Well it seemed a long time coming, but I finally got the chance to leave the stuffy confines of downtown Toronto and head down south of the border for the opening of deer season. I'll post some pics of the weekend at the Farr hunting camp later, but one of the many enjoyable aspects of the weekend was the opportunity to put some quality custom knives to work - including this Andrews piece which jumping out of its sheath at the opportunity.
After a morning spent wingshooting, a short hike from the cabin presented many excellent chopping opportunities.
See that big busted-up Oak behind me? One swing of the Andrews camp knife did that.
Just kidding.
Much chopping was done though, and it gave me a chance to get to know this knife.
Check out the wood chips flying.
The knife worked very well on the heavier stuff. Enough mass for a powerful hit that bites deep, but not so heavy as to feel unwieldly. Like most choppers, this one had a discernible sweet spot, though it was reasonably generous. See the oak heartwood below? That stuff is SERIOUSLY hard and tough. If your edge geometry is too thin, right here is where that will show up. No worries on that account, though.
It is also in cutting through really hard medium that you find out straight away whether the knife will absorb the shock, or send wrist and elbow-numbing vibrations straight up your arm. This integral piece with its hidden threaded tang soaked up the impact shock quite nicely.
When it comes to thinner, greener stuff, big power won't get you very far. A thick, blade-heavy chopper will bounce off without making much of an impression because the vine (even when braced, as below) has a lot of "give". Combine that with a thick girth and dense, moist fibers, it's like the rope cut from hell.
Russ' piece managed well here again, as it did with the lighter, thinner twigs and branches that were dispatched just for fun. Matt took a couple swings on a completely free-hanging vine and managed a couple clean cuts. Good technique played a big part (not sure I could have pulled that off) but sound design as well.
Russ asked for critical feedback, and I have only two suggestions in that regard. The first is primarily aesthetic: a signature Andrews swedge runing from the tip and back along most of the length of the spine would give this piece some added visual dimension.
Second, I found the handle just a smidge thicker than I would like. It felt good with a bare hand, but grip with a gloved hand would be improved by slightly reduced cross-sectional thickness. Of course, someone with bigger hands - or just a preferenc for thicker handles would have a different view.
Overall, an excellent piece in terms of both design and execution that I quite thoroughly enjoyed using.
Roger