Kohai999
Second Degree Cutter
- Joined
- Jul 15, 2003
- Messages
- 12,554
So what is it about these simple slivers of steel, and other materials that makes a knife?
If you have ever been to a show, and seen what happens when it opens, when adults push, shove and act like children, when the high volume exultations and lamentations float in the air like molecules...... well, why?
Like many of you fellow custom knife fanciers, I love knives, and have since childhood, probably more than any other single type of object. That would be a starting place, for most regulars to BladeForums, right?
It is the total package for me. Starting with raw or basic materials, the artist-craftsman creates something frequently functional and attractive(to someone). You get to meet, and know this person, maybe, even become friends with them.
If you so desire, you can become a specialist in the work of one artist. Here in BladeForums, we have Joss Delage-Don Fogg, Coop-Hill Pearce, Kevin Jones-Jerry Fisk. One of the fascinating things about this is when the artist allows that the collector knows about as much of their works, as the artist themselves do, and it happens.
The more you collect, the longer you have been around, you learn some of the skills that your favorite makers have, and start practicing them. You learn to select and purchase top quality pieces of wood, stag or pearl. to use on that special piece. I did this a few times, but got some special fossil ivory a few years ago, it will be the only piece of this type in the permanent collection. That was an education in itself. I find myself coveting Don Hanson's fossil ivory, and am not the only one.
Rarity and desireability come into play. It is not a hobby/passion for everyone, indeed the type of personality that collects knives was uncommon to begin with, and becomes scarcer with the passing of time. I lived in upstate New York during the school years, and every male of a certain age had a knife in their pocket, that does not happen anymore, legally. That said, it is an exclusive hobby to begin with, and when you covet a maker who produces less than 15 knives annually, that is pretty exclusive company. Not necessarily high falutin', but exclusive.
Custom knives harken to a time past, current and future. You can use them, collect them, make them....they are often functional art, with something in a range of prices for just about anyone.
Speaking about prices, it is hard not to be passionate about something, when you are of lower or middle means, and just purchased a "non-vital" item in the high hundreds to four figure range. If you didn't believe that it was worth it, and did not feel compelled to purchase it, you would not have. When other people who might not understand/question the purchase/your sanity, like it or not, it stings a bit...for a variety of reasons.
When I think of negativity, bad experience with makers, drama, poor craftsmanship, changing laws, expense, time, frustrations, broken promises, long passed delivery dates.....I question why I continue, but cannot see an end to it either, and always find something new and redeeming in it.
I guess one of the things I like best about knife collecting, is that as I put in time, building my collection of irreplaceable dreams and realities,knowledge of knives, I have also in reflection, been part of, and helped continue to build the community of knife people.
I find myself in good company.
What makes you collect custom knives?
Best Regards,
STeven Garsson
If you have ever been to a show, and seen what happens when it opens, when adults push, shove and act like children, when the high volume exultations and lamentations float in the air like molecules...... well, why?
Like many of you fellow custom knife fanciers, I love knives, and have since childhood, probably more than any other single type of object. That would be a starting place, for most regulars to BladeForums, right?
It is the total package for me. Starting with raw or basic materials, the artist-craftsman creates something frequently functional and attractive(to someone). You get to meet, and know this person, maybe, even become friends with them.
If you so desire, you can become a specialist in the work of one artist. Here in BladeForums, we have Joss Delage-Don Fogg, Coop-Hill Pearce, Kevin Jones-Jerry Fisk. One of the fascinating things about this is when the artist allows that the collector knows about as much of their works, as the artist themselves do, and it happens.
The more you collect, the longer you have been around, you learn some of the skills that your favorite makers have, and start practicing them. You learn to select and purchase top quality pieces of wood, stag or pearl. to use on that special piece. I did this a few times, but got some special fossil ivory a few years ago, it will be the only piece of this type in the permanent collection. That was an education in itself. I find myself coveting Don Hanson's fossil ivory, and am not the only one.
Rarity and desireability come into play. It is not a hobby/passion for everyone, indeed the type of personality that collects knives was uncommon to begin with, and becomes scarcer with the passing of time. I lived in upstate New York during the school years, and every male of a certain age had a knife in their pocket, that does not happen anymore, legally. That said, it is an exclusive hobby to begin with, and when you covet a maker who produces less than 15 knives annually, that is pretty exclusive company. Not necessarily high falutin', but exclusive.
Custom knives harken to a time past, current and future. You can use them, collect them, make them....they are often functional art, with something in a range of prices for just about anyone.
Speaking about prices, it is hard not to be passionate about something, when you are of lower or middle means, and just purchased a "non-vital" item in the high hundreds to four figure range. If you didn't believe that it was worth it, and did not feel compelled to purchase it, you would not have. When other people who might not understand/question the purchase/your sanity, like it or not, it stings a bit...for a variety of reasons.
When I think of negativity, bad experience with makers, drama, poor craftsmanship, changing laws, expense, time, frustrations, broken promises, long passed delivery dates.....I question why I continue, but cannot see an end to it either, and always find something new and redeeming in it.
I guess one of the things I like best about knife collecting, is that as I put in time, building my collection of irreplaceable dreams and realities,knowledge of knives, I have also in reflection, been part of, and helped continue to build the community of knife people.
I find myself in good company.
What makes you collect custom knives?
Best Regards,
STeven Garsson