Quartermaster. It’s become a dirty word, synonymous with shade in the knife world, it seems.
I know this comes up every few years. But most threads I remember coming across seemed to focus on whether ‘Made in the USA’ is the same as ‘ASSEMBLED in the USA’ (it’s not), where West’s mysterious manufacturing facility was actually located (a province in China actually called ‘Texas’?), or specifically identifying blade material (pretty sure it’s metal… but that’s as much as I know).
I’ll admit. I still own one, despite feeling like I need a shower any time I recall the exposure and downfall of Mantis/Quartermaster (whatever name of the year), or listen to Jared West when he pops up from a hidy-hole. $150 for a stupid-thick blade and two slabs of CNC’d Ti for <$200 was hard to pass up. It’s by far NOT my most questionable knife purchase, and as soon as Eric Luther agrees to make me an equally obscene Karambit, I’ll consider ditching it.
I do however want to pose this question for discussion: With the volume of $75-150 (even $250!) offshore folders made today by the likes of We, Sencut, Civivi, Reate (a slash over a letter doesn’t make it European), Kizer (NOT German), Artisan Cutlery, QSP… as well as all the ‘Made in the US’ companies in bed with these manufacturers today (and having peeked behind the curtain a bit now, there are LOTS of them)… would this have been such a big deal if West would’ve just been honest from the beginning about the origins of material and manufacturing?
I’m curious if we’re in a spot where it’s possible for today’s knife maker to balance small run/hand made customs at a premium collector price point… full US made, larger production volume pieces at that $350-450 range… and also offer budget minded/entry level/user pieces OPENLY/HONESTLY utilizing offshore production?
Just wondering what others think, as my own projects move forward.
I know this comes up every few years. But most threads I remember coming across seemed to focus on whether ‘Made in the USA’ is the same as ‘ASSEMBLED in the USA’ (it’s not), where West’s mysterious manufacturing facility was actually located (a province in China actually called ‘Texas’?), or specifically identifying blade material (pretty sure it’s metal… but that’s as much as I know).
I’ll admit. I still own one, despite feeling like I need a shower any time I recall the exposure and downfall of Mantis/Quartermaster (whatever name of the year), or listen to Jared West when he pops up from a hidy-hole. $150 for a stupid-thick blade and two slabs of CNC’d Ti for <$200 was hard to pass up. It’s by far NOT my most questionable knife purchase, and as soon as Eric Luther agrees to make me an equally obscene Karambit, I’ll consider ditching it.
I do however want to pose this question for discussion: With the volume of $75-150 (even $250!) offshore folders made today by the likes of We, Sencut, Civivi, Reate (a slash over a letter doesn’t make it European), Kizer (NOT German), Artisan Cutlery, QSP… as well as all the ‘Made in the US’ companies in bed with these manufacturers today (and having peeked behind the curtain a bit now, there are LOTS of them)… would this have been such a big deal if West would’ve just been honest from the beginning about the origins of material and manufacturing?
I’m curious if we’re in a spot where it’s possible for today’s knife maker to balance small run/hand made customs at a premium collector price point… full US made, larger production volume pieces at that $350-450 range… and also offer budget minded/entry level/user pieces OPENLY/HONESTLY utilizing offshore production?
Just wondering what others think, as my own projects move forward.