Larson is always relevant, he is likely a smith at heart
But Stacy's right about the semantics game when it comes to the term Tanto these days and some folks are pretty particular about the angle of the kissaki, thumbing their noses at American Tanto edges. I'm torn myself over it at times as the technical critic wants to stay true to the traditional Kissaki Moroha for Synesthesia and the artist in me wants edges that match the Aesthetics.
From that perspective, the clip almost makes the abrupt tip a requirement as the handle design is perfect. To break down the conflicting classic and modern elements:
The ergonomics and clip take on a near classic box-bowie look, at the same time the edge profile and the sharp, abrupt turns to the choil, grip, and butt link to a unique symetry of parallel contrasting points. To simplify--take a large bowie picture and compress the length in photo shop and it looks kind of squat to make it look less like a Danny Devito Bowie, you widen the blade and tug at the corners of the pommel and tip's curve to match a chopper.
I agree with Greg--something about this looks to me like what some modern steampunker would stick on Indiana's hip for a blade in reboot of Raiders of the Lost Ark . :thumbup:
I can't offer up a name, but I will too chime in en Espanol, "Me Gusta."