Silat is indeed a concept based art.
They'll give you one little thing and it
suddenly alters everything else you've
learned and makes your previous training that
much more effective.
Donna: Yes, they do like those techniques
where you are pretzelized. It's like jujitsu
except not so pleasant (!)
However, I think sometimes that the technique
our instructor shows us is bred out of his
own head, his own application of the Silat
concepts. Things like a long complicated
chain where you take the enemy down and
squatwalk all over him, torquing his arms,
legs and neck in hideous ways. There's no
way in hell you're going to get that
particular chain off in a fight. It's more
like a flow drill, teaching many small ways
of moving in addition to the many breaks and
locks. For some reason every Indonesian
teacher I've seen pronounces it "bweak"
instead of "break." I don't know why.
Secondly, Paolo, what the hell's with the
music? During class they play this rhythmic
trancy tribal music with what sound like
xylophones, and drums. Then after a while
this chorus of "ow ow ow ow ow" comes in.
This continues, and after a while you can
dimly hear people going "AaaaAAAgh" in the
background, and making noises of serious
pain. My instructor said that there's a
purpose but won't tell me what it is.
One purpose I can think of is to get you used
to the sound of people, like, groaning and
screeching.
Another more sinister purpose is to condition
your Silat skills to that sound, so that when
you hear those sounds your skillset is
triggered. Isn't that a nasty little idea...
Josh: I agree with your last post, only thing
I'll say about it is this: Kali is the name
of a demon Goddess. I tend to believe it as
well; if you look at guys like Herman Suwanda
or other people who are very good at these
arts, especially the esoteric parts, there
is often something funny about their eyes.
[This message has been edited by Asuang (edited 21 December 1999).]