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Ok, the W2 did a little U.S. tour thanks to FedEx but it is finally here. I ordered the bronze from McMasters and it is here as well and I just got a shipping notice from High Temp Tools that my Satanite has shipped. I've read several threads discussing HT of W2 and watched a couple good Youtube vids on creating the hamon. Still, I have questions. With the stainless steels I am accustomed to working, I grind the bevels after HT. I assume I will need to grind my bevels first on this knife in order to be able to develop a good hamon. My question is, will the pre-HT edge thickness have any effect on the hamon? I'm thinking that I will grind down to about .030" edge for HT and then bring it down to around .005" after.
Another question, edge quench or submerse for the best hamon? I'm of the mind that submersing will give more reliable edge hardness but edge quenching may produce a more striking hamon.
Still have about a weeks worth of other knives before I get started on this one. Just trying to make sure I have a good plan.
Bob
Here's what I do. Its what works for me, and you will find what works for you may be different, as it is for each smith.
I rough grind the knife. I get the edge to about 0.040", and have the blade evenly sanded to 120g. The clay doesn't pop off too early for me when I stay at 120g. It was hit or miss when sanded at 400g. Clean all oil, wax, fingerprints before applying clay. Make sure there are no rough edges or gouges, especially around the plunges/ricasso. Make sure there are no leftover scratches from the 60 or 36g belts. They may rear their head during the etch. Some people coat the entire blade with a wash of clay. That doesn't work with me for the brand I use. Try it with and without to see for yourself which you prefer. You don't need a lot of clay, max 1/8" at the thickest.
I let the clay set while I bring the oven up to temp. I use 1460f for W2 and 1095, 1465 for 15N20, and 1440for Hitachi White. I have only done two blades in 1075, and am still experimenting. I found 1450 too cool, and 1475 a bit on the warm side. My next one will be 1460. As a note, the 1075 blades are 1/4" thick, compared to the much thinner kitchen knives. This will affect soak and quench times. I use Maxim DT-48, which is similar to parks 50. In the kitchen blades, I use very thin clay, and I quench 2 seconds, out for three, in for three, out for 5 then finish the quench. I find this really enhances the drama in the ashi. Its safer to use a slightly thicker clay and just quench, but the drama is more subdued. The top kitchen knife in my previous post was done this way. It gives a mix of clay and time/temp activity, with extra cloudy action. You can do the same thing without a commercial oil, by using brine for the first quench to beat the pearlite nose, then subsequent dips in heated canola oil. You will risk a cracked blade every so often, but its mostly safe, maybe...
As the steel gets thicker, it gets a bit easier as a wedge cross section will try to naturally form a hamon. You will need to adjust the heat, amount of clay, and time in and out of quench to get the desired effect.
After tempering. I go back to 120g on the grinder, and clean everything up, then go to structured abrasives in u200, u100, u65, then u45. (approx 150, 220, 320, 400g) I can see the hamon clearly as soon as I get through the decarb in steels that do a hamon well. The 15N20 shows between 220 and 400g, depending on something I haven't quite figured out. The finer you hand sand, the more detail that will come out. The kitchen knives were only sanded to 1000g, as they are users. The finer you go in the kitchen, the more you have problems with food stiction.
I do the first etch in heated white vinegar, about a 15 min soak, then neutralize with windex. Polish with the powdered abrasives mixed with water to a toothpaste consistency. Clean then etch with a makeup pad and heated lemon juice. Focus on the fully hard parts of the blade. Oh, I forgot, put a few drops of dishsoap in the vinegar and lemon juice, it acts as a surfactant. Repeat until you are happy, or are worried you are losing your mind. If you don't have powdered abrasives, you can use rubbing compound from the auto store.
Untitled by Ranger_Bob, on Flickr
Untitled by Ranger_Bob, on Flickr
Untitled by Ranger_Bob, on Flickr
Bob I cant tell you how many times I have read, by not making these inside corners a radius that you may develop stress fractures during the quench, I would really hate to see one of your handles snap off while the buyer was using it for a crowbar
Or worse yet the dreaded "tink" noise when you drop the blade in the quench oil
nice wip started , looking forward to seeing this finished out. Also, I have been told by at least one experience guy that you can grind bevels post heat treat and the hamon will be there, Id like to hear others thoughts on that. Cant wait to see the finished results.
Untitled by Ranger_Bob, on FlickrSo...I'm still waiting for my quench oil. Not really much I can do until I get the blades HT'ed so I cleaned the shop and re-organized some and did some work on this little linerlock.
AEB-L blade, Titanium liners & back spacer, Zirconium bolsters, and Bronze Lightning Strike Carbon Fiber
Untitled by Ranger_Bob, on Flickr
Bob, Kind of sucks waiting on the quench oil. But looks like your making good use of time waiting. How do you like the Zirc? Looking fantastic so far. I just finished one up for Seattle with Damascus / Zirc and CF. Thanks for taking us along
Bing
Untitled by Ranger_Bob, on Flickr
Untitled by Ranger_Bob, on Flickr...Need my quench oil to show up. Really don't see why it takes two weeks to ship across town. Folder is almost done though...
Untitled by Ranger_Bob, on Flickr
Untitled by Ranger_Bob, on Flickr
Not sure on the color of the backspacer (anodized Ti). It matches the brass insert in the zirc thumbstud and the wire in the CF but, it just seems too bright. Maybe a low voltage bronze would be better. Hoping to get back to the frame handle this week.
Bob