Special dressing - Paul Long style

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Nov 21, 2005
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Dressing is a special treat of most Thanksgiving meals. I had an early treat this week; another sheath from Paul Long.

A thread started by Coop earlier this year told the story of my Don Hanson Atlanta Bowie after he posted this image:

Atlantabowie.jpg


I wanted a special sheath to accompany this special bowie. (Don helped me pick out the walrus for this one during my first Blade Show in 2006, so I tagged the Atlanta name to it.)

After acquiring some odd pieces of walrus ivory, I decided to send Paul Long this picture to see if we could 'dress' up a sheath for this one.

Sheath-Walrus.jpg


Paul replied, and was less than enthusiastic. Probably too wide and too thick. "Would be touch and go on a sheath that size." But, if I could trim the ivory down a little and send it with the knife, he would consider trying to use it. But, only 2/3rds of it would probably show, he said.

I trimmed the walrus piece on a grinder, sanded and polished it down and shipped the knife and ivory to Paul. The e-mail I received Friday evening said this;
"Knife and ivory made it just fine. Experience makes me less than optimistic that the ivory inlay will work and look good. The edge shape rounded past 90-degrees to the bottom is not a good choice for the inlay. I would have to cover up quite a bit of the piece to make it secure and I'm afraid less than fifty-percent would show. I would suggest you be considering what other inlay you think you'd like as a back up. Thanks."

So, by Saturday morning, I had decided on either a 'gator or ostrich inlay whenever Paul contacted me next, but to my surprise, he called around 10:00 AM and ask if I was close to my computer. He had a light bulb come on going to coffee that morning and had gone back to his shop, did a 'test inlay', and had sent me some pictures.

PLong1.jpg


He had come up with a triple construction sequence that would secure the ivory without covering so much of it. It allowed a 'pocket' for the piece to set down into. He wanted my approval, after seeing the test pictures, to procede. Also, my approval to use a few drops of epoxy. Sounds good to me!

I received pictures on the computer of the final, finished product that evening, not much more than 24-hours after Paul had opened my package! And, this explaination of the construction after the package returned to me this week:

"The construction sequence from bottom to top is a thin layer of leather with six dots of epoxy then the ivory within a tight window on top of the epoxy in the next layer of thicker leather glued to the first piece and then the next layer of lighter leather with the final slightly smaller window which is also the outside layer of the sheath. Then the deer skin liner which goes behind the first thin layer with the epoxy on it. The six dots of epoxy were used in case of a flex. It might break one of the dots, but it won't get all six. It is really about as secure as I could dream up, as I tried to think of every thing that could go wrong and fix it ahead of time. All of this is for the front of the sheath as the back is a separate piece along with the welt. I skived the front and the back down to about one half thickness on the exposed edges which gives the sheath a much slimmer appearance and makes it look very normal."

Thanks to Don for snapping this photo when I ran it by his shop yesterday (in the photography wing of Sunfish Forge. :D)

PLong5.jpg


And, thanks to Paul for being patient with me through this, and doing a remarkable job with such a quick turn-around! :thumbup:


- Joe
 
Another masterpiece from a true artist. :thumbup::thumbup::thumbup:

Quite an accomplishment Paul and Joe.
 
Stunning!!
I've been warning Paul that if any more people see his work up close and personal that he'll have to get an unpublished phone number!!
P.K.
 
Thank you Gentlemen! This one didn't seem like it would work at first blush, but with a couple of cups of coffee with my buddies everything fell into place.

I've posted some photos of some other work I did for Chuck Kerwin in the Gallery threads below. Some A1 pohotography by Chuck Ward.

Paul
 
Outstanding knife and sheath. Do you have a photo of the knife in the sheath? Great ideas on both the collector and sheath makers part. Just like a well framed photograph or painting. Truly a work of "art"
 
Joe you had a real good idea with that ivory inlay and Paul did a wonderful job pulling it off. I admire his determination to see it through. The result is pretty special.

Roger
 
Outstanding knife and sheath. Do you have a photo of the knife in the sheath? Great ideas on both the collector and sheath makers part. Just like a well framed photograph or painting. Truly a work of "art"

Here is a photo in the sheath, Murray:

PLong6.jpg


Thanks for all the positive comments, everyone.

- Joe
 
Those are really terrific. I'm looking around to see what needs a sheath!

Win
 
Amazing how simply 'sleeping' on a problem will give a fresh insight. Yes, I agree, this is a fine, fine combination. :thumbup: Clever from both parties.

Congrats to all!

Coop
 
What's the big deal here, folks? It's a sheath from Paul Long, fer Pete's sake! It's guaranteed to be a work of art! ;)
 
What's the big deal here, folks? It's a sheath from Paul Long, fer Pete's sake! It's guaranteed to be a work of art! ;)

Interesting state of affairs when a guy is SO talented that the only surprise would be if he actually messed one up.....lol. That is a wild sheath both in concept and execution. Paul is a true artist and if you needed any proof, just the fact that he even took on such an unconventional commission is sufficient in my book.:D
 
I feel I should have put a few more smilies in my post! ;););)

Seriously, I have seem some nice leatherwork from a variety of artisans, but Paul's sheaths are the only ones I own where it looks like the stitches were measured with a micrometer! :D
 
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