some artsy fartsy ad guru
Hey, I resemble that remark...
Reading this thread is like being at work

Perspective creates drama, drama draws attention.
Attention is a good thing.
Including a mug shot in an ad can work, but it takes away the drama. An ideal situation (read: budget) you'd have the teaser/beauty ad run for a while. Then follow with the nuts and bolts info ad.
Alot also depends on the client's likes and dislikes. And they are paying the bills.
My design philosophy has two main creedos:
1) Everything lines up with something else.
2) Make sure they know it before they read it.
and Rythm
My design philosophy has three main creedos:
1) Everything lines up with something else.
2) Make sure they know it before they read it.
and Rythm
(Sorry couldn't resist

)
My critique on Doc's ad?
If the detail shots please the client, use them. Just make them larger than the main image...if the whole knife is life size (100%) in the main photo, then make the detail shot 125-150%. Also unclutter the background in those shots.
I would have the space between the detail shots and the logo, match the verticle space between the detail shots (rythm). Have the headline and the knife line up along the right edge...stuff like that.
Then I'd PO the photographer by selecting everything but the knife and fade it to maybe 60%. That'd make the blade and the headline jump. (Not picking on the pic, just making the blade the star & you can't push it that hard with just the camera)
And to think, I promised myself that I wouldn't type a bunch
I think it is really cool that Dr. Lathe's blades follow my two, no three rules.
You Sir,
You're knives have
face.
Great thread...now I feel like going to lunch.....