There is NOTHING annoying about this thread. It's really cool...don't sweat it.
You're not posting large numbers of bad bitmaps that take huge amounts of time to download and are an eyestrain to read once you do, with uninspired designs and false claims of manufacturer connections.
Did I miss anything?
Probably. Sheesh.
Now, back to THIS thread
, a far more enjoyable subject:
Like the others, I found that first picture "shockingly good". Seriously.
One thing you might want to consider if you want to advance in this (and you HAVE potential unlike a certain other
) is to get some martial arts training in bladecraft. That generally means an FMA (Filipino Martial Art) of some type. Or study some of what Keating is into...or whatever.
A lot of the better designers have strong MA experience. That includes Bill Bagwell, Ernie Mayer, Ernest Emerson, Kevin "Mad Dog" McClung(note below)" and a lot of others.
(Note on Mad Dog: controversy or not, love him or hate him, his grip designs are SUPERB, his "balance, handling and feel" issues are close to unmatched. IMHO.)
A true fighting knife, even a 4" class folder, needs to "flow" in your hand through a range of grip positions. Not just "tip forward or tip backward"; even in a "standard forward grip" the actual angle of the grip across the palm will shift between 90 degrees ("hammer grip") through as little as 20 to 30 degrees for the Saber. The grip needs to be shifted through those positions smoothly, effortlessly, with good control in as many as possible.
Grip design and "feel" is where the difference between a good knife and a great one comes through. MA training will help, as will handling some really nice pieces. Fondle a Mad Dog fighter at least once, especially the Panther. Try and do likewise with a Bill Bagwell hand-forged Bowie, or an Ernie Mayer fighter. The Hossom Milleniums have a good rep, to date I've not been fortunate enough to see one "in the flesh". Even if big pieces aren't going to be "your thing", handling these bad boys will teach you as much as several years of reading. The size and "agile feel" of big pieces that to the eye SHOULD feel "clunky" is the big eye-opener.
Jim