That looks fantastic. I much prefer a beautiful hamon over damascus any day. I do like some damascus (the random versions) but some get crazy. A hamon usually is more subtle but I really prefer it.
Do you have any control over the process so that the light is next to the edge and the dark is next to the spine? Or would that need a different type of steel?
Thanks! I love the effect.
The polishing and etching method has a lot to do with the final look and yes I think the tones can be reversed.
What I do is hand rub to a very clean 2000 grit. I make sure there are zero scratches at all. After that it is time to etch... I used dilute ferric chloride solution, vinegar, lemon and lime juice with the lime giving a considerably darker look this time. After an etch you remove the oxides produced (black crud) and this also has a lot to do with the look. I am using baking soda and a natural (clay based?) lapidary polish called M5. At first there will be very little contrast so I repeat this cycle over and over... maybe 15 times for this knife. The hardened metal will start to burnish more, the martensite between hard and soft starts to really show white or clouds.
If I used flitz or the likes to remove the oxides it will have a much different result.. much lighter steel tone with a bit more white between the layers. I always do both to see what looks best with the particular activity I have. I cycled this one with flitz about 10 times and decided I like the darker look of this one much better.
Getting a good photo of a cloudy hamon can also be nearly impossible! This dark one was easier but there is a lot more activity in person... you can see exactly where the clay was applied, a white band of transition then to the hardened edge.
Along with polish/etch heat control is everything! I'm literally only hardening the exact part of the steel that I want to. I like the lower Japanese style hamon and often do several heat treats to get the right look... especially if the entire edge is not hardened. I can seriously fiddle with this entire process for days... and have on a few knives.
In Japan stones are used which chemically react with the steel so polishing is done a bit differently with no etch steps. I think reverse tones can be achieved this way. If you check out the Japanese sites for sword polishing it can get pretty interesting... loads of money can be spent too!
http://www.japanesenaturalstones.com/finger-stones-and-naguras/
I have also used only waterstones to get a hamon... produces a very white look and really changes the tone of the metal. This finish is very time consuming and costly. I have tried it a few times...
I am trying some silicon carbide powder on these, I got 1200 and 2000 grit... should have some nice results!