Does anyone other than HI make custom khuks?

In days of old, sword smiths the world over had to get steel from guys that smelted iron from iron ore and turn this stuff into steel in a backyard furnace. The finest iron ore available in Japan came in the shape of sand.

Today, traditional Japanese sword smiths still do it this way. The Japanese got very good at this, and they don't want the skills to disapear.

While steel made from iron sand is pretty good, and adds the inherent historic and artistic value to the blade, it is not the ultimate material for sword making.

Obviously, steels available from modern factories can and do out perform the best of Medieval Japan. It is cleaner, more consistant, more compact, designed by people with PhDs in material science. Furthermore, modern smiths can use advanced heat treat techniques like digitally controlled salt baths to creat exacting temperatures and evenly distributed heating not available to traditional smiths that rely on feel.

Not to say technology is a substitute for experience, but there are a few American smiths who are very experienced. Combine that with modern technology and it's pretty hard to beat.

Traditional steel still has an aesthetic advantage, dirt in the steel rises to the surface during forging, creating a visible grain sought after by collectors. But it is no match for modern steel in the performance area -- edgeholding, strength, flexibility, etc.

There are some Japanese smiths who are very knowlegable of modern steels and heat treat. But they are not permitted by the government to use these methods under threat of losing their hard won license.


[This message has been edited by tallwingedgoat (edited 03 November 1999).]
 
Goat, thanks for taking the time to explain. You guys never cease to amaze me with your extensive background and knowledge, which is greatly appreciated.

The more I learn from you "ol' timers," the more I realize how very ignorant I am, which makes me want to learn even more. Again, Goat, thanks.
 
Old timer! I'm actually a young guy. You're welcome though
smile.gif
 
I've read some swordsmith who immigrated to Manchuri made finest swords from spring steels. Though not as much of artistic value as genuine katanas, it is said the spring swords were sharp enough, and excellently tough ones.

I guess the story was true, as I now have an HI khukuri, it's a proof if treated in a right way a spring steel will make a great blade.

Oh, but I'm not sure they had so many of Mercedes Benz spring in Manchuri at that time.

------------------
\(^o^)/ Mizutani Satoshi \(^o^)/
 
In the March 1995 issue of Fighting Knives, there is a picture of a khukuri. It says "For those who can handle the explosive power of a properly built Kukkuri (I have never seen this spelling anywhere else. -Me), this one from Roy Genge will surely clear a trail. Handle is green canvas micarta, fittings are stainless steel. Blade is forged damascus. Sheath is green canvas micarta. Unique and meant for the woodline". It looks nice and there's and interesting looking tool with it. It might be made of micarta, since it has a similar surface texture as the scabbard, but I don't know about color, since this is a black and white picture. I have absolutely no idea of what is this thing. It is a tad longer than the handle, flat, single-piece construction, has no blade, a hole in both ends and the other end totes a chain attached to it by a split ring. On the other end of the chain, there is a piece of twisted metal (looks kinda like an earring attachment) and next to the tool is a metal pin.

Jani

------------------
Two important questions in life:
Do they have a catalog?
Did you know there's a town called "Batman" in Turkey?
 
Back
Top