Please excuse the micrographs, but a very common reaction to pointing out the recommended temps and methods is What I am doing is working fine for me. But working fine is usually determined by a quick skate with a file, bending in a vice or some other test that reveals practically nothing about actual results. This topic is one of those that has some very credible believers, so to present just opinion to counter it is not good enough. Actual images of the inside of the steel allows me to completely remove myself and my opinions and just present what it is in the realest way possible.
What you are seeing is whole fields of martensite, which etches very light and crystally looking, but mixed in there are varying degrees of undissolved prior microstructure from incomplete solution at the austenitizing temperature that etches out very dark. To the right of the bottom image you will see little dark gray patches mixed in there. That is left over undissolved cementite in some segregated strings that were in the parent bar. Other images of the same piece heated at lower temps or shorter times show a lot more of the gray.
The top image is a slightly different story; it is not patches but islands of martensite surrounded by moats of pearlite. From either incomplete Austenitizing, insufficient hardening or a little of both. But to the left of the bottom image you have a solid field of total martensite from total austenization and a #50 oil quench fast enough to avoid any pearlite. Proper time+ proper temperature+ proper quenchant= success!