- Joined
- Jul 1, 2003
- Messages
- 270
Many of you remember the announcement about the first CLI knife a couple of years ago. The knife represented one of my few truly original concepts. It was a laminated stainless / carbon steel integral knife with a carbon steel core in the blade portion of the knife only, leaving a totally stainless tang. The process seemed simple enough until after that first knife, I hit a wall. Nothing I tried worked, and not knowing what I'd done right that very first time, it was very difficult to duplicate the results. After a couple years of trying, I believe I have solved the problems (and learned a lot along the way!)
This knife is the first in the new generation of CLI blades. Since it was a first, I thought it ought to be a special piece. So here are the details... The knife is made from 416 stainless with a core of 1095. The pattern of the exposed core literally shows every hammer blow required to bring the blade to the shape you see here. Each movement of the steel distorts that core, and leaves that distortion forever in the pattern. The blade also displays a superb version of the "white line" effect of my laminated steel. The white line appears between the carbon and the stainless steel as a result of the particular forging process. It is one of the most distinctive features of these laminated blades.
As for the style of the knife...apparently I had some kind of aversion to straight lines that day because there is literally not a straight line anywhere on the knife. It is one continuous curve, in and out all the way around the piece. The exceptionally long clip, and the very narrow "neck" between the handle and the blade give the blade a very lively and fast feel in the hand. Considering how large the knife is, it almost floats on its own when you hold it.
The handle is some beautiful Musk Ox horn with small domed nickel silver pins. Musk Ox is one of those curiosities of nature, because a musk ox wouldn't make anyone's Top 10 list of most beautiful animals, but hidden beneath all that hair and stink is some of the most beautiful horn anywhere on earth! It is actually translucent, so the light bounces off the patterns inside the horn, giving it a depth that very few materials can match.
The sheath as well, is a bit of a first. I wanted a little something extra to tie the whole package together. So I forge welded a piece of laminated steel onto a section of 416 stainless bar stock, then carved it into a very unique arrowhead-shaped frog stud.
I'd love to know what you (sorry, I live in the South so I mean y'all) think...
This knife is the first in the new generation of CLI blades. Since it was a first, I thought it ought to be a special piece. So here are the details... The knife is made from 416 stainless with a core of 1095. The pattern of the exposed core literally shows every hammer blow required to bring the blade to the shape you see here. Each movement of the steel distorts that core, and leaves that distortion forever in the pattern. The blade also displays a superb version of the "white line" effect of my laminated steel. The white line appears between the carbon and the stainless steel as a result of the particular forging process. It is one of the most distinctive features of these laminated blades.
As for the style of the knife...apparently I had some kind of aversion to straight lines that day because there is literally not a straight line anywhere on the knife. It is one continuous curve, in and out all the way around the piece. The exceptionally long clip, and the very narrow "neck" between the handle and the blade give the blade a very lively and fast feel in the hand. Considering how large the knife is, it almost floats on its own when you hold it.
The handle is some beautiful Musk Ox horn with small domed nickel silver pins. Musk Ox is one of those curiosities of nature, because a musk ox wouldn't make anyone's Top 10 list of most beautiful animals, but hidden beneath all that hair and stink is some of the most beautiful horn anywhere on earth! It is actually translucent, so the light bounces off the patterns inside the horn, giving it a depth that very few materials can match.
The sheath as well, is a bit of a first. I wanted a little something extra to tie the whole package together. So I forge welded a piece of laminated steel onto a section of 416 stainless bar stock, then carved it into a very unique arrowhead-shaped frog stud.
I'd love to know what you (sorry, I live in the South so I mean y'all) think...