end of summer projects

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Aug 4, 2004
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At the end of this week I'm going back to college, so I decided to finish up a couple of larger knives while I still had time.

Here's the first one.

knife2_2.jpg


14" long, 12 oz. I forged this one from a file and left the forged finish on the flat areas. You can also see some of the file marks, although I ground them almost all the way off with an angle grinder before forging to reduce the possibility of cracks or folds. The handle is a piece of cheap amboyna burl that I home "stabilized" with Nelsonite.

The quench line on this one is kind of interesting. There's a primary quench line which follows the curve of the blade to the tip, then another set of 4 parallel, wavy "ghost" lines running parallel to the edge. I think I made the ghost lines when I was wiggling the blade around in the quench tank to make waves.

In between there is a very subdued effect kind of like curly maple, with light and dark regions perpendicular to the edge. It was impossible to photograph.

In the picture it looks like the on

You can kind of see the "ghost" lines in this picture:

knife2hamon.jpg


The lines used to be more distinct, but then I tried some home cold-treatment using dry ice and I swear that it changed things, kind of blurred the zones together. This kind of makes sense, because the transition zone did not cool quickly enough, so it had some retained austenite, which was then converted during the cold treatment.

It's kind of funny that the heat treatment turned out well because this was just an old file I found it my grandpa's basement. It wasn't even from a well-known company like Nicholson, the only marking on the file was a stamped "FMCO". I figured it was a cheap Chinese case-hardened file, but I guess not.

I also made a sheath.

knife2.jpg


This was the first one sheath that I truly "hand-stitched" using an awl instead of a drill press to punch holes. It was fun although I made some mistakes in the stitching. The awl made bigger holes than the drill press and it turned out that the marks from the overstitch wheel were too close together. So I had to guess the distance between stitches which made it look pretty uneven and bad.

On the plus side, when punching holes with the awl, you only punch one hole at a time, so the holes stay open and it's easier to push the needles through - didn't even need pliers. Then when you punch the next hole it pushes the leather over and closes up the previous hole. Pretty nice. Hey, and I didn't even break any needles. I think I'll stick with the awl from now on.

I chopped up a couple of small branches with this knife but it didn't work too well on anything big due to the light weight and balance. Also, after doing all that polishing and etching work, I felt bad messing up the finish! So for the next two knives I didn't even clean up the spatters of silver solder.

knife1.jpg


knife3.jpg


Both are forged from 5160, the first is 26" long and 29 oz, the second is 18" long and 18 oz. They both have a "plant matter finish" from a recent bit of chopping work.

On the big knife, I left the handle nice and long to allow for a comfortable two-hand grip. I really like that and I would like to get a khuk with an extra-long grip. Sometimes you need to be able to stop the knife after making a cut to avoid hitting a rock, steel fence post, or human leg, and having an extra hand there really helps.

You can also comfortably use this one handed, you can put your hand either farther back on the handle to get more power, or closer up to get more control. I made the handle such that the curved portion is on the back of the handle, so if you are holding it farther back the knife makes a larger angle with your hand, by grabbing closer up you hold it straighter.

With the second knife I made the handle a little too thin for my taste.

Okay, enough of the boring description. I got to use both of these today clearing out some brush along the fence line. Mostly, I had to cut through autumn olives, usually around 1" diameter branches, but going up to 3-5", a couple of large 4-5" diam poplar branches, some old dried up pine, and various small, about 1/4-1/2" diameter branches of differing composition.

I cut through everything within a couple of feet of the fence using the big knife. My dad got the smaller one, he would come up and drag the branches off, also cut up some of the smaller stuff towards the ground.

Both knives worked really well. I really like the extra-long handle design. It was comfortable to use and I didn't get any blisters on my right hand. My left hand got a couple but I think that's just because I don't normally do much work with that hand, so the skin is not toughened.

The long blade was nice for cutting the autumn olive, which tends to be a bit thorny in spots. I would choke up on the handle and use the tip of the knife to pick up the branches and throw them aside. This saved my hands from getting ripped up too.

One problem that I had with the longer, thinner blade (well, compared to the khukuris that I normally use) was it's tendency to glance when you don't make a cut properly. Especially when you make a cut with the tip, it goes flying off to one side.

The knife that I was using didn't suffer any edge damage, and I took a couple of swings into the dirt while cutting stuff close to the ground. My dad's knife took some damage in the form of the edge rolling. I was suprised because I thought I did a better job heat treating that one.

It could also just be that my dad wasn't as careful in not hitting rocks, or he made a couple of bad glancing blows. He was also using the tip to cut instead of the curved portion, which is not a good idea. I tested out the blade afterward and didn't get any damage from my use.

Well, I'm hoping that I still have some time to work on knives while I'm at school, although with my schedule it's doubtful. The co-op where I'm staying is supposed to have a workshop in the basement. Hopefully they have 220V service - then I could bring my belt grinder. The anvil and forge might be a bit of a stretch though.
 
Good Job, Nice Report KM!!!! :thumbup: :D

I like the designs you came up with, the first one nice and simple and the other two leaning into the Elven Works, you part elf?;) :D ;)
I love as forged blades and wish I were still up to hammering steel. Well maybe after I get my back fixed again, it's not like I don't have access to a forge.;)
There's just something honest about a primitive finished knife, kinda a what you see is what you get sorta thing. Me Likey.:D :thumbup:
 
Wow, nice work! I hope someday to be able to make a sheath like that. I plan on starting with a way simple non-fitted drop pouch sheath and working up from there. Cool knives, thanks for sharing!

Norm
 
Svashtar said:
I hope someday to be able to make a sheath like that. I plan on starting with a way simple non-fitted drop pouch sheath and working up from there.

It's really not that difficult. I hardly have any experience with sheathmaking. The hardest part really is punching the holes (or drilling them). I always have trouble making them straight on both sides. Generally the front looks OK but the back is all over the place.

A few simple tools make stitching a lot easier, like that grooving tool to mark the groove where your stitches go, and a stitch marker wheel.

There is also a "stitchless" sheath that you can make that's really easy. Jeb made one of these and it looks pretty good.

http://www.primitiveways.com/pt-knifesheath.html
 
What Jeb said.

I like the 26" one that you made the best. I agree that a two-handed handle is often a good thing, especially with longer blades. I had a crazy idea a ways back to have an honest two-handed handle fitted to a 30" sirupati. I'm still considering it. It would be the cane knife from hell. Yours seems to be pretty much there.

Sheath looks fine to me. I can not do half as well without using an overstitcher and a drill press. Even then, mine don't look so hot.

Pretty is as pretty does and there's nothing wrong with an as-forged finish for a user...don't let anyone tell you otherwise.

The ghost lines are cool. Don't know what they mean, but me and my cow's taste in steel and all...I don't know what's going on but I know when I like it. :) (Applies especially to nihonto but it's valid here as well.)
 
On the subject of stitching again, here was a good tutorial that helped me out a lot: http://www.knifenetwork.com/workshop/tut_wrtc_burrows.shtml

I also purchased the book "The Art of Hand Sewing" by Al Stolhman, which was pretty good. However, he describes a very specific, detailed method for stitching which did not work well for me. His method requires you to hold both needles and the awl at all times, and be able to punch the awl holes using only hand pressure, while the piece of leather is held in a stitching pony.

I could not push an awl through 3 layers of 8-9 oz. leather by hand, so instead I used a hammer and pounded the awl through on a soft pine board. This meant I couldn't take advantage of the more efficient methods where you don't have to keep putting down and picking up tools.

Hmm, maybe I it would be pre-punch the holes, then just open them up with the awl as I go along. This should be much quicker. You can't pre-punch the holes and sew directly, since the holes tend to close up on themselves.
 
Another question, does anybody know a good method for lightening a leather dye? The color of dye I used on that sheath was "Cordovan", but it's so dark that it looks black. If you hold it up to the light, you can see a tiny bit of red tint, but that's it. I wanted more of a burgundy kind of color.

The other dye that I bought was "medium brown" and that is also really dark, although not as dark as the cordovan. I don't know how they name these colors. Both dyes were made by Fiebling.
 
Bri in Chi said:
Hey, I'm just tellin' ya what works for me. You figure it out for yerself. :yawn:

Hey, I was just trying to make a joke about it... guess since I'm a math guy my sense of humor is a bit strange. Some people don't immediately think that you can have a (monotonically) increasing function which approaches a limiting value.

In reality, I would guess that the curve of experience is more logarithmic, where the better you get, the harder you have to work to improve.
 
KM it's damned hard to lighten the Fiebling's. If you had used Oxblood it would've turned out a nice burgundy color. Another thing you can do is mix a darker one with a lighter one but that's about it.
 
I was hoping that I could mix some of the Fieblings dye with neatsfoot oil or maybe even Ballistol. I know that Ballistol can emulsify in water so perhaps it would mix well with the dye? I suppose it's worth a try on some leather scraps.

Well, google as usual has an answer... it looks like you can use denatured alcohol to thin the dye out.
http://iilg.org/lkb/articles/faq195.html
 
So can you use a blacksmiths style forge to heat a blade to temper it??

I was over at my friends house Sat. and he has an old forge. Froze up but might be able to get it to work by taking it apart. Doesn't appear severely rusted.

Thought I might ask if I could take it home and see if I could get it to work.
 
Great work, KM:)
I don't know a dang thing about this stuff, but i know talent when i see it.

jake
 
KM?

I think you're going to have to leach some of the pigment out to lighten it. Try petro products first...you will ultimately have to restore the oils you take out.

Good luck.

And good luck in school.
 
I use denatured alcohol from the paint store to lighten dye when needed. Seems to work. Different leather types - even leather from different places on the same hide - take dye differently. No guarantees. I like Fiebing's British Tan (kinda orange-ish)and Medium Brown and apply the dye before I cut the sheath parts out, if possible. That way the stitching stays un-dyed. I also soak the leather in several changes of water to remove any tanning salt which cause blade rusting. Then, dye while still damp.
I drill stitching holes with a 5/32" drill with the drill-press, after marking the position with the marking-wheel/overstitcher. Then sew with the Stohlman's two-needle saddle stitch. I use my vise with padded jaws to hold the piece, and sew with both hands. It goes pretty fast. I made a sheath once that took 18 feet of cord to sew :eek:
If you want to lighten already dyed leather, I don't have a clue. I'd make another sheath, I think. :o Like puttin' the toothpaste back in the tube ;)
 
Khukuri Monster said:
The handle is a piece of cheap amboyna burl that I home "stabilized" with Nelsonite.

Would you give some details on the stabilization process and how it worked?
 
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