Artfully Martial said:
People seem to hold it in very high regards, but I can't ever seem to afford it to test it out for myself.
I cant really afford it either, but I am fortunate enough to have the stuff laying all around my shop, so I have tested it at every opportunity. When I say test I dont mean whittling on something for a minute and proclaiming one virtue or another based on my likes, I mean meaningful material testing.
What has been said previously in the thread is true, pattern welded material is a process more than a product and an endless variety of materials can result from it, ranging from excellent to very poor. It is all dependant upon the materials used, techniques employed, skills of the maker, final heat treatment etc
With all the variables possible I am confident in saying that you chances of getting a stinker with pattern welding are greater that the safer route of carbon steel. So know the maker and caveat emptor.
As for what Damascus is it is a town in Syria, and that is all one can say definitively. Ancient crucible steels were not called in their time by that name either. Pattern welding was not called damascus in ancient times as well. Damascene effects in a variety of material have been around for some time, brocaded cloth is called damask, and many inlayed metal treatments are known as damascened. It all seems to stem from 18th or 19th century terminology to describe patterning, so I think we must be willing to accept that it can apply to any patterned steel, or admit that it is a complete misnomer for welded or cast steel. I was very interested in Ann Feuerbachs lecture at the Ashokan seminar in Sept., she spent a bit of time on the terminology and ancient language names for what we now call wootz, which is an incorrect corruption of an original word, so it would appear the not only is the title damascus erroneous but the word wootz is a fairly modern invention as well. It would appear that language evolves and we need to be flexible or all proper terminology will simply fade into antiquity.
The abandonment of pattern welding in with the advent of larger blooms and better hearths is not an indication as to the quality of the original materials but a result of the need for efficiency. One needs to examine why they were welding up blades to begin with. Technology had not reached the point at which homogeneous material could be produced in satisfactory amounts for entire blades. When that technology came about, and one had to supply and entire army with metal weapons, it was just impractical to take the time to weld up all those pieces. Handmade furniture being mostly replaced with assembly line stuff says absolutely nothing about the relative quality of either, it just makes more sense if you need to make a lot of chairs, and some would argue that the handmade chairs are better.
My study shows that if one combines good materials of differing abrasion resistance, a pattern welded blade will cut more aggressively on certain materials due to a micro-serration effect. I have seen some pooh-pooh the very notion of this, but to them all I can say is show me your micrographs, and Ill show you mine.
If the material is made right (a big if these days), my studies have also shown that the weakest link hypothesis does not necessarily win out, I find a compromise. Lets take my pet mix of O1 and L6, some would say that L6 would lose its toughness to the O1 and the O1 would lose its edge holding to the L6, that the blade would only hold and edge as good as L6 and only take a shock as good as O1. I find that the shock resistance is a little less than straight L6 but a little higher than O1 and the same with edge holding. So one could just as easily say that the O1 has gained toughness and the L6 has gained edge holding, and this is supplemented with a micro-serration effect in softer fibrous targets.
It is a very complicated topic and a very complex material that one simply cannot make any blanket statements about.