Bumping for answers.
For you questions or the OP's?
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Bumping for answers.
CRK is not low batch and I do believe that olamic is midtech. They mod all there knives whether they get scales and blades made in house or outsourced.So Hinderer, CRK, Olamic, aren't because the brand namesake doesn't touch them, and most other production pieces that are sharpened or anodized by a guy that works for a guy with his name on the blade is midtech? Or does it have to be done by the namesake person?
Who at olamic would need to touch the knife to make it midtech?
Were tim britton's knives midtechs? Quartermaster? Mantiss?
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Midtech?
A small list of the semi-production folding knives that could be defined as "midtech" I own (or on the list to own...)
Holt Septer
NCC MK-1/s
Laconico Jasmine
Valence Gamma
Ferrum Forge Archbishop/Masterblaster/Septer
Chaves Redencion
Liong Mah Warriors
Nadeau Typhoon
Curtiss F3
Pena Ti Slipjoint
There is so many different definitions of it for so many people.So, let me get this straight. Basically the diference between production and midtech is that the later is manually assembled by de maker himself?
So we get to pay extra coin for having the screws (let's focus in a screw construction for illustration purposes) turned by THE MAN instead of a plain company worker?
Sounds fishy to me.
Talk to any maker or collector and you’ll hear a different interpretation of what is or isn’t ‘mid-tech.’ Custom knife maker and designer Lucas Burnleyhas decided to abandon the term completely for his BRNLY Brand products. Burnley’s custom work is still marked by his full name on the blade. But when it comes to BRNLY models, the maker believes that the knife world and the term itself have changed so much that ‘mid-tech’ no longer accurately represents these products.
Originally, Ken Onion coined ‘mid-tech’ to describe a specific run of his Boa model. According to Onion himself, the parts were cut by an outside source, but he performed many of the other knife making processes in-house. “Mid-tech was supposed to let people know that it was made in part by the maker,” Burnley says. “But at this point, it’s gotten such widespread use that it includes products and brands outside of that original definition.”
Burnley feels part of the confusion stems from massive changes in the knife making landscape. Fifteen years ago, affordable CNC, laser cutters/engravers, and 3D printers were thin on the ground. Burnley, who owns a Haas CNC milling machine, says that this tech has come down in price so that small shops and even lone makers can afford them – and thanks to online resources, learn the skills necessary to run them. “Processes that were limited to larger-scale production are now more accessible to smaller craftsmen.”
Does the addition of one or two processes often associated with production automatically disqualify a knife from being called a custom? Some may feel that way, but Burnley thinks not. He never viewed CNC as a means of automation or increased production. Rather, it became a new method for developing his custom work. He treats it has another tool in his repertoire, a skill that he chose to learn himself.
However, Burnley notes that as custom makers are adding these processes to their work, production companies of all sizes are also leveraging custom techniques. Brands like Reate produce hand-ground, hand-rubbed blades. Outfits like Millit and Three Rivers Manufacturing implement multiple manual processes on batches of knives. RJ Martin himself chipped in for the recent TRM Neutron, sharpening each blade himself. ‘Mid-tech’ can now encompass all these situations and more.
So Burnley suggests approaching the problem from the opposite direction. “The big question isn’t ‘What is mid-tech?’ The big question is, ‘What is production?’” He says that production can mean mass production, like a run of 10,000 knives from one of the big brands. But today, it has expanded to also mean a batch of 100 knives from one of the smaller shops. That’s where he sees the BRNLY label falling. “It’s very subjective, but we’ve always strived for transparency,” Burnley explains. “The only area I’m able to accurately comment on is my own little niche. But for us, production is a more definable term. I no longer feel comfortable using the term ‘mid-tech.’”
He does however acknowledge the term’s importance, and the enormity of Ken Onion’s contribution in coining it. “Ken gave something that’s been 100% adopted by the industry.” And no matter what it comes to mean over the years, ‘mid-tech’ will always be part of the community’s lexicon. “The thing about terminology is that once it’s ingrained, it’s hard to remove it – no matter what aspects of the industry it grows to encompass.”
So, let me get this straight. Basically the diference between production and midtech is that the later is manually assembled by de maker himself?
So we get to pay extra coin for having the screws (let's focus in a screw construction for illustration purposes) turned by THE MAN instead of a plain company worker?
Sounds fishy to me.
This topic has generated more interesting conversation than I expected. The emphasis on defining “midtech” has left me wondering about how the word effects people. Not what it means to them in terms of definition, but what it means to them in terms of specialness or value.
I have a Wayfarer 247 that I love. I enjoy carrying and using the knife. The F&F, design, etc won me over after handling it back to back to back with other high end production, midtech, and custom knives at Blade West. Added to that was hand picking mine out, as I haven’t ever seen the particular configuration before. So, in addition to the value points commonly associated with any high end production piece, there is an added component of rarity/specialness that I connect with. I’m not a person who strives to be a unique and special butterfly through material in my daily life, but Olamic makes it very easy to get a great knife, distinct from others. I have to acknowledge that this particular knife has connected with me in a way that I usually don’t care about.
Rolling that over in my mind, I’m left wondering what feels ‘special’ to others.
None of these do anything. They all just get the knives shipped to them and they then box the knives up in usps boxes and ship them.And yes, Tim Britton, Quartermaster, and Mantis all meet the definition of midtech makers