New Art Nouveau

What impresses me the most beautiful work of Rodrigo Sfreddo is that their skilled hands able to reproduce exactly what your crazy mind conceives.
My compliments my friend!
Eduardo Berardo
 
Very nice!

I like this one very much. I really like all the carving on the spine of the blade and handle. Great work.
 
Rodrigo, you are truly the nonpareil of knifemaking.

Congratulations on another stunning piece.
 
Thank you guys. Mike, I went to Buenos Aires for the Knife show Mariano organize there, and will be with him again in September when he'll come to Nova Petropolis for our knife show, he's a great guy.

Please tell him "hello" for me. Although we haven't met yet we do write to each other. I really admire his work and determination. I hope to meet him in Atlanta next year. We may both be trying for our JS stamp if all goes well. He speaks very highly of you.
Mike
 
How does one respond to a knife like that...?

You know what I like the most about your work? From across the room, they all look smooth and simple, then as you get closer, you see some detail and say "oh cool, look at that", and you walk a little faster to get a better look. Then you see the next level of subtle sweetness, and it stops you in your tracks, makes you blush, and mutter under your breath.... and by the time you actually get close enough to touch it, you are reduced to a drooling, glassy-eyed moron, and all you can say is "my precioussssss"...

You are a mad, sick, sweet genius!

I can see that I will need to pack a lunch when I come visit you if I'm going soak up even a fraction of what you can teach.

That knife is gorgeous!

Adam-
 
OUTSTANDING as usual Rodrigo. Very elegant knife and your carving on the snakewood and sheath is exceptionally nice. Lastly, the damascus is stunning as well.

It is very obvious that you love your work, and your skills continually get better!

Pleasure seeing it and also chatting with you at Blade.

Thanks for posting,
Peter
 
Thank you guys, your comments really push me up!
Sounds like romance is in the air !
You bet! Married to a woman like this, is easy to keep inspired!
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No Steven, the wood isn't stabilized.
Adam, we'll have a great time for sure!

Cheers!
 
Wow, that's a beauty. Love the way the Snakewood and Damascus play against each other and the carving on the handle is an elegant touch. A great work, thanks for sharing.

Mark
 
No Steven, the wood isn't stabilized.

All snakewood has at least minute hairline cracks. Taking the step of soaking pieces in cyanoacrylate can help to minimize or eliminate any cracking. Fortunately, if cracks do occur, they can be hidden completely if caught early. To be successful, always have superglue and hardener on hand, cover the piece with plastic completely when not working on it, and seal it completely with a finish that does not allow moisture transmission.

Did you do any of this, Rodrigo...the cyano soaking or the sealing?

The reason that I ask is because while everyone is justifiably fawning over your craftsmanship(it's the best)....questioning your choice of wood and how it is worked has become necessary due to the amount of movement I have personally witnessed in prior pieces..the differences of humidity affecting natural materials due to geographical location is a factor that cannot be ignored.....many others here may not have had that opportunity to see this movement or be concerned about it.

Best Regards,

STeven Garsson
 
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It speaks volumes of your design talent and skill that you can push and improve on your original Art Noveau knife.
 
Hi Steven. I never used this kind of sealing on wood handles, and I feel that maybe the best thing is to keep the material free for breathing, as it can lost moisture, but can get some too. Any home made sealing will not avoid natural material to work with high differences in temperature and humidity, as when it change form hemisphere in just a few hours... I live in the extreme south of Brazil, in a cold and humid region (surrounded by forested montains)while whe're in winter. I already saw even stabilized wood to shrink over the time, but is easier to get the moisture back on a narural material then on a sealed one. Usually, we made the first assembling and fitting of the handle, and then remove it to finish the damascus, etc. When we assemble it back,some days after, the scales may have shrinked a bit already... This snakewood, was first fitted to the tang almost one month ago, and we had extreme changes in climate the last moth, from the hottest summer to the coldest winter in one week (seems to be the rule from now on), and the scales did'nt worked a bit.
Another thing that contributes to shrinking, is how seasoned the material is before used, and I just can control this after I buy the material. In the last two years, I have been able to buy more material than I use (part because my production is getting smaller), and this allow me to season the material for more than one year before I use it. My plan is to be able to make that for at least 3 years.
I like stabilized wood, I'd use it more, if most of it where'nt so colorful and fake looking...
 
I hope it works, I really do!

As far as colored or fake looking, if you take a look at the majority of Alpha Knife Supply's stabilized wood, the vast majority is neither fake looking or colored....if anything, there is a small loss of chatoyancy.

Obviously, you are free to use the materials you chose to use, but how they are seasoned, prepared and worked is very important, as you already said. Thanks for taking the time to address these concerns.

Best Regards,

STeven Garsson
 
Another beautifully executed knife and sheath. You ar consistentky creating new and exciting knives. Very nice indeed.

Jon
 
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