New sword, new photographer.

Jesus, I just want to see a bigger version of this same image SO I CAN APPRECIATE THE SWORD THAT KEVIN IS TRYING TO SHARE WITH US.

I understand completely why you had issues on the ABS site, Kevin... same thing happened to me, and the image size restrictions they've adopted make editing my photos of no value on other threads. This really has no bearing on the topic at hand, however. Pretty please with sugar on top, post a bigger pic!
 
Everything is noteworthy and perfectly executed. That sheath has me out of my chair! Do you mind me asking how you what material it is and how you formed the recesses? Is it leather covered?
 
Everything is noteworthy and perfectly executed. That sheath has me out of my chair! Do you mind me asking how you what material it is and how you formed the recesses? Is it leather covered?

I knew I wasn't the only one! Thanks, Bruce...
 
all of it is amazing, but taking a second (or actually 42nd )look, yes I too would like to know how you got the contours of the scabbard so precise and sharp!

-page
 
Jesus, I just want to see a bigger version of this same image SO I CAN APPRECIATE THE SWORD THAT KEVIN IS TRYING TO SHARE WITH US.

:D, Yes, what is it about Bladeforums? No other site quite like it.;)

I understand completely why you had issues on the ABS site, Kevin... same thing happened to me, and the image size restrictions they've adopted make editing my photos of no value on other threads. This really has no bearing on the topic at hand, however. Pretty please with sugar on top, post a bigger pic!

Matt, I would oblige, as much as the load speed would allow, if I had a larger image. This is the size I retrieve off the FTP we set up, the high res images are still in Lansing waiting for me to step away from the forge long enough to pick up. I am on my third day of mashing steel and trying to fit in the forging of a knife I would like to bring to Ashokan.
 
Everything is noteworthy and perfectly executed. That sheath has me out of my chair! Do you mind me asking how you what material it is and how you formed the recesses? Is it leather covered?

Bruce, and Matt, the scabbard is carved poplar based on research from books like "Das Zweischneidige Schwert Der Germanischen Volkerwanderungszeit" despite the slightly later period, and the catalog of the swords of "Illerup Adal" find (no really great books on the topic are in English). I had been using poplar for many scabbards anyhow but then I read that many of the originals were made from it so I was happy to go with my initial choice. I did deviate from tradition and lined the inside with a oil charged felt.

The shaping in the front is inspired from scabbards of the period and one can carve it all from the top poplar slab or you can also cut the components out separately and glue them into position- always use a water based glue designed for outdoor applications on any part of the scabbard, just in case. Loving owners will want to regularly oil the blade and that will eventually weaken a non-water based cement.

The entire scabbard is wrapped in a natural calfskin bookbinding leather. Book binding leathers can be tough to locate but there is a place called Hollanders right here in MI, in Ann Arbor, that has some very nice book binding materials.

The fittings are phosphor bronze, which is pretty close to original tinned bronze, but more importantly it is very malleable and will allow for heavy shaping. Other bronzes are much more tarnish and scratch resistant but are as hard, or harder, to work than steel. I have alloyed my own bronze on the past but this required a very specific use in quantity so I ordered it.

The mounting rings are copper. While I could have soldered much of it together I decided to precision fit it all with hammering and then rivet it all together. A 1/16" bronze rod will make great little rivets if you make a rivet heading tool out of some plate steel. This was all important to me because one thing you will see in most of the finds of the period is lots of Little rivets.:)
 
Kevin the old WIP link you provided (some 20 pages) kept me up most of the night and for the first time, rather than depending on osmosis to my brain...I took notes as if I were still a college student.

This sword and sheath has me mesmerized. I love the research you do (You read German?) and I love the way you so concisely describe your techniques. I liked the pattern weld description but I was blown away by your mini sheath write up. For something so priceless and impossible of an accomplishment you create hope and drive. I'm going to try a poplar sheath for a knife if I can find some images of something that would have been era appropriate. I'm going to try both the books you listed. Do you have others you recommend? Folks don't know me on this forum but I'm known as a book fanatic. I love having the ease of research right in my own home and oddly I understand the gist of European written work.

Holy mackerel Kevin- When you post you always set off an explosion of thought and queries.

Dean Lapinel
 
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