My first sheath

Retired Spook

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Mar 23, 2023
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Built for a KaBar 1266 Modern Tanto. Wickett & Craig russet skirting leather, hand-stitched with Barry King stitching awl. Far from perfect, but I learned a lot, and my next sheath will be an improvement.

My vision was for a functionally minimalist, geometrically clean, visually restrained working sheath designed for fast, quiet, unobstructed draw, informed by traditional forms filtered through restraint and proportion.

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Awl stitching is somewhat challenging at first. The Sam Brown button placard stitches were done with a C.S. Osborne #54 stitching awl that I tuned and polished. I switched to a Barry King awl and a large haft for the main body, and cut a stitching groove on the back panel, the same offset as the front panel, so I could watch where the awl wanted to come through, and I could adjust as I went. After a bit, it became a little easier - nice when the awl penetrates perfectly in the center of the back panel stitching groove - but it definitely requires attention. In the next iteration, I will focus more on maintaining consistent stitch tension.
 
That’s pretty much how I use to do it with the addition of using a stitching wheel. With good lighting I got pretty fast with it but after doing it that way for over twenty years with old eyes and creaky finger joints I bought a sewing machine. And I honestly wish I had bought it twenty years ago now.😃
 
I'm old. I used a 7-power Optivisor, a Sinabroks 5-tooth and 2-tooth stitching iron to mark off the stitch locations, and a really good Ott task light. 👍

In hindsight, I like the looks of the hand stitches better than machine stitches - but I am not stitching leather goods every day either.
 
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