Tim Hancock The Western Bladesmith

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I would like to thank David Darom and Tim Hancock for giving me the opportunity to review “Tim Hancock The Western Bladesmith”. This book makes a very significant contribution to the custom knife world on multiple levels.

As with all of David’s books the photos are absolutely outstanding as is the overall quality of the book. I don’t believe a collector of any art and/or collectible could be exposed to this book and not come away with an appreciation for custom knives.

From an educational standpoint, in 54 pages Tim takes us through every step and process of making a very complex Damascus and frame handle Dogbone Dagger. This “work in progress” is the most captivating and enlightening I have experienced. The high quality and well executed photos makes one feel as if you're in the shop with Tim and David. Each meticulous step is described in great detail that’s easily understood.

From individual pieces to completed Dagger:
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"The Hancock Dogbone Dagger" #1 ot 7, 2008:
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There are many outstanding custom knives which go from maker’s shop to collector’s safe with only few ever seeing them. This book and those like it take many of these masterpieces and present them to the world. There’s page after page of beautiful knives and sheaths which until now have had limited exposure.

“Southwest Hancock Bowie” 1996 & “Hancock Bowie #1, The Flagstaff Bowie” 1996. The alligator overlayed sheath is a good example of Tim's exquisite sheathwork. He handtools his own conchos:
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David does a superb job in this book of not only showcasing the maker’s beautiful knives, but takes us on a journey in getting to know Tim Hancock, the man. The book shares Tim’s early years as he grew up working summers on large ranches in Wyoming and Montana. He developed skills in his teens as a cowman, farrier, and horse trainer. He even rode broncs and bulls in rodeos making it to the National Finals on several occasions. Tim’s experience as a farrier eventually lead to a career as a welding engineer in the construction industry and of course a desire to make custom knives.

This series of books really demonstrates how maker/collector relationships develop into long term friendships. Ged Messinger, a collector and good friend of Tim’s wrote the impressive introduction to the book. Ged writes of accompanying Tim and Larry Fuegen on an adventurous back country trip in the mysterious Superstition Mountains of Arizona. As you would imagine, the photos are amazing.

Ged writes; “Tim Hancock is not only a first-rate Master Bladesmith and skilled horseman; he is also a true cowboy and a natural explorer at heart”.

Tim and Larry Fuegen riding into the Face of Malapais Mountain:
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Tim and his favorite mule “Pete” high up on Peter’s Mesa. Notice Tim’s personal machete tucked into a saddle scabbard. I imagine it comes in handy on these trips:
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I have to admit, I was pleasantly surprised by the great diversity of pieces depicted in “The Western Bladesmith”. Of course Tim is well known for making some of the finest bowies and hunters in the world, but then there’s his “Cowboy Art”, and many other styles of knives we don’t often see. Tim Hancock is undoubtedly one of the true artists of custom knives.

Tim’s Spurs. He wears these every time he is in the saddle:
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“Engraver’s Delight”, 2007 AKI – The Sheffield style blade is ATS-34 created in a stock removal fashion. The take-down construction enabled disassembling of the knife for the engraving done by Bruce Chistensen of Utah:
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“Personal Defense Knife” 1997 – Not your typical Hancock, however one extremely effective fighting design. Bead blasted linen micarta handle; "Black Fighter", 1994; "Black Hunter", 1995:
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“Rawhide Tanto #3”, 2001. Again, an outstanding piece that's a little out of the norm for Tim. The rawhide braiding is by Richard Goff of Arizona:
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While I recommend this book to all knife enthusiasts, I particularly hope newer collectors and makers will treat themselves to "Tim Hancock The Western Bladesmith” as it’s very enjoyable as well as educational. I can’t even tell you how many times over the last month I have taken this book off the shelf and enjoyed these beautiful knives and sheaths over and over.

I would like to thank David Darom for bringing this series of books to us and Tim Hancock for sharing his incredible knives, sheaths and his life with us. Hope you enjoyed my review.
 
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Outstanding review Kevin. Now i just gotta sell a knife so i can order this book. It looks to be a must have.
 
Kevin,

Great job reviewing the book. I can't wait until my copy arrives soon.

Jim
 
Thanks Kev. I also hope many new people will take advantage of this. I can't wait for this book.
 
yeah thanks, Kevin. Great review:thumbup:
Nice selection of photos, I find that rawhide wrapped tanto really floating my boat.
 
Thanks for the review, Kevin.

I am so used to being intimate with the pictures in the book
that I almost forgot that the book is out and available, and
that this review indicates the fact that one more stage in my
"Grand Plan" has been accomplished... :)

For me, being with Tim for 10 days was an experience of a lifetime.

Tim's quiet, calm and relaxed front does not indicate the true professional
artist he is. It was revealed by watching him work on the Dogbone Dagger
from start to finish.
It was an amazing experience - one I am sure very few will ever have
the chance to be part of.

Having been deeply involved in making Tim's book for about
one whole year, I lived his knives and WIP pictures day and night.

I would dream about little things I may have missed in a picture,
only to find out the next day that I had done them correctly....

I do hope that a little of this shines through the pages of the book....

All the best,
David Darom (ddd)
 
Thanks Kevin.

A great job in describing the book. I have all of David's books so far and consider each a labor of love.
 
You're welcome and glad you liked my review.

Those of you who are ordering copies, post back with your comments on the book.
 
Tim included a thoughtful note(I usually don't care for inscriptions beyond date and signature) and it is appreciated.

The content is first rate, David takes superb photographs in his own right, and is quite accomplished at utilizing Photoshop to take the image where he wants it to go.

The WIP section on the Dogbone Dagger is as informative as any I have seen, and the pictures bring it out in crystal clarity.

There is a section in back showing the breakdown of his work, and marks. Tim has made less than a 1,000 knives to date, that figure is mind boggling for a maker as accomplished as he is.

Another must have!:thumbup:

Best Regards,

STeven Garsson
 
The first time I met Tim was at the spring hammer in at Washington, Ark. in 1997. He was and always has been a gentleman. His artistic ability is incredible.
 
Tim included a thoughtful note(I usually don't care for inscriptions beyond date and signature) and it is appreciated.

The content is first rate, David takes superb photographs in his own right, and is quite accomplished at utilizing Photoshop to take the image where he wants it to go.

The WIP section on the Dogbone Dagger is as informative as any I have seen, and the pictures bring it out in crystal clarity.

There is a section in back showing the breakdown of his work, and marks. Tim has made less than a 1,000 knives to date, that figure is mind boggling for a maker as accomplished as he is.

Another must have!:thumbup:

Best Regards,

STeven Garsson

I was surprised by the figure and impressed by his record keeping as well. I wonder how many makers can brake down quantity for each style knife they have made in their career?

His meticulous fit/finish would indicate he spends quite a bit of time on his knives perhaps supporting his limited quantity over 22 years.
 
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I just received my copy of "The Western Bladesmith" from Tim about 3 hours ago. I haven't been able to put it down. It is an exceptional book.

Congratulations to David Darom and Tim Hancock for a great collaboration.

I think that anyone who hasn't ordered a copy should contact Tim ASAP.

Jim Treacy
 
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