- Joined
- Mar 15, 2000
- Messages
- 45,835
First, congrats to all the winners. Great job to everyone. :thumbup:
I thought Md 25v put it over the top with that homemade cordage, and I was right.
But Ethan also acknowledged the pedagogical bent of that post, and he's right there as well.
There are a lot of processes shown and lessons taught in Md 25v's post.
I thought Just thought I'd query the folks who competed (or anyone for that matter) and ask about what they learned.
I'd done quite a few Figure 4's before, and that one I found pretty easy.
However, on the Paiute and the L7 Spring Trap, I was learning from ground zero. Here's what I figured out.
I thought Md 25v put it over the top with that homemade cordage, and I was right.
But Ethan also acknowledged the pedagogical bent of that post, and he's right there as well.
There are a lot of processes shown and lessons taught in Md 25v's post.
I thought Just thought I'd query the folks who competed (or anyone for that matter) and ask about what they learned.
I'd done quite a few Figure 4's before, and that one I found pretty easy.
However, on the Paiute and the L7 Spring Trap, I was learning from ground zero. Here's what I figured out.
- On the Paiute, I thought it was helpful to choose a trigger stick that is thin and lightweight. With light tension on the trigger, a heavy stick just falls too easily.
- I also found it practical to sharpen the tip of the trigger stick so that it had a light but effective grab on the deadfall.
- I also flattened the sides of the trigger (tied to the string) and found the flat surface particularly valuable on the side that engages the trigger stick.
- On the L7, I figured out that it's easy to adjust the tension on the snare based on how fully you engage the L7 trigger.
- Also, when setting the spring trap, I thought it was a good idea to make a "pilot hole" in the ground with a throwaway stick. I spent a lot of time carving my "7" piece, and I feared pounding it into the ground might crack the end.
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