found thru experience that if I don't increase the sharpening angle at the extreme tip then I end up with a dull point. I flipped one of the images vertically to indicate all this must also be done on the other side, but I mean… duh. I find it’s important to do this reverse-cutting technique both pulling toward and pushing away from me to end up with the least burr.
I then follow up with a steel (Fig. 4) that came with the Henckels set, but again, in the opposite direction most people would think. I don’t feel the need to both push and pull with the steel. I just go from bolster to tip. I used to not be such a big fan of the sharpening steel, but that was before I learned the difference betwixt a burr that feels ultra-sharp, and a very well honed, smooth edge that keeps.
Since I currently do all my sharpening without any kind of stabilizer or guide (which may change, of course) I have learned to feel the edge as well as eye the angle. I find it is critical to concentrate on how the edge of the blade feels along the stone. As it becomes sharper it changes slightly. If my angle is wrong the feel changes entirely. And I reduce pressure as the blade gets sharper, a cheap trick that kind of makes a XX-fine stone act more like a XXX. Kind of. I also do have the XXX-ultra fine DMT, but truth be told I don’t always get the best results with that one. I think it must be my technique, as I can produce a “villainous edge” on kitchen cutlery but I don’t do so great with my Benchmade’s on the ultra. A criminal edge. “Sharper than the law should allow”. Seriously, I did some internet research on modern sharpening tools, magnified edges, etc. and I might spring for that Wicked Edge Pro-Pack I . If you haven’t seen it check this out:
http://sharpeningtechniques.blogspot.com/
I love this too:
http://sharpeningmadeeasy.com/Juranitch1977Feb.htm
There’s no way I’m ever gonna do THAT freehand! I am not the Samurai Master, after all. And I must admit, when it comes time to slice lemons for my Stoli or tomatoes for the salad, I sometimes break out the Kyocera ceramic. I rarely do an edge with my stones to rival that Kyocera. Is it really worth $400 for me to be able to? You betcha! I mean maybe.
NOTES: Can't post attachments? BLEH!! Oh well...
I did search this forum for "sharpening opposite way" and "sharpening away from the edge" before I posted. I got many hits but none with that in the title. Perhaps there's a term or named technique of which I am unaware.
I just joined this forum (hello) and I wanted to write a bit, so admittedly you all have years of accumulated knowledge here that I have yet to sort thru. But I look 4ward to learn that much more. Thanks for all that, BTW.
My knowledge and technique comes from years of searching info, videos, experimentation and trial and error, and also consulting with others in the approx. 15 yrs I have been sharpening. I have a decent collection of Henckels in my block, several cleavers, maybe 3 Benchmade pockets, and several others that are either still in use or broken. Cold Steel, CRKT, etc. I have three DMT Dia-Sharp stones, X-Fine, XX-Fine and Ultra, and one old DMT with the holes in it that I never really liked at all. I also have my mom’s chef’s choice 2-stage grinder sharpener that destroyed the look of some of my pretty pocket knives (Ughhhh!!) but it does a pretty freakin’ good edge.
I'll get right to it and if you want my blah-blah xtra stuff it’s at the end.
About 8-10 years ago I saw a show featuring a Samurai master creating and finishing a katana. I observed that as he sharpened the blade progressively with his many stones (in a traditional position using his arms, torso, legs and feet to hold it) he was moving along, but also away from, the sword's edge. To reiterate, the direction the master used was NOT from sharp edge toward spine. He finished the edge with directional movement from spine (thick part) towards the edge.
This reminded me of how I sharpen a field blade, like a mower. (Fig. 1) With the blade in a vise I move my directional file as shown, opposite from the way I was taught to sharpen on a stone.
So the next image I borrowed from the internet (Fig’s 2 and 3, crude arrows) show the same counter-intuitive directional approach applied to a chef's blade. Using, for example, a XX-Fine DMT Dia-Sharp 11.5” stone with maybe a bit of soap and water or just dry, I do this as shown, except I don’t use both hands. If you take a second to really understand the motion – Fig. 3 in particular took me quite awhile to be able to do consistently. I’m starting at the tip of the blade and moving as indicated, “reverse cutting” while sliding backward, pushing the length of the blade away from me. And of course a bit of rotation to follow the contour of the blade. This is further complicated by the fact that I have found the need to start (or finish if Fig.2) with an increased angle at the very tip for a sharp point, then normalize the angle almost immediately. I have found thru experience that if I don't increase the sharpening angle at the extreme tip then I end up with a dull point. I flipped one of the images vertically to indicate all this must also be done on the other side, but I mean… duh. I find it’s important to do this reverse-cutting technique both pulling toward and pushing away from me to end up with the least burr.
I then follow up with a steel (Fig. 4) that came with the Henckels set, but again, in the opposite direction most people would think. I don’t feel the need to both push and pull with the steel. I just go from bolster to tip. I used to not be such a big fan of the sharpening steel, but that was before I learned the difference betwixt a burr that feels ultra-sharp, and a very well honed, smooth edge that keeps.
Since I currently do all my sharpening without any kind of stabilizer or guide (which may change, of course) I have learned to feel the edge as well as eye the angle. I find it is critical to concentrate on how the edge of the blade feels along the stone. As it becomes sharper it changes slightly. If my angle is wrong the feel changes entirely. And I reduce pressure as the blade gets sharper, a cheap trick that kind of makes a XX-fine stone act more like a XXX. Kind of. I also do have the XXX-ultra fine DMT, but truth be told I don’t always get the best results with that one. I think it must be my technique, as I can produce a “villainous edge” on kitchen cutlery but I don’t do so great with my Benchmade’s on the ultra. A criminal edge. “Sharper than the law should allow”. Seriously, I did some internet research on modern sharpening tools, magnified edges, etc. and I might spring for that Wicked Edge Pro-Pack I . If you haven’t seen it check this out:
http://sharpeningtechniques.blogspot.com/
I love this too:
http://sharpeningmadeeasy.com/Juranitch1977Feb.htm
There’s no way I’m ever gonna do THAT freehand! I am not the Samurai Master, after all. And I must admit, when it comes time to slice lemons for my Stoli or tomatoes for the salad, I sometimes break out the Kyocera ceramic. I rarely do an edge with my stones to rival that Kyocera. Is it really worth $400 for me to be able to? You betcha! I mean maybe.
NOTES: Can't post attachments? BLEH!! Oh well...
I did search this forum for "sharpening opposite way" and "sharpening away from the edge" before I posted. I got many hits but none with that in the title. Perhaps there's a term or named technique of which I am unaware.
I just joined this forum (hello) and I wanted to write a bit, so admittedly you all have years of accumulated knowledge here that I have yet to sort thru. But I look 4ward to learn that much more. Thanks for all that, BTW.
My knowledge and technique comes from years of searching info, videos, experimentation and trial and error, and also consulting with others in the approx. 15 yrs I have been sharpening. I have a decent collection of Henckels in my block, several cleavers, maybe 3 Benchmade pockets, and several others that are either still in use or broken. Cold Steel, CRKT, etc. I have three DMT Dia-Sharp stones, X-Fine, XX-Fine and Ultra, and one old DMT with the holes in it that I never really liked at all. I also have my mom’s chef’s choice 2-stage grinder sharpener that destroyed the look of some of my pretty pocket knives (Ughhhh!!) but it does a pretty freakin’ good edge.
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