Im looking more for the "Technical" aspects of the knife.
This is open to all categories of custom knives.
Been working with you for 22 years, Les. Nice to finally get to help educate you!
I look at a lot of details. Here are some:
1. Plunges on the left and right sides should be even when viewed from the edge. Years ago a very prominent ABS MS wrote in Blade that they should be within 1/32" of each other and there was a picture of one of his knives with plunges that fell within his tolerances. They should have been within .002" of each other! At least that's what Fred Carter taught me 25 years ago.
2. Hand finishes should have no out of the way strokes. I've seen award winners with P-poor hand finishes and I wondered if the judges were blind!
3. Grinds on both sides should be even and symmetrical. That's pretty easy on a bowie ground from edge to spine, but harder to hide when there is a grind line. If I happen to pick up a knife and see a chisel grind I just set it back down and walk away. Anybody can grind them! You never know if the grind line is off because there's nothing to compare it to on the other side. YMMV
4. Flow. Yes, that word is overused today. So much so that many people have no idea what it means, just that it's a cool word, and many knives described as having flow don't. The lines running from the blade to the handle, even if broken by a guard running across them, must be aligned to achieve good flow. If not you don't have flow. Simple as that.
5. With few exceptions, knives should be sharp. Plunging daggers and recreations of blunt edged swords don't have to be sharp, but other knives should. I've seen art level knives without sharpened edges even though the knife without the art would have been a working knife.
6. I'm an artist and appreciate a lot of different kinds of art knives. Sometimes, however, having spikes on the handle, no matter how cool they may look, just doesn't make sense. There should be some sort of logic to what goes on an art knife, even if it has to be looked for. Artist knifemakers should be able to explain why they've done what they did. Again, YMMV.
7. Finally. "soul". A knife should have soul. In most cases the more CNC and other machine work on a knife the less soul it has. The opposite is true. I can usually tell if a knife was made with machines or with a person's hands holding it. I can appreciate a few of the machine heavy knives, but most. . . no.
I've probably just made some people POed, but that's okay. I'll live with it.
Should be an interesting article, Les.
David