I smell a setup here by my HI brethren!
Koz, I think there's been a lot of interest (re)kindled in the area of damascus or other high end blade materials and natural handles, especially of late. Several of the print magazines seem to have been harping on that of late.
For myself, I really love the marriage of natural handle materials (mastodon ivory, pearl, bone, oosic) with either damascus or high end stainless, stellite/talonite or (forged)carbon steel.
I might be less inclined to beat up such a knife compared to one handled with carbon fiber, g-10 or micarta, but there is definite pride of ownership there. (Much like with your higher end khukuris.)
As I mentioned above, I think the work exhibited by Audra Draper with damascus and buffalo horn, and the knife by Murray Carter with mastodon ivory and san mai damascus, really show the best of both worlds, performance and art. Murray's knives bring "sharp" to another level.
Tim Herman recently came out with a classy looking neck knife he dubbed the Wall Street Tactical. The pearl edition was especially attractive. Bub Worrell is another maker that has made some beautiful neck knives.
I hope a lot of makers will be willing to make both higher end as well as "utility" models in this arena. As you all know it's one I've come to appreciate a lot. Plus, you can get the work of master smiths at a very reasonable cost. Look at the EBK's by Ed Caffrey as an example of that.
I don't know about blade trends personally. I myself like the traditional tanto design versus the Americanized or geo-tanto. Recurves still seem to be doing strongly along with the drop and clip points. In a smaller knife like a neck knife, I think the drop, clip and traditional tanto styles work quite well.
Hopefully others will chime in with their experience, makers and collectors/users both.
Blues