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- Jun 7, 2002
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- 3,411
there was one youtube guy who rigged up an inclined mount for his DMT (10 degrees) so that he just had to attack the stone with the blade held flat. seemed to work. he sharpened a zdp 189 spyderco.
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there was one youtube guy who rigged up an inclined mount for his DMT (10 degrees) so that he just had to attack the stone with the blade held flat. seemed to work. he sharpened a zdp 189 spyderco.
I got the DMT Magna-Guide set, and so far so good.Playing withUsing it and stropping (also new to me), I feel like I've already learned a lot more about sharpening, including understanding how to better use the ceramic rods I already have.
I'm really grateful for the tips (and pictures!) about shimming the DMT clamp and using sandpaper to provide a better grip for the blade, etc.
Would that DMT made a clamp specifically for smaller blades. I'm tempted to semi-permanently mod my clamp, as almost all my sharpening will be on small (and even tiny) blades, but I'm going to hold off for now. Has anyone else done more than add a zip-tie shim, and/or found a way to clamp the smallest blades?
Some of my pen blades seem simply too small to attempt with a clamp, regardless of mods. Yet, I have not figured out how to translate the knowledge and feel of the guided angle (with clamp) into being able to create a consistent angle freehand. Into a consistent anything freehand, for that matter.
I realize "learning to freehand" is one of the most-asked questions around here, and is something undoubtedly much more easily demonstrated than 'splained, but if anyone can give me advice specific on going from the Magna-Guide/clamp to the Duofold(s) alone, I'd appreciate it.
This is a fun learning curve.
Thanks!
~ P.
Regarding the transition from guided to freehand sharpening, I think the biggest take-away I've noticed is this. From sheer repetition (sharpening lots of knives) on the guided system, I found it was much easier to 'feel' the bevel flush on the hone, after some time.
I used the pad of my index finger, laid very lightly atop the blade, directly over the area of contact with the hone, to feel the change in friction when the bevel became flush to the hone.
When holding the clamp, I often loop a finger over the rod, behind the guide loop, so the rod stays in constant contact with the bottom of the guide loop.
When done with very light pressure, it's much easier to notice how much rougher it gets, if the angle gets too high (more on the very edge itself), or if it's too low (contact only with the shoulders of the bevel). When the angle is 'just right' (bevel flush to the hone), it feels much smoother. Especially at the finer grits, it becomes very slick-feeling when the bevel is flush.
Once this is noticed and recognized for what it means, it's much easier to 'find' flush contact by feel, when freehanding. With enough sheer repetition, making adjustments to the 'feel' becomes almost instinctive and automatic.
Another thing that seems to work for me, is to pay close attention to how I would hold the blade and hone in each hand, and the stroke used, if freehanding.
You might even reach a point where you feel like the clamp & guide are getting in the way of, or restricting, your 'natural' process.
Beyond that, keeping everything slow and firmly under control makes a big difference too. For me, the process always gets somewhat sloppy if I start to rush things a bit. Take each sharpening pass one stroke at a time, and pay very close attention to the feel and the observed results of each and every pass.
I'm going to fiddle around with my Aligner clamp some more, to see if I can work up some ideas for clamping smaller blades.
"This begs a question I probably should have asked much earlier:
HOW MANY HANDS DO YOU HAVE?!
Ahem.
Oops.
The downside to having used 3 different clamped systems is, I think I had the Lansky and/or Gatco in mind, in my earlier comment about looping a finger over the rod behind the clamp's guide loop. I don't hold the DMT the same way as when I use those, so I see the confusion here. With the other two, I hold the clamp with knife in my left hand (or in a vise, which is obviously more stable), and loop my index finger over the back end of the rod in the loop. With the Dia-Fold & Magna-Guide, I'm holding the handles on the Dia-Fold with one hand, and the handle of the clamped knife in the other. No 'third hand' at work here. Sorry about that.
Having said that, with the DMT setup, I still strive to keep the rod riding in constant contact with only one side of the guide loop, albeit without that extra 'helping hand.'![]()
Not a problem-- I was just funnin' you, although that might not have been clear. And, I truly was puzzled at how you could have fingers in so many different places, and was trying to picture how, exactly. Thanks for the explanation!
Still, it wouldn't have surprised me if you did turn out to have three hands; that would explain a lot about your sharpening wizardry.![]()
Onward.
~ P.
Great thread!
The biggest problem I've had with the DMT Aligner is me overtightening the clamp which causes it to flex, changing the sharpening angle. I just ordered a metal Lansky replacement clamp hoping that it'll work (it looks like it will) with the DMT rods and that it won't flex. I'll post in this thread when I get a chance to try it out.