I flattened my two Lansky ceramics because they were warped (lengthwise), which impacted how consistently they maintained a sharpening angle on the guided system. I also flattened both sides of a Spyderco DoubleStuff hone, because each side was 'dished' enough that the edges were getting an inordinate amount of contact with blade edges I sharpened on it. Could see the extra wear on the hone as a 'shinier' surface around the edges of the hone. That was impacting the quality of the finished edges, due to the extreme pressure exerted by the very narrow edge of the hone. The narrow width (1") of the DoubleStuff played into it a bit; a wider hone of maybe 2" or more width might not've been so much a problem. With narrow hones, a relatively straight blade laid across it while sharpening often only makes contact on the outer edges of the hone (at the same time), if the blade is very long at all.
Having said that, I also have medium and fine Spyderco 8" bench hones. Both of those are very nearly flat (from the factory), but still show a little daylight underneath a straight-edge laid across them. Edges are slightly raised. That's why I was earlier emphasizing how, if the hone isn't already perfectly flat, only the edges of the ceramic hone will initially be making contact on a dead-flat diamond plate; hence the extra pressure around the edges, and extra wear on the diamond plate.
I don't know how effective a belt sander with diamond paste might be, on a ceramic hone. I'd assume at least, the result may be a somewhat higher polish on the hone's surface. If that's the goal, then it might work somewhat. If one is shooting for flattening, and then finishing at (hopefully) the same effective 'grit' as the factory finish (or coarser), it might be tricky. Pressure exerted by the lapping substrate (affected by softness or flex, or lack of same) will also play into how deep, and therefore how coarse or fine, the resulting 'scratches' in the surface of the ceramic will be. Also how uniform the distribution of the lapping will be across the entire surface. I'm assuming most factory-lapping of such stones is likely done on very hard and dead-flat working surfaces, and under tightly-regulated pressure, in order to ensure the true flatness and consistency of the finished results.
David