- Joined
- Apr 27, 1999
- Messages
- 6,117
Back in the 60's I bought a made-in-USA Collins brand machete that was different than any other machete I've handled. If you tapped the blade it would ring with more of a clear bell tone than any machete I've handled. Usually machete's are a bit soft to withstand abuse. This seems to dull their song. My Collins seemed to have more of a spring temper and never took a bend when given tough usage. I'd guess now that it was made from 5160 with a high spring temper.
My question is, have you owned or made blades that made a pleasant ringing sound when drawn or tapped? If you did, what were their dimensions, materials, and heat treatment? Do you have fond memories of a blade that felt and sounded "cool"?
Given the hardness of many modern knives and swords I would expect them to vibrate elastically in a way that would produce a good song. Why don't I notice the sound more? Are they too short and too thick? Can it relate to something like cold working (such as cold rolling) that gives a high surface hardness that is good for song?
My question is, have you owned or made blades that made a pleasant ringing sound when drawn or tapped? If you did, what were their dimensions, materials, and heat treatment? Do you have fond memories of a blade that felt and sounded "cool"?
Given the hardness of many modern knives and swords I would expect them to vibrate elastically in a way that would produce a good song. Why don't I notice the sound more? Are they too short and too thick? Can it relate to something like cold working (such as cold rolling) that gives a high surface hardness that is good for song?